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ATONALITY

  • Atonality
  • Music that lacks a tonal center or key

    Atonality in its broadest sense is music that lacks a tonal center, or key. Atonality, in this sense, usually describes compositions written from about

    Atonality

    Atonality

  • France
  • Country primarily in Western Europe

    followed. His music is noted for its sensory content and frequent usage of atonality. Erik Satie was a key member of the early-20th-century Parisian avant-garde

    France

    France

    France

  • Arnold Schoenberg
  • Austrian-American composer (1874–1951)

    otherworldly realm. Its final two movements extend chromatic harmony toward atonality, which was emerging amid a wider historical shift. As in a choral symphony

    Arnold Schoenberg

    Arnold Schoenberg

    Arnold_Schoenberg

  • Modernism
  • Cultural and artistic movement

    abstract art, literary stream-of-consciousness, cinematic montage, musical atonality and twelve-tonality, modern dance, modernist architecture, and urban planning

    Modernism

    Modernism

    Modernism

  • Drei Klavierstücke (Schoenberg)
  • 1909 composition by Arnold Schoenberg

    composer Arnold Schoenberg in 1909. They represent an early example of atonality in the composer's work. The tempo markings of the three pieces are: Mässige

    Drei Klavierstücke (Schoenberg)

    Drei Klavierstücke (Schoenberg)

    Drei_Klavierstücke_(Schoenberg)

  • 20th-century classical music
  • Art movement

    although some date postmodernism from as early as about 1930. Aleatory, atonality, serialism, musique concrète, and electronic music were all developed

    20th-century classical music

    20th-century_classical_music

  • List of compositions by Alexander Scriabin
  • divided into three (somewhat arbitrary) periods, based on increasing atonality: early, 1883–1902 (Opp. 1–29); middle, 1903–1909 (Opp. 30–58); and late

    List of compositions by Alexander Scriabin

    List of compositions by Alexander Scriabin

    List_of_compositions_by_Alexander_Scriabin

  • Punk rock
  • Music genre

    was retrospectively described by The Guardian as showcasing "an edge of atonality and barely controlled chaos." Similarly, the Up, formed in Michigan in

    Punk rock

    Punk_rock

  • The Book of the Hanging Gardens
  • Song cycle by Arnold Schoenberg on poems by Stefan George

    Gardens breaks away from conventional musical order through its usage of atonality. The piece was premiered by Austrian singer Martha Winternitz-Dorda and

    The Book of the Hanging Gardens

    The Book of the Hanging Gardens

    The_Book_of_the_Hanging_Gardens

  • Opera
  • Art form combining sung text and musical score in a theatrical setting

    Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Arnold Schoenberg and Alban Berg), neoclassicism (Igor

    Opera

    Opera

    Opera

  • Derek Bailey (guitarist)
  • English avant-garde guitarist (1930–2005)

    abandoned conventional performance techniques found in jazz, exploring atonality, noise, and whatever unusual sounds he could produce with the guitar.

    Derek Bailey (guitarist)

    Derek Bailey (guitarist)

    Derek_Bailey_(guitarist)

  • No wave
  • Music scene

    took rock instrumentation and experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene

    No wave

    No_wave

  • Wozzeck
  • 1925 opera by Alban Berg; Berg's first opera

    to musical form heightened the opera's psychological realism. He used atonality and leitmotifs to show individuals' emotional and existential plight under

    Wozzeck

    Wozzeck

    Wozzeck

  • Richard Wagner
  • German composer (1813–1883)

    point, and twentieth century scholars see in the opera the beginnings of atonality." Tristan is often granted a special place in musical history; many see

    Richard Wagner

    Richard Wagner

    Richard_Wagner

  • Anton Webern
  • Austrian composer and conductor (1883–1945)

    Forte and Heinz-Klaus Metzger noted Webern's anticipation of Schoenberg's atonality in Op. 10. In 1906, Schoenberg assigned Webern Bach chorales to harmonize

    Anton Webern

    Anton Webern

    Anton_Webern

  • Twelve-tone technique
  • Musical composition method

    out of Schoenberg's frustrations with free atonality,[page needed] providing a "positive premise" for atonality. In Hauer's breakthrough piece Nomos, Op

    Twelve-tone technique

    Twelve-tone technique

    Twelve-tone_technique

  • Noise rock
  • Experimental rock music mixed with noise

    noise, merging extreme levels of guitar distortion, electronic effects, atonality, improvisation, and white noise with that of traditional rock music instrumentation

    Noise rock

    Noise_rock

  • Ernst Krenek
  • Austrian/American composer (1900–1991)

    December 1991) was an Austrian, later American, composer. He explored atonality and other modern styles and wrote a number of books, including Music Here

    Ernst Krenek

    Ernst Krenek

    Ernst_Krenek

  • Theodor W. Adorno
  • German philosopher, sociologist, and theorist (1903–1969)

    more pronounced. According to Adorno, twelve-tone technique's use of atonality can no more be regarded as an authoritative canon than can tonality be

    Theodor W. Adorno

    Theodor W. Adorno

    Theodor_W._Adorno

  • Close Encounters of the Third Kind (soundtrack)
  • 1977 film score by John Williams

    modernistic writing, making use of extended orchestral techniques and atonality. † 1978 reissue – bonus track (cassette), free bonus 7" single (vinyl

    Close Encounters of the Third Kind (soundtrack)

    Close_Encounters_of_the_Third_Kind_(soundtrack)

  • Leoš Janáček
  • Czech composer (1854–1928)

    "there is no music without key. Atonality abolishes definite key, and thus tonal modulation.... Folksong knows of no atonality." Janáček features accompaniment

    Leoš Janáček

    Leoš Janáček

    Leoš_Janáček

  • Roger McGuinn
  • American musician (born 1942)

    second style was a merging of saxophonist John Coltrane's free-jazz atonalities, which hinted at the droning of the sitar, a style of playing first heard

    Roger McGuinn

    Roger McGuinn

    Roger_McGuinn

  • George Perle
  • American composer

    serialist style, and atonality in general, was the subject of much of his theoretical writings. His 1962 book, Serial Composition and Atonality: An Introduction

    George Perle

    George_Perle

  • Neue Musik
  • Music school

    of harmony, namely the gradual abandonment of tonality – towards free atonality and finally towards twelve-tone technique. Towards the end of the 19th

    Neue Musik

    Neue_Musik

  • Proto-punk
  • Music which predated the punk movement and subculture

    was retrospectively described by The Guardian as showcasing "an edge of atonality and barely controlled chaos." Similarly, the Up, formed in Michigan in

    Proto-punk

    Proto-punk

  • Horror film
  • Film genre

    physiological effects that override learned reactions and behaviors. Dissonance, atonality and experiments with timbre are typical techniques used by composers in

    Horror film

    Horror film

    Horror_film

  • Second Viennese School
  • Group of composers in 20th century Vienna

    chromatic expressionism without a firm tonal centre, often referred to as atonality; and later still, Schoenberg's serial twelve-tone technique. Using this

    Second Viennese School

    Second Viennese School

    Second_Viennese_School

  • Abstract art
  • Art with a degree of independence from visual references

    Absolute music Abstract animation Abstract comics Abstract photography Atonality Avant-garde music Bauhaus dances Concrete poetry Experimental film Indeterminacy

    Abstract art

    Abstract art

    Abstract_art

  • Hans Werner Henze
  • German composer (1926–2012)

    oeuvre is extremely varied in style, having been influenced by serialism, atonality, Neoclassicism, Italian music, Arabic music and jazz, as well as traditional

    Hans Werner Henze

    Hans Werner Henze

    Hans_Werner_Henze

  • Aaron Copland
  • American composer and conductor (1900–1990)

    that he had recognized but not fully embraced. He had also believed the atonality of serialized music to run counter to his desire to reach a wide audience

    Aaron Copland

    Aaron Copland

    Aaron_Copland

  • Emancipation of the dissonance
  • Musical concept by Arnold Schoenberg

    "Opinion or Insight?". It may be described as a metanarrative to justify atonality. The musicologist Jim Samson describes: As the ear becomes acclimatized

    Emancipation of the dissonance

    Emancipation of the dissonance

    Emancipation_of_the_dissonance

  • Outside (jazz)
  • Improvisational approach

    a direct synonym to terms such as free improvisation, polytonality or atonality but a musical phenomenon in its own right. Also, outside concerns tonal

    Outside (jazz)

    Outside (jazz)

    Outside_(jazz)

  • Benjamin Britten
  • English composer and pianist (1913–1976)

    Sonnets of John Donne. Britten's technique in this cycle ranges from atonality in the first song to firm tonality later, with a resolute B major chord

    Benjamin Britten

    Benjamin Britten

    Benjamin_Britten

  • Death metal
  • Extreme subgenre of heavy metal music

    drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions

    Death metal

    Death_metal

  • André Jolivet
  • French composer (1905–1974)

    culture and musical thought, Jolivet drew on his interest in acoustics and atonality, as well as both ancient and modern musical influences, particularly on

    André Jolivet

    André Jolivet

    André_Jolivet

  • List of American death metal bands
  • tremolo picking, deep growling vocals, blast beat drumming, minor keys or atonality, and complex song structures with multiple tempo changes. Contents:  0–9

    List of American death metal bands

    List_of_American_death_metal_bands

  • Brian Eno
  • British musician (born 1948)

    Assembly in 1992, recorded between 1985 and 1990. This album embraces atonality and abandons most conventional concepts of modes, scales and pitch. Emancipated

    Brian Eno

    Brian Eno

    Brian_Eno

  • Vier Lieder (Schoenberg)
  • 1899 song cycle by Arnold Schoenberg

    among others, these four songs use a fair amount of the dissonance and atonality that Schoenberg is known for. The first three of the poems that Schoenberg

    Vier Lieder (Schoenberg)

    Vier Lieder (Schoenberg)

    Vier_Lieder_(Schoenberg)

  • Symphony No. 5 (Rochberg)
  • 1986, is in a single large movement, alternating between anguished near-atonality and much more consonant slow episodes, largely in the accents of Mahler;

    Symphony No. 5 (Rochberg)

    Symphony_No._5_(Rochberg)

  • Hans Severus Ziegler
  • German publicist and Nazi Party official (1893–1978)

    particularly with regards to "degenerate" music. He was a strong critic of atonality, dismissing it as decadent "cultural Bolshevism". In May 1938 he curated

    Hans Severus Ziegler

    Hans_Severus_Ziegler

  • Petar Bergamo
  • Yugoslav composer (1930–2022)

    late-Romantic style, while his later works show increasing tendencies toward atonality and freedom from traditional forms. Bergamo’s works for winds include:

    Petar Bergamo

    Petar_Bergamo

  • Tonic (music)
  • Tonal center of a diatonic scale

    Samson, Jim (1977). Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. New York City: W. W. Norton. ISBN 0-393-02193-9. OCLC 3240273

    Tonic (music)

    Tonic_(music)

  • Die Jakobsleiter
  • Oratorio by Arnold Schoenberg

    Arnold Schoenberg that marks his transition from a contextual or free atonality toward the twelve-tone technique anticipated in the oratorio's use of

    Die Jakobsleiter

    Die Jakobsleiter

    Die_Jakobsleiter

  • Leonardo Balada
  • American classical composer

    period work displays a combination of the tonality of folk music with atonality. Compositions representative of this period include Homage to Sarasate

    Leonardo Balada

    Leonardo Balada

    Leonardo_Balada

  • Camille Saint-Saëns
  • French composer (1835–1921)

    the musical impressionists, led by Debussy. Nor did Arnold Schönberg's atonality commend itself to Saint-Saëns: There is no longer any question of adding

    Camille Saint-Saëns

    Camille Saint-Saëns

    Camille_Saint-Saëns

  • Franz Liszt
  • Hungarian composer and pianist (1811–1886)

    compositional styles, many of Liszt's later works also feature experiments in atonality, foreshadowing developments in 20th-century classical music. Today he

    Franz Liszt

    Franz Liszt

    Franz_Liszt

  • Rudolf Brucci
  • Croatian composer

    attempted to incorporate new ideas, such as bitonality, polytonality, and atonality. On occasion he employed serial techniques, but never completely or strictly

    Rudolf Brucci

    Rudolf_Brucci

  • Maurice Ravel
  • French composer (1875–1937)

    earlier pieces. Other influences on him in this period were jazz and atonality. Jazz was popular in Parisian cafés, and French composers such as Darius

    Maurice Ravel

    Maurice Ravel

    Maurice_Ravel

  • William Lava
  • American composer (1911–1971)

    Franklyn and previous composer Carl Stalling, with a tendency towards atonality. A sense of tension is often created in Lava's scores using sequences

    William Lava

    William Lava

    William_Lava

  • The Turn of the Screw (opera)
  • 1954 opera by Benjamin Britten

    through the opera. Typically of Britten, the music mixes tonality and atonality. The opera was commissioned by the Venice Biennale, written in four months

    The Turn of the Screw (opera)

    The Turn of the Screw (opera)

    The_Turn_of_the_Screw_(opera)

  • Chromatic scale
  • Musical scale set of twelve pitches

    of fundamental notes from which scales could be constructed as well. Atonality Chromaticism Twelve-tone technique 20th century music#Classical "All Through

    Chromatic scale

    Chromatic scale

    Chromatic_scale

  • City of Glass (Stan Kenton album)
  • 1951 studio album by Stan Kenton

    austere nature of his arrangement and use of pantonality (one might call it atonality in spots) makes one wonder how June Christy is able to pick off the 9th

    City of Glass (Stan Kenton album)

    City_of_Glass_(Stan_Kenton_album)

  • Claude Debussy
  • French classical composer (1862–1918)

    Dennis Dobson. ISBN 978-0-234-77251-5. Reti, Rudolph (1958). Tonality–Atonality–Pantonality: A Study of Some Trends in Twentieth Century Music. London:

    Claude Debussy

    Claude Debussy

    Claude_Debussy

  • Ferruccio Busoni
  • Italian composer, pianist, and conductor (1866–1924)

    of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal

    Ferruccio Busoni

    Ferruccio Busoni

    Ferruccio_Busoni

  • St Luke Passion (Penderecki)
  • 1966 oratorio by Krzysztof Penderecki

    sources such as the Stabat Mater. Despite the Passion's almost total atonality and use of avant-garde musical techniques, the musical public appreciated

    St Luke Passion (Penderecki)

    St Luke Passion (Penderecki)

    St_Luke_Passion_(Penderecki)

  • List of 20th-century classical composers
  • neoromantic, atonality Albert Arlen 1905 1993 Turkish Australian Paul Arma 1905 1987 Hungarian-French Vytautas Bacevičius 1905 1970 Lithuanian atonality Marc

    List of 20th-century classical composers

    List_of_20th-century_classical_composers

  • String Quartet 1931 (Crawford Seeger)
  • String quartet composed by Ruth Crawford Seeger

    MI: University of Michigan Press, 1990, pp. 405–422. Perle, George. "Atonality and the Twelve-Note System in the United States," in The Score. Vol. 27

    String Quartet 1931 (Crawford Seeger)

    String Quartet 1931 (Crawford Seeger)

    String_Quartet_1931_(Crawford_Seeger)

  • Serialism
  • Musical method or technique of composition

    tonal system to accommodate their ideas. After a brief period of free atonality, Schoenberg and others began exploring tone rows, in which an ordering

    Serialism

    Serialism

  • Salvador Brotons
  • Catalan composer, flutist and conductor

    Faithful to his language, he has maintained melody and tonality, without atonality to condition his style. As a conductor, with an international career,

    Salvador Brotons

    Salvador Brotons

    Salvador_Brotons

  • The Story of Music
  • reviewers. Lezard calls attention to Goodall's dismissive treatment of both atonality and serialism, criticising the work as falling within what he terms the

    The Story of Music

    The_Story_of_Music

  • Dmitri Shostakovich
  • Soviet-era Russian composer and pianist (1906–1975)

    for him. Shostakovich's works are broadly tonal but with elements of atonality and chromaticism. In some of his later works (e.g., the Twelfth Quartet)

    Dmitri Shostakovich

    Dmitri Shostakovich

    Dmitri_Shostakovich

  • Dave Brubeck
  • American jazz pianist and composer (1920–2012)

    training and his own improvisational skills. He expressed elements of atonality and fugue. Brubeck, with Desmond, used elements of West Coast jazz near

    Dave Brubeck

    Dave Brubeck

    Dave_Brubeck

  • Ramiro Cortés
  • American composer

    but beginning in the late 1960s he turned to a freer form of chromatic atonality. He was "perhaps the first Mexican-American composer of classical music

    Ramiro Cortés

    Ramiro_Cortés

  • 14 Bagatelles
  • Musical composition by Béla Bartók

    departure from the tonality of 19th century composition. The work borders on atonality, and Bartók adopted some techniques of Debussy and Schoenberg. Bartók

    14 Bagatelles

    14 Bagatelles

    14_Bagatelles

  • Post-punk
  • Subgenre and period of rock music

    Girls, and Rhys Chatham instead experimented with noise, dissonance and atonality in addition to non-rock styles. The former four groups were included on

    Post-punk

    Post-punk

  • Atonic
  • Topics referred to by the same term

    Atonic may refer to: In music: Atonality, lack of a key or tonal center In medicine: Atony, a muscle losing its strength In linguistics: Atonic or unaccented

    Atonic

    Atonic

  • Post-hardcore
  • Music genre

    known for their use of synthesizers "vying with post-hardcore's rabid atonality". Outside the Gravity roster, another band that played an important role

    Post-hardcore

    Post-hardcore

  • Cayo Sila Godoy
  • Paraguayan classical guitarist

    treatment, including his last compositions, with an obvious tendency to atonality. His work as a music teacher has produced the appearance of young talents

    Cayo Sila Godoy

    Cayo Sila Godoy

    Cayo_Sila_Godoy

  • Marcel Quinet
  • Belgian composer and pianist

    alternating with slow, expressive passages. His music grew from polytonality to atonality but always remained clear in timbre and texture. In addition to numerous

    Marcel Quinet

    Marcel_Quinet

  • Tonality
  • Harmonic structure with a central pitch

    Plainsong and Medieval Music 4:117–147. Lowinsky, Edward. 1962. Tonality and Atonality in Sixteenth-Century Music. Berkeley and Los Angeles: University of California

    Tonality

    Tonality

  • Expressionist music
  • Movement in Western music

    This may be representative of Schoenberg entering the "new world" of atonality. In 1909, Schoenberg composed the one-act 'monodrama' Erwartung (Expectation)

    Expressionist music

    Expressionist music

    Expressionist_music

  • Off Yonder Wall
  • 1997 studio album by the Jelly Roll Kings

    reminiscent of the earliest electric guitarists; he hovers on the edge of atonality like Roy Buchanan but every note is heartfelt." The St. Louis Post-Dispatch

    Off Yonder Wall

    Off_Yonder_Wall

  • Chamber music
  • Form of classical music composed for a small group of instruments

    includes a soprano, has no key signature. Schoenberg further explored atonality with Pierrot Lunaire, for singer, flute or piccolo, clarinet, violin,

    Chamber music

    Chamber music

    Chamber_music

  • Esther Alejandro de León
  • Puerto Rican composer (born 1947)

    Alejandro, the piece is tonal; much of her work tends instead towards atonality. She has composed for a variety of instrumental combinations, including

    Esther Alejandro de León

    Esther_Alejandro_de_León

  • Avant-garde jazz
  • Music genre

    jazz artists would also begin incorporating modernist ideas, such as atonality and serialism. With the release of The Shape of Jazz to Come in 1959,

    Avant-garde jazz

    Avant-garde_jazz

  • Patife Band
  • Brazilian post-punk band

    experimental and almost non-descript musical style, that uses dodecaphonism and atonality as main principles of composition and flirts with many different genres

    Patife Band

    Patife_Band

  • Wild Men's Dance
  • 1913 composition by Leo Ornstein

    United States Antheil Babbitt Carter Cowell Ives Genres and techniques Atonality Experimental Expressionism Futurism Microtonal Modes of limited transposition

    Wild Men's Dance

    Wild Men's Dance

    Wild_Men's_Dance

  • Stephen Sondheim
  • American composer and lyricist (1930–2021)

    According to Sondheim, when he asked Milton Babbitt if he could study atonality, Babbitt replied: "You haven't exhausted tonal resources for yourself

    Stephen Sondheim

    Stephen Sondheim

    Stephen_Sondheim

  • Supernatural horror film
  • Film genre that combines aspects of horror film and supernatural film

    1950s, many "Gothic and supernatural horror movies utilize dissonance, atonality, and unusual configurations of instruments to signify all sorts of anomalous

    Supernatural horror film

    Supernatural horror film

    Supernatural_horror_film

  • Zwei Gesänge, Op. 1 (Schoenberg)
  • Two Lieder by Arnold Schoenberg

    (Relatives by marriage) Related Arnold Schönberg Complete Edition 6-20 6-Z44 Atonality Developing variation Expressionist music Second Viennese School Schönberg

    Zwei Gesänge, Op. 1 (Schoenberg)

    Zwei Gesänge, Op. 1 (Schoenberg)

    Zwei_Gesänge,_Op._1_(Schoenberg)

  • Tristan chord
  • Musical chord

    significance is in its move away from traditional tonal harmony, and even toward atonality. With this chord, Wagner actually provoked the sound or structure of musical

    Tristan chord

    Tristan_chord

  • Pandiatonicism
  • Musical technique

    United States Antheil Babbitt Carter Cowell Ives Genres and techniques Atonality Experimental Expressionism Futurism Microtonal Modes of limited transposition

    Pandiatonicism

    Pandiatonicism

    Pandiatonicism

  • Breaking Point!
  • 1964 studio album by Freddie Hubbard

    Music in the 20th Century called the album "a crackling mixture of free atonality, beautiful melody and blues feeling." All compositions by Freddie Hubbard

    Breaking Point!

    Breaking_Point!

  • Badke Quartet
  • String quartet

    The Strad magazine wrote that "A melt-in-the-ears quality ... made the atonality of the Britten less of a challenge and the Haydn that much sweeter". A

    Badke Quartet

    Badke_Quartet

  • Gustav Mahler
  • Austro-Bohemian composer and conductor (1860–1911)

    trio's move from progressive tonalism to atonality (music without a key); although Mahler rejected atonality, he became a fierce defender of the bold

    Gustav Mahler

    Gustav Mahler

    Gustav_Mahler

  • Henri Dutilleux
  • French composer (1916–2013)

    include very refined orchestral textures; complex rhythms; a preference for atonality and modality over tonality; the use of pedal points that serve as atonal

    Henri Dutilleux

    Henri Dutilleux

    Henri_Dutilleux

  • Joey Roukens
  • Dutch composer

    more direct and eclectic idiom in which present and past, tonality and atonality, classical and non-classical influences can coexist in a natural way.

    Joey Roukens

    Joey Roukens

    Joey_Roukens

  • Don Davis (composer)
  • American composer and orchestrator

    Animatrix (2002). It was set apart from other film scores of its time for its atonality and avant garde style of composition, with influences from polytonal minimalist

    Don Davis (composer)

    Don Davis (composer)

    Don_Davis_(composer)

  • Hexany
  • Class of musical pitch sets

    consonant relations as opposed to the dissonance methods normally employed by atonality. While it is often and confusingly overlapped with the Euler–Fokker genus

    Hexany

    Hexany

    Hexany

  • Film score
  • Music written to accompany a film

    later, Leonard Rosenman, inspired by Arnold Schoenberg, experimented with atonality in his scores for East of Eden (1955) and Rebel Without a Cause (1955)

    Film score

    Film score

    Film_score

  • Joaquim Homs
  • Spanish composer (1906–2003)

    characterized by the use of free counterpoint, already moving towards atonality, and beginning in 1954 he began using twelve-tone technique. While his

    Joaquim Homs

    Joaquim Homs

    Joaquim_Homs

  • Neotonality
  • Type of musical composition

    features characteristic of common-practice tonality with features of atonality. The most common means of establishing a tonal centre in neotonality is

    Neotonality

    Neotonality

  • Timbre
  • Quality of a musical note or sound or tone

    Samson, Jim (1977). Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. New York City: W. W. Norton & Company. ISBN 0-393-02193-9

    Timbre

    Timbre

    Timbre

  • Stefan Vladar
  • Austrian pianist and conductor (born c. 1965)

    Canadian docudrama about Arnold Schoenberg and this composer's way to atonality. Vladar was awarded the Mozartinterpretationspreis of the Mozartgemeinde

    Stefan Vladar

    Stefan Vladar

    Stefan_Vladar

  • Mystic chord
  • Six-note synthetic chord that appears in compositions by Alexander Scriabin

    Samson, Jim (1977). Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. W.W. Norton & Company. pp. 156–7. ISBN 0-393-02193-9. "Orthography

    Mystic chord

    Mystic_chord

  • Igor Stravinsky
  • Russian composer (1882–1971)

    techniques, including uneven rhythms and meters, superimposed harmonies, atonality, and extensive instrumentation. With radical choreography by the young

    Igor Stravinsky

    Igor Stravinsky

    Igor_Stravinsky

  • Late works of Franz Liszt
  • Works of the Hungarian composer

    exact manner, composers who would further explore the modern concept of atonality. Liszt's work also foreshadowed the impressionism that would characterize

    Late works of Franz Liszt

    Late_works_of_Franz_Liszt

  • Progressive music
  • Type of music that emphasizes expansion of form and stylistic variety

    Paul Hindemith. Its "progressive" features were replete with dissonance, atonality, and brash effects. Progressive jazz was most popularized by the bandleader

    Progressive music

    Progressive music

    Progressive_music

  • Ambient music
  • Music genre

    Ambient house tracks generally lack a diatonic center and feature much atonality along with synthesized chords. The Dutch Brainvoyager is an example of

    Ambient music

    Ambient music

    Ambient_music

  • Andalusian cadence
  • Chord progression

    2307/854270. JSTOR 854270. Lowinsky, Edward Elias (1961). Tonality and Atonality in Sixteenth-Century Music. University of California Press. Lukas, Perry

    Andalusian cadence

    Andalusian cadence

    Andalusian_cadence

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