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Succession of musical chords
composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions
Chord_progression
The following is a list of commonly used chord progressions in music. R., Ken (2012). DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services
List_of_chord_progressions
Chord progression and a turnaround used in Western popular music
'50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, the doo-wop progression and the "ice cream changes") is a chord progression
'50s_progression
Four-chord progression
The royal road progression (王道進行, ōdō shinkō), also known as the IVM7–V7–iii7–vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō)
Royal_road_progression
Chord progression
I–V–vi–IV chord progression or Axis progression (named after the Australian comedy rock band The Axis of Awesome, who popularized the chords progression's ubiquity)
I–V–vi–IV_progression
Harmonic grouping of notes
a broken chord where each note is sounded successively instead of simultaneously. Chords can also be implied by melodies. A chord progression is a collection
Chord_(music)
Technique of using a chord in place of another in a progression of chords
music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the
Chord_substitution
Relationship among tones of the chromatic scale
point of a chord progression derived from the circle of fifths. According to Richard Franko Goldman's Harmony in Western Music, "the IV chord is, in the
Circle_of_fifths
Set of notes played on a guitar
shall be used in the discussions of chord progressions, below. The perfect-fifth interval is called a power chord by guitarists, who play them especially
Guitar_chord
Harmonic device in Western music
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common type of altered chord in
Secondary_chord
been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability
List of variations on Pachelbel's Canon
List_of_variations_on_Pachelbel's_Canon
Form of sheet music
in the key of C, this chord progression | C / / / | F / / / | G / / / | C / / / | and in the key of G, this chord progression | G / / / | C / / / | D
Chord_chart
Musical terminology
For example, the chord progression on the left uses four unaltered chords, while the progression on the right uses an altered IV chord and is an alteration
Altered_chord
Prominent chord progression in popular music
of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration
Twelve-bar_blues
Common chord progression
The ii–V–I progression ("two–five–one", occasionally referred to as the ii–V–I turnaround) is a common cadential chord progression used in a wide variety
Ii–V–I_progression
Song built around three chords played in a certain sequence
chords are a simple means of covering many melodies without the use of passing notes. The order of the chord progression may be varied; popular chord
Three-chord_song
Type of chord progression
vi–ii–V–I progression is a chord progression (also called the circle progression for the circle of fifths, along which it travels). A vi–ii–V–I progression in
Vi–ii–V–I
System for naming chords
a chord progression such as C – Am – Dm – G7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a
Chord_notation
Jazz chord progression
jazz harmony, the chord progression from iv7 to ♭VII7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression or the backdoor ii-V
Backdoor_progression
Method of pairing compatible chords and scales
throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A7 E7 D7). In contrast, in the chord-scale system
Chord-scale_system
Method of chord notation
instead of chord names. Its utility is that, for any given key, the tonic note is always number 1. So a song in the key of C with the chord progression C - F
Nashville_Number_System
Song by Joseph Kosma
song's iv7–bVII7–bIIImaj7–bVImaj7–iiø–V7–i chord progression is an example of the circle-of-fifths progression. Roger Williams was signed by Dave Kapp of
Autumn_Leaves_(1945_song)
Chord whose bass note is indicated by a slash
slash chord in chord progressions is the minor key progression i – i/VII bass – iv/VI bass – V. In the key of A minor, this chord progression would be
Slash_chord
Topics referred to by the same term
arithmetic progression In music: Chord progression, series of chords played in order Backdoor progression, the cadential chord progression from iv7 to
Progression
Chord progression
a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with
Andalusian_cadence
Type of chord in music theory
half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note,
Half-diminished_seventh_chord
Chord progression
The omnibus progression (or wedge progression) is a series of musical chords characterized by chromatic lines moving in opposite directions. It was first
Omnibus_progression
Rhythmic pattern in Cuban music
moves the chord progression from the two-side (2–3) to the three-side (3–2). Later, another measure of 2 4 moves the start of the chord progression back to
Clave_(rhythm)
1973 single by James Brown
negative reviews from critics. Brown used the same backing track and chord progression from his 1966 hit "Money Won't Change You" when composing the song
Sexy,_Sexy,_Sexy
Technique providing rhythm and harmony to an ensemble
to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. The basic technique
Rhythm_guitar
Type of musical chord
The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished
Diminished_seventh_chord
Use of Roman Numeral symbols in the musical analysis of chords
analysis is a type of harmonic analysis in which chords are represented by Roman numerals, which encode the chord's degree and harmonic function within a given
Roman_numeral_analysis
Chord progression typical of ragtime
The ragtime progression is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity
Ragtime_progression
Fifth mode of the melodic minor scale
enharmonically): I+ III+ Seventh chords in this scale include: I7 iim7b5 iiim7b5 ivmaj7 v7 bVI+maj7 bVII7 Common chord progressions in mixolydian ♭6 include:
Aeolian_dominant_scale
Musical composition by Pachelbel
recorded by many ensembles, while elements of the piece, especially its chord progression, were used in a variety of pop songs. By the early 1980s its presence
Pachelbel's_Canon
Harmonic progression
multi-tonic changes) are a harmonic progression variation using substitute chords over common jazz chord progressions. These substitution patterns were
Coltrane_changes
Type of musical composition
being faster. Folias are generally characterized by having a fixed chord progression. Due to its musical form, style and etymology of the name, it has
Folia
Spontaneous composition in jazz
when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar, double bass)
Jazz_improvisation
Common 32-bar chord progression in jazz
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form, with each A section
Rhythm_changes
Jazz instrument and associated playing style
include comping with jazz chord voicings (and in some cases walking bass lines) and blowing (improvising) over jazz chord progressions with jazz-style phrasing
Jazz_guitar
Any musical scale used in jazz
example, a ii–V–I progression in C major will typically use only the notes of the C diatonic collection. In jazz, a four-chord progression may use four different
Jazz_scale
1963 soul jazz standard
lists "Sunny" No. 25 in its "Top 100 songs of the century".) and its chord progression influencing later songs. Hebb's parents, William and Ovalla Hebb,
Sunny_(Bobby_Hebb_song)
Musical chord extending a simple triad
complex chord progressions in which many of the chords are extended chords and in which many of the dominant seventh chords are altered extended chords (e
Extended_chord
1957 song written by Ed Rush and George Cromarty
Hills”, and its chord progression shares the same chorus change structure as the 1899 "Keep on the Sunny Side". The melody and chord progression also bears
Plastic_Jesus_(song)
Chordal accompaniment to a line or melody
substituted for a seventh chord to create a "bluesy" sound. In a progression going up a fourth, if the first chord is a minor seventh chord, it can also be substituted
Harmonization
Chord borrowed from the parallel key
A borrowed chord (also called chord borrowing, mode mixture, modal mixture, substituted chord, modal interchange, or mutation) is a chord borrowed from
Borrowed_chord
Chord progression
ground bass or chord progression that was popular during the Italian Renaissance and known throughout Europe in the 16th century. The progression is a variant
Passamezzo_antico
Chord that connects the notes of two diatonic chords
nearby may be loosely termed a passing chord. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third
Passing_chord
Tonal degree of the diatonic scale
V7 :|| in what is nicknamed the "I Got Rhythm" progression by George Gershwin. This chord progression moves from tonic I, to the submediant (vi), to the
Submediant
Musical term
circle of fifths progression. The most common dominant preparation chords are the supertonic, the subdominant, the V7/V, the Neapolitan chord (N6 or ♭II6)
Predominant_chord
Polychord
Stuckenschmidt; Piero Weiss. "Debussy or Berg? The Mystery of a Chord Progression", The Musical Quarterly, vol. 51, no. 3. (July 1965), pp. 453–459
Elektra_chord
Concept in jazz music
harmonically, as a chord progression, or melodically. Typical turnarounds in jazz include: I–vi–ii–V (ii–V–I turnaround, circle progression) I-VI-ii-V I–VI–II–V
Turnaround_(music)
Music composition and performance technique
In jazz, a constant structure is a chord progression consisting of three or more chords of the same type or quality. Popularized by pianists Bill Evans
Constant_structure
1930 song by George and Ira Gershwin
Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as "rhythm changes", is the foundation for many other jazz
I_Got_Rhythm
Musical score describing the essential elements of a song
accompaniment based on the chord progression given in the chord symbols, followed by an improvised solo also based on the chord progression. Similarly, a sufficiently
Lead_sheet
Form of art using sound
harmonic framework, chord progression, or riffs. Improvisers use the notes of the chord, various scales that are associated with each chord, and chromatic
Music
Dance and associated melody and chord progression
Bergamo in Northern Italy), is a dance and associated melody and chord progression. It was considered a clumsy rustic dance copied from the natives of
Bergamask
Music genre
common chord progressions, such as blues (at base, I–IV–V, but often infused with ii–V motion) and "rhythm changes" (I-vi-ii-V) – the chords to the 1930s
Jazz
Style of rhythm and blues music
I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V,
Doo-wop
Term in voice leading and harmony
to (shared by) two or more chords or sets. Typically, it refers to a note shared between two chords in a chord progression. According to H.E. Woodruff:
Common_tone_(chord)
Common chord progression
In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" being "common
Eight-bar_blues
2004 composition by Max Richter
The piece is in the key of B♭ minor. It utilizes a simple, cyclical chord progression. Layering: It begins with the lower strings (cellos and viola) playing
On_the_Nature_of_Daylight
Musical motion between two harmonic tones
one of the intervals of the chord of nature." For example: -- over the tonic. According to Schenker: "A linear progression always presupposes a passing
Linear_progression
Chord progression
In music, I–IV–V–I or IV–V–I is a chord progression and cadence that, "unequivocally defines the point of origin and the total system, the key." Composers
I–IV–V–I
Approach in music theory
Pitch axis theory refers to a way of thinking about chord progressions and modes, that was heavily used and popularized (though not invented) by the guitarist
Pitch_axis_theory
British guitarist (born 1945)
Bachian chord progression – Dm, Gm, C, A7, – behind the "Highway Star" guitar solo. Ritchie Blackmore was also keen in using the cycle of 4ths chord progressions
Ritchie_Blackmore
Low-pitched instrumental part
provide a rhythm while simultaneously setting out the foundation of the chord progression. The bassline bridges the gap between the rhythmic part played by
Bassline
In music and jazz harmony, the Stomp progression is an eight-bar chord progression named for its use in the "stomp" section of the composition "King Porter
Stomp_progression
1999 single by Supergrass
chord progression of G♯-F-Cm, with guitarist Gaz Coombes utilising single string lead breaks on the 5th (A) string with an E-bow. The opening chord progression
Mary_(Supergrass_song)
Group of musicians within a music ensemble or band
such as keyboard instruments and guitars that are used to play the chord progression upon which the song is based. The bass instrument (either double bass
Rhythm_section
Accompaniment for melody lines
expected to know the chord progression. For example, the soloist may request "Autumn Leaves" without providing the compers with a chord chart or sheet music
Comping_(jazz)
2024 studio album by the Marías
Cinema it would be Josh and I in the studio sometimes starting with a chord progression, sometimes starting with the lyric or concept and hoping for the best
Submarine_(The_Marías_album)
2021 single by Iyowa
sounds, described as "chaotic" despite its "simple" and "powerful" chord progression, and "pop" and "catchy" melody. The lyrics, whose main theme is described
Kyu-Kurarin
Person who writes the words or music to songs
guitar or the piano, to hear how the chord progression sounds and to develop a sense of how well a given set of chords supports a melody. Playing an instrument
Songwriter
1959 studio album by Miles Davis
on this form of composition in contrast to the chord progression predominant in bebop, stating: No chords ... gives you a lot more freedom and space to
Kind_of_Blue
Australian musical comedy act
actually follow this four-chord progression, and some of the ones that do only include it briefly. Since these four chords are played as an ostinato,
The_Axis_of_Awesome
Change from one tonality to another
describe this in chord progressions starting from the key of D minor (these chords may instead be used in other keys as borrowed chords, such as the parallel
Modulation_(music)
Type of chord progression
changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series
Bird_changes
Type of musical chord
minor scale has a raised sixth and seventh degree. For example, the chord progression ♯viio–i is common. The leading-tone diminished triad and supertonic
Diminished_triad
best known for his "Pachelbel Rant" which parodies the use of the chord progression from Pachelbel's Canon in many popular songs. Born in Waukegan, Illinois
Rob_Paravonian
American folk song
origins are uncertain, but it has been noted to share a similar doo-wop chord progression with "Heart And Soul" by Hoagy Carmichael and Frank Loesser, recorded
I_Love_the_Mountains
the disputes the artists have stated that the copying of melody or chord progression was unintentional. In some cases the song was sampled or covered.
List of songs subject to plagiarism disputes
List_of_songs_subject_to_plagiarism_disputes
2009 single by Tame Impala
guitar, to play a solo in the E major scale over the same F♯m7, G♯m7 chord progression. Another verse featuring the same previous structure, and another
Sundown_Syndrome
Type of musical chord
cycle-of-fourths progressions, for example the two bar 50s progression: |G / Em / |Am / D7 / || may be filled in with approach chords: |G F9 Em A♭m |Am
Approach_chord
Musical chord progression genre
"bar"), "I" represents the tonic chord, "IV" the subdominant chord, and "V" the dominant chord. Twelve-bar progressions are formed by applying one of several
Sixteen-bar_blues
2004 single by the Killers
B♭m chord, leading into the first verse, which consists of a B♭m–E♭m–B♭ chord progression repeated twice, followed by a pre-chorus of G♭–A♭–B♭m chord progression
Somebody_Told_Me
Informal musical event
instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined
Jam_session
Genre of Spanish music and dance
depend on several features at once, including rhythmic cycle, mode, chord progression, stanzaic form, geographic origin and performance convention. This
Flamenco
1992 single
G–B–C–Cm chord progression is repeated throughout, alternating between arpeggiated chords in the verses and last chorus and distorted power chords during
Creep_(Radiohead_song)
Music genre
contrasts in phrasing. Most American marches use (seemingly) simple chord progressions, but—using chromatic harmonies, sevenths extensions, and secondary
American_march_music
1972 song by Albert Hammond and Mike Hazlewood
Hollies' last major hit. The English rock band Radiohead reused the chord progression and melody of "The Air That I Breathe" for their 1992 song "Creep"
The_Air_That_I_Breathe
Baroque musical accompaniment
Baroque era (1600–1750), that generally consisted of a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists
Basso_continuo
Style of vocal music
main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different
Vocal_harmony
Short, constantly recurring musical phrase
with his work. Although usually a short melody, it can also be a chord progression or even a simple rhythm. Leitmotifs can help to bind a work together
Leitmotif
Part of a musical composition
chords. In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of
Accompaniment
Arrangement of a song, part of the songwriting process
around the chords used in the verse, chorus, or bridge, or a stock "turnaround" progression may be played, such as the I–vi–ii–V progression (particularly
Song_structure
1981 jazz and R&B single
on bass guitar. "Just the Two of Us" is in the key of F minor. The chord progression D♭maj7 – C7♭9 – Fm7 – E♭m7 A♭7 of its intro and verse can be thought
Just the Two of Us (Grover Washington Jr. song)
Just_the_Two_of_Us_(Grover_Washington_Jr._song)
1966 song by the Beatles
chord (a ♭VII in the old G key and a V7 in the new B♭ key) to a I–vi–ii (B♭–Gm–Cm) chord progression in B♭ major. It then shifts again via a D7 chord
Here,_There_and_Everywhere
1970 single by Chicago
even Am-G-D9-F♯-F-E... Hermann details the riff's similarity to the chord progression in Led Zeppelin's version of "Babe I'm Gonna Leave You" by Anne Bredon
25_or_6_to_4
American television sitcom (1978–1983)
Both songs are on James's 1978 album, Touchdown. It uses the "Sunny" chord progression. In 1983, James released The Genie, an LP containing much of the incidental
Taxi_(TV_series)
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