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MUSIC THEORY

  • Music theory
  • Study of the practices and possibilities of music

    Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. The Oxford Companion to Music describes

    Music theory

    Music theory

    Music_theory

  • Set theory (music)
  • Branch of music theory

    tonal music. Other theorists, such as Allen Forte, further developed the theory for analyzing atonal music, drawing on the twelve-tone theory of Milton

    Set theory (music)

    Set theory (music)

    Set_theory_(music)

  • Medieval music
  • Western music created during the Middle Ages

    realized in this music is comparable to that in the 20th century. Of equal importance to the overall history of western music theory were the textural

    Medieval music

    Medieval music

    Medieval_music

  • Theory
  • Supposition or system of ideas intended to explain something

    Twistor theory — Yang–Mills theory Music: Music theory Philosophy: Proof theory — Speculative reason — Theory of truth — Type theory — Value theory — Virtue

    Theory

    Theory

    Theory

  • Hybrid Theory
  • 2000 studio album by Linkin Park

    divorce of his parents. Hybrid Theory takes its title from the previous name of the band as well as the concepts of music theory and combining different styles

    Hybrid Theory

    Hybrid_Theory

  • Gordon music learning theory
  • Model for music education

    Gordon music-learning theory is a model for music education based on Edwin Gordon's research on musical aptitude and achievement in the greater field of

    Gordon music learning theory

    Gordon_music_learning_theory

  • AP Music Theory
  • Advanced Placement course and exam

    Advanced Placement (AP) Music Theory (also known as AP Music or AP Theory) is a course and examination offered in the United States by the College Board

    AP Music Theory

    AP_Music_Theory

  • Music
  • Form of art using sound

    scholars in the 21st century have developed and promoted the theory. Other theories include that music arose to assist in organizing labor, improving long-distance

    Music

    Music

    Music

  • Music and mathematics
  • Relationships between music and mathematics

    Music theory analyzes the pitch, timing, and structure of music. It uses mathematics to study elements of music such as tempo, chord progression, form

    Music and mathematics

    Music and mathematics

    Music_and_mathematics

  • Neo-Riemannian theory
  • Collection of ideas in music theory

    Neo-Riemannian theory is a loose collection of ideas present in the writings of music theorists such as David Lewin, Brian Hyer, Richard Cohn, and Henry

    Neo-Riemannian theory

    Neo-Riemannian theory

    Neo-Riemannian_theory

  • Roman numeral analysis
  • Use of Roman Numeral symbols in the musical analysis of chords

    In music theory, Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals, which encode the chord's degree

    Roman numeral analysis

    Roman_numeral_analysis

  • Chord (music)
  • Harmonic grouping of notes

    Riemann's Theory of Harmony: A Study. University of Nebraska Press, 1977. Holtmeier, Ludwig. "The Reception of Hugo Riemann's Music Theory", The Oxford

    Chord (music)

    Chord (music)

    Chord_(music)

  • Indian classical music
  • Classical music from the Indian subcontinent

    the early Indian thought on music theory. The early 13th century Sanskrit text Sangitaratnakara (literally, "Ocean of Music and Dance"), by Sarngadeva

    Indian classical music

    Indian classical music

    Indian_classical_music

  • Mode (music)
  • Type of musical scale and characteristic behaviors

    In music theory, the term mode or modus is used in a number of distinct senses, depending on context. Its most common use may be described as a type of

    Mode (music)

    Mode_(music)

  • Music genre
  • Classification of music by tradition or style

    cognition. The theory developed by Caporaletti, named Audiotactile Music Theory, categorises music in three different branches: 1) written music, like the

    Music genre

    Music_genre

  • Inversion (music)
  • Top-to-bottom rearrangement of a musical interval, chord, or melody

    In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music

    Inversion (music)

    Inversion_(music)

  • Phrase (music)
  • Unit of musical meter

    In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells

    Phrase (music)

    Phrase (music)

    Phrase_(music)

  • Triad (music)
  • Three notes in intervals of a third

    ISBN 0-226-31808-7. Cited on p. 274 of Deborah Rifkin, "A Theory of Motives for Prokofiev's Music", Music Theory Spectrum 26, no. 2 (2004): 265–289.

    Triad (music)

    Triad_(music)

  • Music and emotion
  • significant implications for, such areas as philosophy, musicology, music therapy, music theory, and aesthetics, as well as the acts of musical composition and

    Music and emotion

    Music and emotion

    Music_and_emotion

  • Music Theory Spectrum
  • Academic journal

    Music Theory Spectrum (ISSN 0195-6167) is a peer-reviewed, academic journal specializing in music theory and analysis. It is the official journal of the

    Music Theory Spectrum

    Music_Theory_Spectrum

  • Music of Turkey
  • The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and

    Music of Turkey

    Music of Turkey

    Music_of_Turkey

  • Bachelor of Music
  • Academic degree

    program of study in music. The degree may be awarded for performance, music education, composition, music theory, musicology / music history (musicology

    Bachelor of Music

    Bachelor_of_Music

  • Interval (music)
  • Difference in pitch between two notes

    In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to

    Interval (music)

    Interval_(music)

  • Microtonality
  • Use in music of microtones (intervals smaller than a semitone)

    Byzantine chant, Arabic music theory from the 10th century onward, and similarly for Persian traditional music and Turkish music and various other Near

    Microtonality

    Microtonality

  • Beat (music)
  • Basic unit of time in music and music theory

    In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level). The beat is

    Beat (music)

    Beat (music)

    Beat_(music)

  • List of musical scales and modes
  • 63 (2): 492–504. doi:10.1080/00150517.2025.2505426. "Combinatorial Music Theory". andrewduncan.net. Retrieved 2025-03-28. A free Android app with scales

    List of musical scales and modes

    List of musical scales and modes

    List_of_musical_scales_and_modes

  • Theory of a Deadman
  • Canadian rock band

    Theory of a Deadman (abbreviated as Theory or T.O.A.D) is a Canadian rock band from North Delta, British Columbia. Formed in 1999, the band is currently

    Theory of a Deadman

    Theory of a Deadman

    Theory_of_a_Deadman

  • Art music
  • Serious music, as opposed to popular or folk music

    Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high phonoaesthetic

    Art music

    Art music

    Art_music

  • Society for Music Theory
  • American music theory organization

    The Society for Music Theory (SMT) is an American organization devoted to the promotion, development and engagement of music theory as a scholarly and

    Society for Music Theory

    Society_for_Music_Theory

  • Degree (music)
  • Position of a musical note on a scale relative to the tonic

    In music theory, the scale degree is the position of a particular note on a scale relative to the tonic—the first and main note of the scale from which

    Degree (music)

    Degree_(music)

  • Generative theory of tonal music
  • Theory of music based on intuitions of a listener

    The generative theory of tonal music (GTTM) is a system of music analysis developed by music theorist Fred Lerdahl and linguist Ray Jackendoff. First

    Generative theory of tonal music

    Generative_theory_of_tonal_music

  • Musicology
  • Scholarly study of music

    field research) to understand how and why people make music. Systematic musicology includes music theory, aesthetics, pedagogy, musical acoustics, the science

    Musicology

    Musicology

  • Overlap
  • Topics referred to by the same term

    refer to: In set theory, an overlap of elements shared between sets is called an intersection, as in a Venn diagram. In music theory, overlap is a synonym

    Overlap

    Overlap

  • Scale (music)
  • Ascending or descending sequence of musical tones

    In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental

    Scale (music)

    Scale_(music)

  • Tonality
  • Harmonic structure with a central pitch

    In music theory, the tonality of a piece is its perceived key or mode. Tonality centers around a tonic note and chord, where the piece is most stable,

    Tonality

    Tonality

  • Transformational theory
  • Branch of music theory

    Transformational theory is a branch of music theory developed by David Lewin in the 1980s, and formally introduced in his 1987 work Generalized Musical

    Transformational theory

    Transformational theory

    Transformational_theory

  • Music-learning theory
  • The field of music education contains a number of learning theories that specify how students learn music based on behavioral and cognitive psychology

    Music-learning theory

    Music-learning_theory

  • Circle of fifths
  • Relationship among tones of the chromatic scale

    In music theory, the circle of fifths (sometimes also cycle of fifths) organizes the twelve pitch classes of the chromatic scale in a cycle of ascending

    Circle of fifths

    Circle of fifths

    Circle_of_fifths

  • Music of Mesopotamia
  • exactly how the music would have sounded. The Mesopotamians had an elaborate system of music theory and some level of music education. Music in Mesopotamia

    Music of Mesopotamia

    Music of Mesopotamia

    Music_of_Mesopotamia

  • Diminished triad
  • Type of musical chord

    In music theory, a diminished triad is a triad with a minor third and a diminished fifth above the root. When using chord symbols, it may be indicated

    Diminished triad

    Diminished_triad

  • Post-tonal music theory
  • Music unstructured from harmonic patterns

    Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period

    Post-tonal music theory

    Post-tonal_music_theory

  • Octave
  • Interval between one musical pitch and another with double its frequency

    commonly refer to the perfect octave (P8), the interval of an octave in music theory encompasses chromatic alterations within the pitch class, meaning that

    Octave

    Octave

  • Aleatoric music
  • Music in which some element of the composition is left to chance

    components of sound are controlled by mathematical theories.[vague] In the second type of indeterminate music, chance elements involve the performance. Notated

    Aleatoric music

    Aleatoric music

    Aleatoric_music

  • Baroque music
  • Style of Western classical music

    characteristics of Heinrich Wölfflin's theory of the Baroque, describing the visual arts, systematically to music. Critics were quick to question the attempt

    Baroque music

    Baroque music

    Baroque_music

  • Composer
  • Person who writes music

    composition; composers may also hold a B.Mus. in music performance or music theory. Master of Music degrees (M.mus.) in composition consists of private

    Composer

    Composer

    Composer

  • Music school
  • Institution specializing in music education

    well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general

    Music school

    Music school

    Music_school

  • Twelve-tone technique
  • Musical composition method

    formulating a similar theory in his writings. In the second edition of his book Vom Wesen Des Musikalischen (On the Essence of Music, 1923), Hauer wrote

    Twelve-tone technique

    Twelve-tone technique

    Twelve-tone_technique

  • Calypso music
  • Style of music that originated in Trinidad and Tobago

    (2007). Revisiting Music Theory: a guide to the practice, p. 28. ISBN 0-415-97440-2. "Calypso and the birth of British Black Music". Archived from the original

    Calypso music

    Calypso music

    Calypso_music

  • Instrumentation (music)
  • Particular combination of musical instruments employed in a composition

    Instrumentation. Boston, MA: The Boston Music Company. Perone, James E. (1996). Orchestration Theory: A Bibliography. Music Reference Collection. Vol. 52. Westport

    Instrumentation (music)

    Instrumentation_(music)

  • Noise music
  • Music genre

    avant-garde music, but later drew influence from industrial and electronic music. It is characterized by a rejection of conventional music theory and traditional

    Noise music

    Noise_music

  • Artificial intelligence in music
  • Usage of artificial intelligence to generate music

    voice-controlled music playback, bridging current research in music theory with advanced digital sound processing. In the 1950s and the 1960s, music made by artificial

    Artificial intelligence in music

    Artificial_intelligence_in_music

  • Adam Neely
  • American YouTuber and musician (born 1988)

    music theory in the 2010s. He and similar YouTubers established the community of Music Theory YouTube, and he became a celebrity among music theory communities

    Adam Neely

    Adam Neely

    Adam_Neely

  • Eclecticism in music
  • Use of diverse music genres

    In music theory and music criticism, the term eclecticism refers to the use of diverse music genres. A musician might be described as eclectic if different

    Eclecticism in music

    Eclecticism_in_music

  • Journal of Music Theory
  • Academic journal

    The Journal of Music Theory is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale

    Journal of Music Theory

    Journal_of_Music_Theory

  • Radif (music)
  • Collection of melodic figures in Persian music

    New Perspective on the Theory of Iranian Music, published in 1372 SH (1993 CE). In that book, Talai formally proposed a theory stating that all Iranian

    Radif (music)

    Radif_(music)

  • Atonality
  • Music that lacks a tonal center or key

    'free atonal' music. ... Thus, many useful and crucial insights about even strictly serial music depend only on such basic atonal theory". Late 19th- and

    Atonality

    Atonality

  • Schenkerian analysis
  • Method of analyzing tonal music

    Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic

    Schenkerian analysis

    Schenkerian_analysis

  • Elements of music
  • Ingredients that form music

    and theatre. According to the theory of the emotional origins of music proposed by David Teie, the primary elements of music can be traced back to two sources

    Elements of music

    Elements of music

    Elements_of_music

  • Function (music)
  • Musical term

    music, function (also harmonic function or tonal function) denotes the relationship of a chord or scale degree to a tonal centre. Two main theories of

    Function (music)

    Function_(music)

  • Philip Ewell
  • American music theorist (born 1966)

    American professor of music theory at Hunter College and the CUNY Graduate Center. He specializes in Russian and 20th-century music as well as rap and hip-hop

    Philip Ewell

    Philip Ewell

    Philip_Ewell

  • Riemannian theory
  • Musical theories of Hugo Riemann

    phraseology, the history of music theory, etc. More particularly, the term Riemannian theory often refers to his theory of harmony, characterized mainly

    Riemannian theory

    Riemannian theory

    Riemannian_theory

  • List of musical symbols
  • Graphic notation Music theory Musical instruments Musical Symbols (Unicode block) Musical Symbols (disambiguation) Shape note Tone cluster "Music Notation and

    List of musical symbols

    List_of_musical_symbols

  • Three-gap theorem
  • On distances between points on a circle

    Delone set; intuitively, this means that they are uniformly spaced. In music theory, a musical interval describes the ratio in frequency between two musical

    Three-gap theorem

    Three-gap_theorem

  • Sprechgesang
  • Expressionist vocal techniques between singing and speaking

    of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered", Music Theory Online (MTO), 12/1 (February 2006) Avior Byron and Matthias Pasdzierny

    Sprechgesang

    Sprechgesang

  • Music of ancient Greece
  • Musical traditions of ancient Greece

    and what is myth. The music and music theory of ancient Greece laid the foundation for western music and western music theory, as it would go on to influence

    Music of ancient Greece

    Music of ancient Greece

    Music_of_ancient_Greece

  • Binary logarithm
  • Exponent of a power of two

    below. Historically, the first application of binary logarithms was in music theory, by Leonhard Euler: the binary logarithm of a frequency ratio of two

    Binary logarithm

    Binary logarithm

    Binary_logarithm

  • Music history
  • Academic field

    view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Nigerian music or the history

    Music history

    Music_history

  • Ars antiqua
  • Musical style of the High Middle Ages

    composer of motets, is one of the few whose name has been preserved. In music theory the ars antiqua period saw several advances over previous practice, most

    Ars antiqua

    Ars antiqua

    Ars_antiqua

  • Augmented sixth chord
  • Chord that contains the interval of an augmented sixth

    In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass tone. This chord has its origins in the Renaissance

    Augmented sixth chord

    Augmented_sixth_chord

  • George Russell (composer)
  • American jazz pianist, composer, and theorist (1923–2009)

    musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book Lydian Chromatic Concept

    George Russell (composer)

    George_Russell_(composer)

  • Consonance and dissonance
  • Categorizations of simultaneous or successive sounds

    often viewed as consonant (e.g., the unison and octave). Occidental music theory often considers that, in a dissonant chord, one of the tones alone is

    Consonance and dissonance

    Consonance and dissonance

    Consonance_and_dissonance

  • Accidental (music)
  • Musical note not in the current key signature

    augmented fourth, or tritone, that music theory writers referred to as diabolus in musica, i.e., "the devil in music"). Nowadays "ficta" is used loosely

    Accidental (music)

    Accidental_(music)

  • Psychology of music
  • Branch of both psychology and musicology

    aspects of musicology and musical practice. For example, it contributes to music theory through investigations of the perception and computational modelling

    Psychology of music

    Psychology of music

    Psychology_of_music

  • Generate
  • Topics referred to by the same term

    Generation of primes Generator (mathematics) Other: Generated collection, in music theory Generate LA-NY, digital entertainment studio "Generate", a song by Collective

    Generate

    Generate

  • Dutch Journal of Music Theory
  • The Dutch Journal of Music Theory, or Tijdschrift voor Muziektheorie (ISSN 1385-3066 [print], 1876-2824 [online]) was a peer-reviewed, academic journal

    Dutch Journal of Music Theory

    Dutch_Journal_of_Music_Theory

  • Alexander Rehding
  • Fanny Peabody Professor of Music at Harvard University

    Professor of Music at Harvard University. Rehding is a music theorist and musicologist with a focus on intellectual history and media theory, known for

    Alexander Rehding

    Alexander_Rehding

  • Music of China
  • Chinese music theory, or the languages of China. It includes traditional classical forms and indigenous folk music, as well as recorded popular music and

    Music of China

    Music of China

    Music_of_China

  • Ison (music)
  • Drone note in Byzantine chant

    Theory at holycrossonline.org An introductory article on psaltic chant Understanding the Byzantine Musical System Using Western Notation and Theory or

    Ison (music)

    Ison_(music)

  • Auteur
  • Leader of a collaborative work comparable to the author of a book

    Film Theory Goes to the Movies. New York: Routledge. pp. 8–37. Shuker, Roy (2013). "Auteurs, Stars, and Music History". Understanding Popular Music. Routledge

    Auteur

    Auteur

    Auteur

  • Pitch axis theory
  • Approach in music theory

    The term "pitch axis theory" has been criticized as misleading, as the above techniques do not represent a separate theory of music, and simply refer to

    Pitch axis theory

    Pitch_axis_theory

  • Motif (music)
  • Short recurring musical phrase

    Gendering musical modernism: the music of Ruth Crawford, Marion Bauer, and Miriam Gideon. Cambridge studies in music theory and analysis. Cambridge New York:

    Motif (music)

    Motif (music)

    Motif_(music)

  • Musical acoustics
  • Application of acoustics to music

    psychophysics, organology (classification of the instruments), physiology, music theory, ethnomusicology, signal processing and instrument building, among other

    Musical acoustics

    Musical_acoustics

  • Augmentation (music)
  • Musical technique

    In Western music and music theory, augmentation (from Late Latin augmentare, to increase) is the lengthening of a note or the widening of an interval.

    Augmentation (music)

    Augmentation_(music)

  • Harmonium (Adams)
  • Work by composer John Coolidge Adams

    "Harmonic Vocabulary in the Music of John Adams: A Hierarchical Approach". Journal of Music Theory. 37 (1). Journal of Music Theory, Vol. 37, No. 1: 117–156

    Harmonium (Adams)

    Harmonium_(Adams)

  • New England Conservatory of Music
  • Music school in Boston, Massachusetts

    instrumental and vocal classical music performance, contemporary musical arts, composition, jazz studies, music history, and music theory, as well as graduate degrees

    New England Conservatory of Music

    New England Conservatory of Music

    New_England_Conservatory_of_Music

  • Mordent
  • Musical ornament; single alternation with the note above or below

    AB Guide to Music Theory. London: Associated Board of the Royal Schools of Music. p. 93. ISBN 1-85472-446-0. Blood, Brian. "Music Theory Online: Ornamentation"

    Mordent

    Mordent

    Mordent

  • Tuplet
  • Type of beat-subdividing rhythm in music

    ISBN 0-87930-727-7. Jones, George Thaddeus. 1974. Music Theory: The Fundamental Concepts of Tonal Music Including Notation, Terminology, and Harmony. New

    Tuplet

    Tuplet

  • Master of Music
  • First graduate degree in music, awarded by universities and music conservatories

    with graduate-level academic study in subjects such as music history, music theory, or music pedagogy. The degree, which takes one or two years of full-time

    Master of Music

    Master of Music

    Master_of_Music

  • Half-diminished seventh chord
  • Type of chord in music theory

    In music theory, the half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed

    Half-diminished seventh chord

    Half-diminished_seventh_chord

  • Retrograde (music)
  • Playing back a passage of notes

    (1953–54) contains many instances of retrograde relationships. In music and music theory, a non-retrogradable rhythm is a rhythmic palindrome, i.e., a pattern

    Retrograde (music)

    Retrograde_(music)

  • Texture (music)
  • Way in which tempo, melody, and harmony are combined in a musical composition

    (2003). Music: In Theory and Practice, seventh edition, vol. 1. Boston: McGraw-Hill. ISBN 978-0-07-294262-0. Corozine, Vince (2002). Arranging Music for the

    Texture (music)

    Texture_(music)

  • Journal of Music Theory Pedagogy
  • The Journal of Music Theory Pedagogy is an annual peer-reviewed academic journal covering the teaching and pedagogy of music theory and analysis. It was

    Journal of Music Theory Pedagogy

    Journal_of_Music_Theory_Pedagogy

  • Recapitulation (music)
  • Return to initial themes in a composition

    In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development

    Recapitulation (music)

    Recapitulation (music)

    Recapitulation_(music)

  • Neapolitan chord
  • Major chord in music theory

    In Classical music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered (flat) second (supertonic) scale degree

    Neapolitan chord

    Neapolitan_chord

  • Eratosthenes
  • Greek librarian, mathematician, geographer, and poet

    music theory, in which Eratosthenes applied the theory of proportions to music, Since antiquity, he is considered an authority in the field of music.

    Eratosthenes

    Eratosthenes

    Eratosthenes

  • Diatonic and chromatic
  • Terms in music theory to characterize scales

    Diatonic and chromatic are terms in music theory that are used to characterize scales. The terms are also applied to musical instruments, intervals, chords

    Diatonic and chromatic

    Diatonic and chromatic

    Diatonic_and_chromatic

  • Romantic music
  • Music of the Romantic period

    on Schenker and Schenkerian Theory in The New Grove Dictionary of Music and Musicians, 2nd Edition". Journal of Music Theory. 45 (1): 204. doi:10.2307/3090656

    Romantic music

    Romantic music

    Romantic_music

  • Lydian Chromatic Concept of Tonal Organization
  • 1953 jazz music theory book by George Russell

    jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT)

    Lydian Chromatic Concept of Tonal Organization

    Lydian Chromatic Concept of Tonal Organization

    Lydian_Chromatic_Concept_of_Tonal_Organization

  • Partimento
  • Sketch of a keyboard composition

    of the German States in the Time of J. S. Bach", Music Theory Online, 21 (3), Society for Music Theory, doi:10.30535/mto.21.3.3, retrieved 23 May 2020

    Partimento

    Partimento

    Partimento

  • Chord progression
  • Succession of musical chords

    usually expressed by Roman numerals in classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the

    Chord progression

    Chord_progression

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