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1434 painting by Jan van Eyck
The Arnolfini Portrait (or The Arnolfini Wedding, The Arnolfini Marriage, the Portrait of Giovanni Arnolfini and his Wife, or other titles) is an oil painting
Arnolfini_Portrait
Painting by Jan van Eyck
Portrait of Giovanni di Nicolao Arnolfini (or Portrait of a Man in a Red Chaperon) is a small c. 1438 portrait by Jan van Eyck believed to be the same
Portrait of Giovanni di Nicolao Arnolfini
Portrait_of_Giovanni_di_Nicolao_Arnolfini
Italian merchant
of male Arnolfinis, to have been the subject of two portraits by Jan van Eyck, the famous Flemish painter. These are The Arnolfini Portrait of Giovanni
Giovanni_Arnolfini
Arts centre in England
gallery is taken from Jan van Eyck's 15th-century painting The Arnolfini Portrait. Arnolfini was refurbished and redeveloped in 1989 and 2005. Artists whose
Arnolfini,_Bristol
Painting by Jan van Eyck
National Gallery, London, since 1851, where it hangs alongside his Arnolfini Portrait (1434) and Léal Souvenir (1432). The panel has been in England since
Portrait of a Man (Self Portrait?)
Portrait_of_a_Man_(Self_Portrait?)
Painting by Jan van Eyck
London Arnolfini Portrait. While the former is much narrower and much smaller at 27.2 cm x 16.3 cm, it is around a third the size of the London portrait (without
Woman_Bathing_(van_Eyck)
Topics referred to by the same term
Giovanni Attilio Arnolfini (1733–1791), Italian hydrologist and writer Arnolfini Portrait, a 1434 oil painting on oak panel by the Early Netherlandish painter
Arnolfini
Painting by Jan van Eyck
large black felt hat is similar to that worn by Giovanni Arnolfini in van Eyck's Arnolfini Portrait of 1434. Van Eyck has taken liberties with reality to
Portrait of Baudouin de Lannoy
Portrait_of_Baudouin_de_Lannoy
Flemish painter (died 1441)
from her clothes in the portrait, which are fashionable but not of the sumptuousness worn by the bride in the Arnolfini Portrait. Later, as the widow of
Jan_van_Eyck
1656 painting by Diego Velázquez
Eyck's Arnolfini Portrait, of 1434. At the time, van Eyck's painting hung in Philip's palace, and would have been familiar to Velázquez. The Arnolfini Portrait
Las_Meninas
Theory in art history
evidence, he points to the chandelier in Van Eyck's Arnolfini Portrait, the ear in Van Eyck's portrait of Cardinal Albergati, and the carpet in Lotto's Husband
Hockney–Falco_thesis
Portrait of an artist made by that artist
drawings and prints have been especially important. In the famous Arnolfini Portrait (1434), Jan van Eyck is probably one of two figures glimpsed in a
Self-portrait
15th- and 16th-century art of the Low Countries
might relate to the scene became important for the first time; in the Arnolfini Portrait, van Eyck arranges the scene as if the viewer has just entered the
Early_Netherlandish_painting
Painting by David Hockney
figures are reversed from the Arnolfini Portrait, with the implication that Birtwell is the assertive partner. Hockney's portrait, with the bride standing
Mr_and_Mrs_Clark_and_Percy
Name given to a work of art
argued to show both Salome or Judith with the Head of Holofernes. The Arnolfini Portrait by Jan van Eyck in the National Gallery has been given several different
Artwork_title
Citrus fruit
culture since ancient times. They first appear in Western art in the Arnolfini Portrait by Jan van Eyck, but they had been depicted in Chinese art centuries
Orange_(fruit)
Genre in painting, where the intent is to depict a specific human subject
husband), 1430–1435. Van der Weyden's style was founded on Campin's. Arnolfini Portrait, by Jan van Eyck, 1434 Jean Wauquelin presenting his 'Chroniques de
Portrait_painting
Painting by Jan van Eyck
the pattern of his Arnolfini Portrait. The figure on the right wears a similar red chaperon to the probable van Eyck self-portrait in the National Gallery
Madonna_of_Chancellor_Rolin
British Army general
Peninsular War and the Waterloo Campaign. He was the last owner of the Arnolfini Portrait before it was bought by the National Gallery. He was born in Braco
James Hay (British Army officer, born 1780)
James_Hay_(British_Army_officer,_born_1780)
Branch of art history
specialists of that picture) that the writing on the rear wall in the Arnolfini Portrait by Jan van Eyck turned the painting into the record of a marriage
Iconography
1439 painting by Jan van Eyck
her clothes in this portrait which are fashionable but not of the sumptuousness worn by the bride in van Eyck's Arnolfini Portrait. The fabrics and colours
Portrait_of_Margaret_van_Eyck
Additive primary color visible between cyan and yellow
their families. The Mona Lisa wears green in her portrait, as does the bride in the Arnolfini portrait by Jan van Eyck. There were no good vegetal green
Green
Small oil panel by Jan van Eyck
van Eyck, given the similar treatment of an interior in the 1434 Arnolfini Portrait. In the early 21st century, Jeffrey Chipps Smith and John Oliver Hand
Madonna_in_the_Church
Polyptych by Jan and Hubert van Eyck
Baptist and St John the Evangelist, and on the two outer panels, donor portraits of Joost Vijdt and his wife Lysbette Borluut; in the upper row are the
Ghent_Altarpiece
Oil on oak painting by Petrus Christus
structure is strongly van Eyckian, and recalls the male sitter in his Arnolfini Portrait. But in other ways Christus abandons the developments made by van
Portrait of a Young Girl (Christus)
Portrait_of_a_Young_Girl_(Christus)
Painting by Raphael
Early Netherlandish painting masters (such as the mirror scene in Arnolfini Portrait, by Jan van Eyck). The table in front of him is covered by an orange-red
Portrait_of_Leo_X
Mirror with a curved reflecting surface
vision was useful for security. Famous examples in art include the Arnolfini Portrait by Jan van Eyck and the left wing of the Werl Altarpiece by Robert
Curved_mirror
Panel painting c. 1434 by Jan van Eyck
in a manner that strongly resembles the self-portrait reflected in the mirror in his Arnolfini Portrait. In both that works he shows himself wearing a
Virgin and Child with Canon van der Paele
Virgin_and_Child_with_Canon_van_der_Paele
British art historian
Green Gown: The History and Mystery of the Arnolfini Portrait (2011), about Jan van Eyck's Arnolfini Portrait. She died before the book was completed and
Carola_Hicks
Book by Erwin Panofsky
particularly well-known for its iconographic treatment of Van Eyck's Arnolfini Portrait as a kind of marriage contract, a hypothesis advanced by Panofsky
Early Netherlandish Painting (Panofsky book)
Early_Netherlandish_Painting_(Panofsky_book)
Governor of the Habsburg Netherlands from 1507 to 1530
80 Eichberger, 74–80; Seidel Aka The Arnolfini Wedding, The Arnolfini Marriage, the Portrait of Giovanni Arnolfini and his Wife, and other titles Campbell
Margaret of Austria, Duchess of Savoy
Margaret_of_Austria,_Duchess_of_Savoy
Painting by Jan van Eyck
Portrait of Isabella of Portugal was a betrothal painting by the early Netherlandish artist Jan van Eyck that was one of his earliest known works, but
Portrait of Isabella of Portugal (van Eyck)
Portrait_of_Isabella_of_Portugal_(van_Eyck)
Painting technique
painters in parts of their pictures, such as Jan van Eyck in the Arnolfini portrait, and Rogier van der Weyden. Since the mid-19th century, the use of
Wet-on-wet
Fine-art technique
works, for example, the Annunciation (van Eyck, Washington) or the Arnolfini Portrait, reveals that artists made pentimenti or alterations, sometimes radical
Underdrawing
Visual arts produced during the European Renaissance
1510/1515 – 1563) Ghent Altarpiece, by Hubert and Jan van Eyck The Arnolfini Portrait, by Jan van Eyck The Werl Triptych, by Robert Campin The Portinari
Renaissance_art
Painting by Jan van Eyck
breaking wheel on which she was tortured. Like the woman in van Eyck's Arnolfini Portrait she is "fashionably pear-shaped"; Heath describes her attire as "more
Dresden_Triptych
a dog representing marital fidelity is present in Jan van Eyck's Arnolfini Portrait. An oil painting on oak panel dated 1434 by the Early Netherlandish
Cultural_depictions_of_dogs
Object that reflects an image
Folies-Bergère (1882) Titian's Venus with a Mirror Jan van Eyck's Arnolfini Portrait Pablo Picasso's Girl before a Mirror (1932) Diego Velázquez's Rokeby
Mirror
Art museum in London, England
or French Medieval: Wilton Diptych Jan van Eyck: Arnolfini Portrait, Portrait of a Man (Self-Portrait?) Pisanello: The Vision of Saint Eustace Paolo Uccello:
National_Gallery
Renaissance that occurred in the European countries north of the Alps
Despite several very talented artists of the Tudor Court in England, portrait painting was slow to spread from the elite. In France the School of Fontainebleau
Northern_Renaissance
1523 oil painting by Lorenzo Lotto
known marriage portrait produced in Italy, preceded by earlier such portraits from Germany and the Netherlands, such as the Arnolfini Portrait. The painting
Portrait of Marsilio Cassotti and His Bride Faustina
Portrait_of_Marsilio_Cassotti_and_His_Bride_Faustina
Alteration in a painting evidenced by traces of previous work
documents and parchments which, due to obsolescence, have been reused. A portrait of Jacques de Norvins was painted by Ingres in 1811–12, when the sitter
Pentimento
MCCCC.33. 21. OCTOBRIS (Jan van Eyck made me on 21 October 1433) Arnolfini Portrait 1434 National Gallery, London 82 cm × 59.5 cm On the wall above the
List_of_works_by_Jan_van_Eyck
German art historian (1892–1968)
Painting (1953), Panofsky was the first to interpret Jan van Eyck's Arnolfini Portrait (1934) as not only a depiction of a wedding ceremony, but also a visual
Erwin_Panofsky
Hat made of straw
straw hats ever seen on men in the West, notably those worn in the Arnolfini Portrait of 1434 by Jan van Eyck (tall, stained black) and by Saint George
Straw_hat
Substances reflecting light between 475-590 nm
painters made extensive use of the color. The wedding gown in the Arnolfini Portrait, by Jan van Eyck (1434), was painted with malachite. Malachite mineral
Green_pigments
Small 1432 portrait of a man by Jan van Eyck in London
Léal Souvenir (also known as Timotheus or Portrait of a Man) is a small oil-on-oak panel portrait by the Early Netherlandish painter Jan van Eyck, dated
Léal_Souvenir
1436 painting by Jan van Eyck
Portrait of Jan de Leeuw is a small 1436 oil on wood painting by the Early Netherlandish master Jan van Eyck, now in the Kunsthistorisches Museum, Vienna
Portrait_of_Jan_de_Leeuw
Painting style from the County of Flanders
The Arnolfini Portrait by Jan van Eyck, 1434
Flemish_painting
Coastal lowland region in northwestern Europe
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London
Low_Countries
Process of painting with pigments that are bound with a medium of drying oil
preferring the surface unvarnished to avoid a glossy appearance. Arnolfini Portrait, Jan van Eyck, 1434 (on panel) La donna velata, Raphael, 1516 The
Oil_painting
Graphical projection from 3D to 2D which tends to curve straight lines
the Arnolfini Portrait (1434) by the Flemish Primitive Jan van Eyck. Later examples may be found in mannerist painter Parmigianino Self-portrait in a
Curvilinear_perspective
Painting by Jan van Eyck
Portrait of a Man with a Blue Chaperon (or Portrait of a Man with a Blue Hood, earlier Portrait of a Jeweller or Man with a Ring) is a very small (22
Portrait of a Man with a Blue Chaperon
Portrait_of_a_Man_with_a_Blue_Chaperon
Type of short coat
plain, garment described as a tabard is worn by Giovanni Arnolfini in the Arnolfini Portrait of 1434 (National Gallery, London). This may be made of silk
Tabard
Painting by Jan van Eyck
The Portrait of Cardinal Niccolò Albergati is a painting by the early Netherlandish painter Jan van Eyck, dating to around 1431 and now in the Kunsthistorisches
Portrait of Cardinal Niccolò Albergati
Portrait_of_Cardinal_Niccolò_Albergati
1994 studio album by Oasis
drew inspiration from Jan van Eyck's Flemish Renaissance painting Arnolfini Portrait (1434) for the way it is "littered with visual metaphors", and applied
Definitely_Maybe
Artistic style of representing subjects realistically
painting of portraits as low down the social scale as the prosperous merchants of Flanders, and some of these, notably the Arnolfini Portrait by Jan van
Realism_(arts)
Spanish courtier and ambassador
and several well-known survivals. Diego de Guevara owned the famous Arnolfini Portrait by Jan van Eyck, dated 1434 and now in the National Gallery, London
Diego_de_Guevara
American art historian
Simiolus. He wrote extensively on Jan van Eyck, especially the painter's Arnolfini Portrait. The Last Judgment in Sixteenth Century Northern Europe, A Study in
Craig_Harbison
Painting by Clara Peeters
his self-portrait in the mirror in his 1434 Arnolfini Portrait. Peeters made a total of seven self-portraits, including this one. The early history of the
Still Life with Cheeses, Almonds and Pretzels
Still_Life_with_Cheeses,_Almonds_and_Pretzels
Early Netherlandish painter (c. 1385 – 1426)
a Man (Self Portrait?) (1433) Arnolfini Portrait (1434) Portrait of Baudouin de Lannoy c. 1435 Portrait of Jan de Leeuw (1436) Portrait of Giovanni di
Hubert_van_Eyck
makes these difficult to interpret or identify with confidence. The Arnolfini portrait by Jan van Eyck of 1434 might be an example of pregnancy, but the
Pregnancy_in_art
The Annunciation (San Marco, Florence) (c.1437-1446) Jan van Eyck, Arnolfini portrait (1434) van der Weyden, The Annunciation (c.1435-1440) 1425–1430: Masolino
1430s_in_art
Painting genre
already present in 15th-century paintings such as Jan van Eyck's Arnolfini Portrait (1434) and Andrea Mantegna's Lodovico Gonzaga with his Family (1471)
Conversation_piece
Businessperson who trades in goods that were produced by others
by Paolo Uccello 1465-1469 The Arnolfini Portrait, believed to be of Italian merchant, Giovanni de Nicolao Arnolfini with his wife, by Jan van Eyck,
Merchant
Illuminated manuscript
scraped off. This is probably because the original border contained a portrait of a previous owner, of which traces can be seen. The Paris Très Belles
Turin–Milan_Hours
Painting by Jan van Eyck
technique here, which is consistent with other works of his such as the Arnolfini Portrait. His underdrawing has been revealed, and so have many changes made
Annunciation (van Eyck, Washington)
Annunciation_(van_Eyck,_Washington)
Eyck's 1434 Arnolfini Portrait contains a convex mirror with reflections of the people in the scene, while Parmigianino's Self-portrait in a Convex Mirror
Mathematics_and_art
Protective wooden overshoe
In this detail of the Arnolfini Portrait of 1434, these pattens have been taken off inside the house.
Patten_(shoe)
Chronology of the ownership, custody or location of a historical object
prove ownership. An example of a detailed provenance is given in the Arnolfini portrait. The quality of provenance of an important work of art can make a
Provenance
1438 altarpiece by Robert Campin
notably the convex mirror in the midground, which as with the 1434 Arnolfini Portrait, reflects the scene back at the viewer. Although the centre panel
Werl_Triptych
Painting by William Holman Hunt
earlier sketches, inspired by Jan van Eyck's 1434 marriage portrait, The Arnolfini Portrait. William Holman Hunt gave the painting to his second wife Edith
The Lady of Shalott (William Holman Hunt)
The_Lady_of_Shalott_(William_Holman_Hunt)
15th-century Florentine savings fund for dowries
with them. Hall, Edwin (1994). The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck's Double Portrait. University of California Press.
Monte_delle_doti
trampolinist (born 2006) Philip the Good, Duke of Burgundy Giovanni Arnolfini, Italian merchant Adrien Basin, Franco-Flemish composer, singer, and diplomat
List_of_people_from_Bruges
Two paintings attributed to Jan van Eyck
two known panels by van Eyck, the Portrait of Baudouin de Lannoy (c. 1435) and Portrait of Giovanni di Nicolao Arnolfini (1438). These have tree-rings that
Saint Francis Receiving the Stigmata (van Eyck)
Saint_Francis_Receiving_the_Stigmata_(van_Eyck)
Triptych attributed to Jan van Eyck
a Man (Self Portrait?) (1433) Arnolfini Portrait (1434) Portrait of Baudouin de Lannoy c. 1435 Portrait of Jan de Leeuw (1436) Portrait of Giovanni di
Madonna of Nicolas van Maelbeke
Madonna_of_Nicolas_van_Maelbeke
a dog representing marital fidelity is present in Jan van Eyck's "Arnolfini Portrait." During the Middle Ages, images of dogs were often carved on tombstones
Fidelity_(art_and_symbolism)
BBC survey of popular paintings
Folies-Bergère by Édouard Manet (Courtauld Gallery, London) 4. The Arnolfini Portrait by Jan van Eyck (National Gallery) 5. Mr and Mrs Clark and Percy 1970–1
Greatest Painting in Britain Vote
Greatest_Painting_in_Britain_Vote
Ceiling light fixture
15th-century chandelier depicted in the Arnolfini Portrait by Jan van Eyck
Chandelier
Historical development of geometry
structure for the converging lines in paintings, as in London's The Arnolfini Portrait, because he was unaware of the theoretical breakthrough just then
History_of_geometry
Burgundian courtier and writer
Hicks, C., Girl in a Green Gown: The History and Mystery of the Arnolfini Portrait, Random House, 2012, p.67 Dresvina, J. and Sparks, N., Authority and
Aliénor_de_Poitiers
White fur from ermine or red squirrels
The Arnolfini Portrait by Jan van Eyck (1434); the woman wears a dress trimmed with miniver
Miniver
Several paintings by Titian
return, but the king said Wellington should keep them as a gift. The Arnolfini Portrait by Jan van Eyck was also in the carriage, but (being conveniently
Danaë_(Titian_paintings)
British artist (1846–1901)
National Gallery, where she studied masters such as Jan van Eyck, whose Arnolfini Portrait she especially liked. At that time, she gained access to the manuscript
Kate_Greenaway
feet of two pregnant women, Mary and Elizabeth. In Jan van Eyck's Arnolfini portrait, a carving of St. Margaret of Antioch (patron saint of childbirth)
Fertility_in_art
Book by Laurent de Brunhoff
(1892). page 28: Vincent van Gogh, Self-portrait (1889, smoking a pipe). page 29: Jan van Eyck, Arnolfini Portrait (1434). pages 30–31: Sandro Botticelli
Babar's_Museum_of_Art
15th-century painting
Portrait of a Man with Carnation is a small oil on oakwood painting usually attributed to the Early Netherlandish master Jan van Eyck or a member of his
Portrait of a Man with Carnation
Portrait_of_a_Man_with_Carnation
Painting by Jan van Eyck
Vos' pose and modeling closely resembles the donors in both van Eyck's portraits of Nicolas Rolin in the Madonna of Chancellor Rolin and Joris van der
Madonna_of_Jan_Vos
Fragment of altarpiece painting by Rogier van der Weyden
Campbell (1998), 394, 398 Joseph's beads closely resemble those in the Arnolfini Portrait, which was painted around the same time and is on permanent display
The_Magdalen_Reading
Visual arts created in the Low Countries, as well as Belgium and the Netherlands
Jan van Eyck, The Arnolfini Portrait, National Gallery, London.
Art_of_the_Low_Countries
1983 studio album by Ray Manzarek
(spelled on original release as Hieronymus Beach) and Jan van Eyck (Arnolfini Portrait) and modern items like guitar, drums, reel-to-reel and keyboards.
Carmina_Burana_(album)
Irish artist (1878–1931)
Mirror, shown at the NEAC in 1900, references both Jan van Eyck's Arnolfini Portrait of 1434 and also elements of seventeenth-century Dutch interiors,
William_Orpen
Painting by Jan van Eyck
Virgin has been identified as a portrait of the painter's wife, Margaretha, of whom van Eyck also made a secular portrait. The Virgin sits on a wooden throne
Lucca_Madonna
Queen of Hungary and Bohemia from 1516 to 1526
Christ by Rogier van der Weyden, now in the Museo de Prado, and the Arnolfini Portrait by Jan van Eyck, now in the National Gallery, London. Most of the
Mary of Hungary (governor of the Netherlands)
Mary_of_Hungary_(governor_of_the_Netherlands)
(1844) Flemish Paintings Jan van Eyck - Portrait of a Man (Self Portrait?) (1433) Jan van Eyck - The Arnolfini Portrait (1434) Follower of Hugo van der Goes
Collection of the National Gallery
Collection_of_the_National_Gallery
Estonian painter (c. 1469 – 1525)
the Washington portrait of Diego de Guevara, a Spanish courtier with the Habsburgs, otherwise best known for giving the Arnolfini Portrait to Archduchess
Michael_Sittow
American painter (1925–2009)
versions of Vincent van Gogh's Potato Eaters (1975), Jan van Eyck's Arnolfini Portrait (1976), and Édouard Manet's Dejeuner sur l'Herbe (1980). In 1987,
Robert_Colescott
15th-century painting by the workshop of Robert Campin
seen in other paintings, religious or secular (like Jan van Eyck's Arnolfini Portrait). The arrangements for washing at the back of the room, which are
Mérode_Altarpiece
Calendar year
within 15 days after the bull is received. Jan van Eyck paints the Arnolfini Portrait. In Ming Dynasty China, a long episode of drought, flood, locust infestation
1434
Novel by Frank Cottrell Boyce
Renoir The Wilton Diptych A Greek Captive by Henriette Browne The Arnolfini Portrait by Jan van Eyck by Claude Monet The Ambassadors by Hans Holbein the
Framed_(Cottrell-Boyce_novel)
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ARNOLFINI PORTRAIT
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ARNOLFINI PORTRAIT
ARNOLFINI PORTRAIT
ARNOLFINI PORTRAIT
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