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Succession of musical chords
composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions
Chord_progression
The following is a list of commonly used chord progressions in music. R., Ken (2012). DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services
List_of_chord_progressions
Chord progression
I–V–vi–IV chord progression or Axis progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the
I–V–vi–IV_progression
Four-chord progression
The royal road progression (王道進行, ōdō shinkō), also known as the IVM7–V7–iii7–vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō)
Royal_road_progression
Chord progression and a turnaround used in Western popular music
'50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, the doo-wop progression and the "ice cream changes") is a chord progression
'50s_progression
Technique of using a chord in place of another in a progression of chords
music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the
Chord_substitution
Harmonic grouping of notes
a broken chord where each note is sounded successively instead of simultaneously. Chords can also be implied by melodies. A chord progression is a collection
Chord_(music)
Set of notes played on a guitar
shall be used in the discussions of chord progressions, below. The perfect-fifth interval is called a power chord by guitarists, who play them especially
Guitar_chord
Prominent chord progression in popular music
of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration
Twelve-bar_blues
Relationship among tones of the chromatic scale
point of a chord progression derived from the circle of fifths. According to Richard Franko Goldman's Harmony in Western Music, "the IV chord is, in the
Circle_of_fifths
Harmonic device in Western music
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common type of altered chord in
Secondary_chord
been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability
List of variations on Pachelbel's Canon
List_of_variations_on_Pachelbel's_Canon
Form of sheet music
in the key of C, this chord progression | C / / / | F / / / | G / / / | C / / / | and in the key of G, this chord progression | G / / / | C / / / | D
Chord_chart
Chord whose bass note is indicated by a slash
slash chord in chord progressions is the minor key progression i – i/VII bass – iv/VI bass – V. In the key of A minor, this chord progression would be
Slash_chord
Musical terminology
For example, the chord progression on the left uses four unaltered chords, while the progression on the right uses an altered IV chord and is an alteration
Altered_chord
Song built around three chords played in a certain sequence
chords are a simple means of covering many melodies without the use of passing notes. The order of the chord progression may be varied; popular chord
Three-chord_song
Song by Joseph Kosma
song's iv7–bVII7–bIIImaj7–bVImaj7–iiø–V7–i chord progression is an example of the circle-of-fifths progression. Roger Williams was signed by Dave Kapp of
Autumn_Leaves_(1945_song)
Common chord progression
The ii–V–I progression ("two–five–one", occasionally referred to as the ii–V–I turnaround) is a common cadential chord progression used in a wide variety
Ii–V–I_progression
Type of musical chord
The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished
Diminished_seventh_chord
Topics referred to by the same term
arithmetic progression In music: Chord progression, series of chords played in order Backdoor progression, the cadential chord progression from iv7 to
Progression
Jazz chord progression
jazz harmony, the chord progression from iv7 to ♭VII7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression or the backdoor ii-V
Backdoor_progression
System for naming chords
a chord progression such as C – Am – Dm – G7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a
Chord_notation
Type of chord progression
vi–ii–V–I progression is a chord progression (also called the circle progression for the circle of fifths, along which it travels). A vi–ii–V–I progression in
Vi–ii–V–I
Method of pairing compatible chords and scales
throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A7 E7 D7). In contrast, in the chord-scale system
Chord-scale_system
Method of chord notation
numeral and figured bass systems traditionally used to transcribe a chord progression since the 1700s. The Nashville Number System was compiled and published
Nashville_Number_System
1973 single by James Brown
negative reviews from critics. Brown used the same backing track and chord progression from his 1966 hit "Money Won't Change You" when composing the song
Sexy,_Sexy,_Sexy
Chord progression
a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with
Andalusian_cadence
Type of chord in music theory
half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note,
Half-diminished_seventh_chord
Rhythmic pattern in Cuban music
moves the chord progression from the two-side (2–3) to the three-side (3–2). Later, another measure of 2 4 moves the start of the chord progression back to
Clave_(rhythm)
Use of Roman Numeral symbols in the musical analysis of chords
analysis is a type of harmonic analysis in which chords are represented by Roman numerals, which encode the chord's degree and harmonic function within a given
Roman_numeral_analysis
Technique providing rhythm and harmony to an ensemble
to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. The basic technique
Rhythm_guitar
Spontaneous composition in jazz
when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar, double bass)
Jazz_improvisation
Chord that connects the notes of two diatonic chords
nearby may be loosely termed a passing chord. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third
Passing_chord
1959 studio album by Miles Davis
on this form of composition in contrast to the chord progression predominant in bebop, stating: No chords ... gives you a lot more freedom and space to
Kind_of_Blue
1963 soul jazz standard
lists "Sunny" No. 25 in its "Top 100 songs of the century".) and its chord progression influencing later songs. Hebb's parents, William and Ovalla Hebb,
Sunny_(Bobby_Hebb_song)
Harmonic progression
multi-tonic changes) are a harmonic progression variation using substitute chords over common jazz chord progressions. These substitution patterns were
Coltrane_changes
Fifth mode of the melodic minor scale
enharmonically): I+ III+ Seventh chords in this scale include: I7 iim7b5 iiim7b5 ivmaj7 v7 bVI+maj7 bVII7 Common chord progressions in mixolydian ♭6 include:
Aeolian_dominant_scale
Common 32-bar chord progression in jazz
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form, with each A section
Rhythm_changes
Chordal accompaniment to a line or melody
substituted for a seventh chord to create a "bluesy" sound. In a progression going up a fourth, if the first chord is a minor seventh chord, it can also be substituted
Harmonization
Chord progression
In music, I–IV–V–I or IV–V–I is a chord progression and cadence that, "unequivocally defines the point of origin and the total system, the key." Composers
I–IV–V–I
Concept in jazz music
harmonically, as a chord progression, or melodically. Typical turnarounds in jazz include: I–vi–ii–V (ii–V–I turnaround, circle progression) I-VI-ii-V I–VI–II–V
Turnaround_(music)
Chord progression
ground bass or chord progression that was popular during the Italian Renaissance and known throughout Europe in the 16th century. The progression is a variant
Passamezzo_antico
Musical composition by Pachelbel
recorded by many ensembles, while elements of the piece, especially its chord progression, were used in a variety of pop songs. By the early 1980s its presence
Pachelbel's_Canon
Type of musical composition
being faster. Folias are generally characterized by having a fixed chord progression. Due to its musical form, style and etymology of the name, it has
Folia
Musical score describing the essential elements of a song
accompaniment based on the chord progression given in the chord symbols, followed by an improvised solo also based on the chord progression. Similarly, a sufficiently
Lead_sheet
Style of rhythm and blues music
I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V,
Doo-wop
Tonal degree of the diatonic scale
V7 :|| in what is nicknamed the "I Got Rhythm" progression by George Gershwin. This chord progression moves from tonic I, to the submediant (vi), to the
Submediant
Music composition and performance technique
In jazz, a constant structure is a chord progression consisting of three or more chords of the same type or quality. Popularized by pianists Bill Evans
Constant_structure
Jazz instrument and associated playing style
include comping with jazz chord voicings (and in some cases walking bass lines) and blowing (improvising) over jazz chord progressions with jazz-style phrasing
Jazz_guitar
1930 song by George and Ira Gershwin
Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as "rhythm changes", is the foundation for many other jazz
I_Got_Rhythm
Music genre
common chord progressions, such as blues (at base, I–IV–V, but often infused with ii–V motion) and "rhythm changes" (I-vi-ii-V) – the chords to the 1930s
Jazz
Chord progression typical of ragtime
The ragtime progression is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity
Ragtime_progression
Informal musical event
instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined
Jam_session
Chord borrowed from the parallel key
A borrowed chord (also called chord borrowing, mode mixture, modal mixture, substituted chord, modal interchange, or mutation) is a chord borrowed from
Borrowed_chord
Common chord progression
In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" being "common
Eight-bar_blues
1957 song written by Ed Rush and George Cromarty
Hills”, and its chord progression shares the same chorus change structure as the 1899 "Keep on the Sunny Side". The melody and chord progression also bears
Plastic_Jesus_(song)
2004 composition by Max Richter
The piece is in the key of B♭ minor. It utilizes a simple, cyclical chord progression. Layering: It begins with the lower strings (cellos and viola) playing
On_the_Nature_of_Daylight
British guitarist (born 1945)
Bachian chord progression – Dm, Gm, C, A7, – behind the "Highway Star" guitar solo. Ritchie Blackmore was also keen in using the cycle of 4ths chord progressions
Ritchie_Blackmore
1965 single by the Beatles
and begins (on "If you wear red tonight ...") with a I–IV–ii7–V7 chord progression (E–A–F♯m7–B7) in which the word "tonight" (B melody note) appears
Yes_It_Is
Accompaniment for melody lines
expected to know the chord progression. For example, the soloist may request "Autumn Leaves" without providing the compers with a chord chart or sheet music
Comping_(jazz)
Form of art using sound
harmonic framework, chord progression, or riffs. Improvisers use the notes of the chord, various scales that are associated with each chord, and chromatic
Music
2021 single by Iyowa
sounds, described as "chaotic" despite its "simple" and "powerful" chord progression, and "pop" and "catchy" melody. The lyrics, which main theme is described
Kyu-Kurarin
Low-pitched instrumental part
provide a rhythm while simultaneously setting out the foundation of the chord progression. The bassline bridges the gap between the rhythmic part played by
Bassline
Musical chord extending a simple triad
complex chord progressions in which many of the chords are extended chords and in which many of the dominant seventh chords are altered extended chords (e
Extended_chord
Musical term
circle of fifths progression. The most common dominant preparation chords are the supertonic, the subdominant, the V7/V, the Neapolitan chord (N6 or ♭II6)
Predominant_chord
1999 single by Supergrass
chord progression of G♯-F-Cm, with guitarist Gaz Coombes utilising single string lead breaks on the 5th (A) string with an E-bow. The opening chord progression
Mary_(Supergrass_song)
Approach in music theory
Pitch axis theory refers to a way of thinking about chord progressions and modes, that was heavily used and popularized (though not invented) by the guitarist
Pitch_axis_theory
1970 single by Chicago
even Am-G-D9-F♯-F-E... Hermann details the riff's similarity to the chord progression in Led Zeppelin's version of "Babe I'm Gonna Leave You" by Anne Bredon
25_or_6_to_4
Polychord
Stuckenschmidt; Piero Weiss. "Debussy or Berg? The Mystery of a Chord Progression", The Musical Quarterly, vol. 51, no. 3. (July 1965), pp. 453–459
Elektra_chord
Musical motion between two harmonic tones
one of the intervals of the chord of nature." For example: -- over the tonic. According to Schenker: "A linear progression always presupposes a passing
Linear_progression
Australian musical comedy act
actually follow this four-chord progression, and some of the ones that do only include it briefly. Since these four chords are played as an ostinato,
The_Axis_of_Awesome
Group of musicians within a music ensemble or band
such as keyboard instruments and guitars that are used to play the chord progression upon which the song is based. The bass instrument (either double bass
Rhythm_section
Arrangement of a song, part of the songwriting process
around the chords used in the verse, chorus, or bridge, or a stock "turnaround" progression may be played, such as the I–vi–ii–V progression (particularly
Song_structure
1981 jazz and R&B single
on bass guitar. "Just the Two of Us" is in the key of F minor. The chord progression D♭maj7 – C7♭9 – Fm7 – E♭m7 A♭7 of its intro and verse can be thought
Just the Two of Us (Grover Washington Jr. song)
Just_the_Two_of_Us_(Grover_Washington_Jr._song)
Person who writes the words or music to songs
guitar or the piano, to hear how the chord progression sounds and to develop a sense of how well a given set of chords supports a melody. Playing an instrument
Songwriter
2024 studio album by the Marías
Cinema it would be Josh and I in the studio sometimes starting with a chord progression, sometimes starting with the lyric or concept and hoping for the best
Submarine_(The_Marías_album)
Type of chord progression
changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series
Bird_changes
Musical work based on prior works
the chord changes of the standard "Back Home Again in Indiana" or Thelonious Monk's jazz standard "Evidence", which borrows the chord progression from
Contrafact
1983 single by Michael Jackson
three-note synth, played staccato with a deep reverb. The defining chord progression is then established. Jackson's quiet vocals enter, accompanied by
Billie_Jean
1972 song by Albert Hammond and Mike Hazlewood
Hollies' last major hit. The English rock band Radiohead reused the chord progression and melody of "The Air That I Breathe" for their 1992 song "Creep"
The_Air_That_I_Breathe
Change from one tonality to another
describe this in chord progressions starting from the key of D minor (these chords may instead be used in other keys as borrowed chords, such as the parallel
Modulation_(music)
Chord progression
The omnibus progression (or wedge progression) is a series of musical chords characterized by chromatic lines moving in opposite directions. It was first
Omnibus_progression
1893 comic song written by Harry S. Miller
has eight beats, and usually the chords fall (piano) or begin (organ) on the capitalized words. The chord progression repeats every 8 beats, so one might
The_Cat_Came_Back
Dance and associated melody and chord progression
Bergamo in Northern Italy), is a dance and associated melody and chord progression. It was considered a clumsy rustic dance copied from the natives of
Bergamask
the disputes the artists have stated that the copying of melody or chord progression was unintentional. In some cases the song was sampled or covered.
List of songs subject to plagiarism disputes
List_of_songs_subject_to_plagiarism_disputes
In music and jazz harmony, the Stomp progression is an eight-bar chord progression named for its use in the "stomp" section of the composition "King Porter
Stomp_progression
Term in voice leading and harmony
to (shared by) two or more chords or sets. Typically, it refers to a note shared between two chords in a chord progression. According to H.E. Woodruff:
Common_tone_(chord)
American folk song
origins are uncertain, but it has been noted to share a similar doo-wop chord progression with "Heart And Soul" by Hoagy Carmichael and Frank Loesser, recorded
I_Love_the_Mountains
Music genre
contrasts in phrasing. Most American marches use (seemingly) simple chord progressions, but—using chromatic harmonies, sevenths extensions, and secondary
American_march_music
1992 single
G–B–C–Cm chord progression is repeated throughout, alternating between arpeggiated chords in the verses and last chorus and distorted power chords during
Creep_(Radiohead_song)
Music notation software for jazz solo
is to provide a tool to help musicians construct jazz solos over chord progressions. It includes a database capability for creating, saving, and recalling
Impro-Visor
2009 single by Tame Impala
guitar, to play a solo in the E major scale over the same F♯m7, G♯m7 chord progression. Another verse featuring the same previous structure, and another
Sundown_Syndrome
Subgenre of jazz music developed in the U.S. in mid-1940s
by a fast tempo, complex chord progressions—with rapid chord changes, changes of key, angular melodies and substitute chords—along with virtuosic improvisation
Bebop
Notes in a chord played in sequence
that play one note at a time (such as the trumpet) to voice chords and chord progressions in musical pieces. Arpeggios are also used to help create rhythmic
Arpeggio
Relationships between music and mathematics
music. It uses mathematics to study elements of music such as tempo, chord progression, form, and meter. The attempt to structure and communicate new ways
Music_and_mathematics
best known for his "Pachelbel Rant" which parodies the use of the chord progression from Pachelbel's Canon in many popular songs. Born in Waukegan, Illinois
Rob_Paravonian
1966 song by the Beatles
chord (a ♭VII in the old G key and a V7 in the new B♭ key) to a I–vi–ii (B♭–Gm–Cm) chord progression in B♭ major. It then shifts again via a D7 chord
Here,_There_and_Everywhere
Song by Pixies
then the song's chord progression is heard again. This is repeated for "If the devil is six". At the end of the second chord progression, the song's main
Monkey_Gone_to_Heaven
Musical chord progression genre
"bar"), "I" represents the tonic chord, "IV" the subdominant chord, and "V" the dominant chord. Twelve-bar progressions are formed by applying one of several
Sixteen-bar_blues
1994 studio album by Sublime
later reused by the band on other albums. For example, the principal chord progression in the instrumental "Lincoln Highway Dub" was featured again in the
Robbin'_the_Hood
CHORD PROGRESSION
CHORD PROGRESSION
Boy/Male
African, American, British, English, Jamaican
Cord Maker
Boy/Male
Norse
Father of Thord.
Girl/Female
Hebrew American
Captivating; knotted cord.
Boy/Male
African, American, Australian, British, Chinese, Christian, English, French, German, Jamaican
Cord Maker; Settler of Cord
Male
Hindi/Indian
Variant spelling of Hindi Damodara, DAAMODARAH means "waist-cord."
Boy/Male
German English
Honest advisor.
Boy/Male
Tamil
Dam=cord, Udara=stomach, Lord when he was tied with a rope around his waist
Girl/Female
American, Australian, British, Chinese, Christian, English, French, Greek, Latin
A State of Order or Agreement; A Beautiful Blending; Agreement; Concord; Musical Combination of Chords; Harmony; Joining
Boy/Male
American, Australian, British, English
Cord-maker
Boy/Male
Hindu
Dam=cord, Udara=stomach, Lord when he was tied with a rope around his waist
Boy/Male
Norse
Father of Ashjom.
Girl/Female
American, Australian, British, Chinese, Christian, Danish, Dutch, English, French, German, Hawaiian, Hebrew, Italian, Jamaican, Swedish, Swiss
Bound; Tied; Captivating; Knotted Cord; To Tie; To Bind; Strong Combatant Hearty
Boy/Male
American, British, English
Cord-maker; Surname
Boy/Male
American, British, Danish, English, Finnish, German, Swedish
Bold Adviser; Wise; Courageous Advice; Cord Maker; Wise Counsel; Honest Adviser; Surname
Male
Hindi/Indian
(दामोदर) Variant spelling of Hindi Damodar, DAMODARA means "waist-cord."
Surname or Lastname
English
English : habitational name from Chard or South Chard in Somerset, recorded in Domesday Book as Cerdren, possibly from Old English ceart ‘rough heathland’ + ærn ‘building’, ‘dwelling’. In some instances the surname may have arisen simply as a topographic name from ceart.French : from the personal name Chard, a short form of Richard;French : habitational name for someone from Chard in the department of Creuse.
Girl/Female
Australian, Indian, Sanskrit
Rope; Cord; A Ray of Light
Boy/Male
Danish, German, Norse
Son of Viking
Boy/Male
American, British, English
Cord-maker
Surname or Lastname
English
English : variant of Herd.Respelling of Swedish HÃ¥rd (see Hard 2).
CHORD PROGRESSION
CHORD PROGRESSION
Girl/Female
Tamil
Offerings
Surname or Lastname
German and Jewish (Ashkenazic)
German and Jewish (Ashkenazic) : nickname for a big man, from Middle High German grÅz ‘large’, ‘thick’, ‘corpulent’, German gross. The Jewish name has been Hebraicized as Gadol, from Hebrew gadol ‘large’.English : nickname for a big man, from Middle English, Old French gros (Late Latin grossus, of Germanic origin, thus etymologically the same word as in 1 above). The English vocabulary word did not develop the sense ‘excessively fat’ until the 16th century.
Surname or Lastname
English
English : unexplained; possibly related to another unexplained English surname, Brookshaw.
Boy/Male
Tamil
Mahadeva | மஹாதேவா
Another name of Lord Shiva, Greatest God
Boy/Male
American, Australian, British, English
Victory of the People; Abbreviation of Nicholas
Girl/Female
Hindu
Pure, Clean, Spotless
Male
Serbian
(Данијел) Serbian form of Greek Daniēl, DANIJEL means "God is my judge."
Female
English
 Pet form of English Abigail, ABBEY means "father rejoices." Compare with another form of Abbey.
Girl/Female
Afghan, Arabic, Bengali, Indian, Kannada, Marathi, Muslim
Like; Equal; Matching
Girl/Female
Native American American
Solitary.
CHORD PROGRESSION
CHORD PROGRESSION
CHORD PROGRESSION
CHORD PROGRESSION
CHORD PROGRESSION
v. t.
To provide with musical chords or strings; to string; to tune.
v. t.
To arrange (wood, etc.) in a pile for measurement by the cord.
n.
A solid measure, equivalent to 128 cubic feet; a pile of wood, or other coarse material, eight feet long, four feet high, and four feet broad; -- originally measured with a cord or line.
n.
See Chord.
v. t.
To bind with a cord; to fasten with cords; to connect with cords; to ornament or finish with a cord or cords, as a garment.
n.
A chord of three notes.
imp. & p. p.
of Chore
n.
A right line uniting the extremities of the arc of a circle or curve.
n.
A cord.
imp. & p. p.
of Chord
v. i.
To accord; to harmonize together; as, this note chords with that.
n.
The string of a musical instrument.
n.
A cord. See Cord, n., 4.
n.
Fig.: Any moral influence by which persons are caught, held, or drawn, as if by a cord; an enticement; as, the cords of the wicked; the cords of sin; the cords of vanity.
p. pr. & vb. n.
of Chord
p. pr. & vb. n.
of Chore
a.
Of or pertaining to a chord.
n.
A combination of tones simultaneously performed, producing more or less perfect harmony, as, the common chord.
n.
The upper or lower part of a truss, usually horizontal, resisting compression or tension.
n.
Any structure having the appearance of a cord, esp. a tendon or a nerve. See under Spermatic, Spinal, Umbilical, Vocal.