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Visual effects technique
Reverse bluescreen is a visual effects technique pioneered by Jonathan Erland for shooting the flying sequences in Clint Eastwood's 1982 film Firefox.
Reverse_bluescreen
1982 film directed by Clint Eastwood
The effects have been called "particularly innovative", as the "reverse bluescreen" technique was invented for the film. Firefox was also inspired by
Firefox_(film)
Compositing technique, also known as green screen
Optical printer Primatte chromakey technology Rear projection effect Reverse bluescreen Schüfftan process Signal processing Sodium vapor process Special effects
Chroma_key
American filmmaker (born 1947)
with actual backgrounds and matte work on white backgrounds using reverse bluescreen. The film secured further awards but was only a modest box office
John_Dykstra
Film industry honor
of Apogee, Incorporated, for the engineering and development of a reverse bluescreen traveling matte process for special effects photography. 1984 (57th)
Academy Scientific and Technical Award
Academy_Scientific_and_Technical_Award
1997 studio album by Jon Hassell
Bluescreen Project: The Vertical Collection (Sketches) is a studio album by Jon Hassell and Peter Freeman. It was released in France on Earshot Records
The_Vertical_Collection
Industrial Light & Magic. Over 100 visual effects (including miniatures and bluescreen effects) were produced for the film, which relied almost entirely on practical
Special effects of Total Recall (1990 film)
Special_effects_of_Total_Recall_(1990_film)
1994 American film
to earth, was a mixture of bluescreen and camera work, as a real car was suspended beneath a helicopter and then a reverse zoom made it seem as if it
Terminal_Velocity_(film)
List of methods used in filmmaking
cutting Split screen SMPTE timecode Shot reverse shot Wipe 3D computer graphics 3D film for movie history Bluescreen/Chroma key Bullet time Computer-generated
Cinematic_techniques
1991 film directed by Nicholas Meyer
passes in overexposed yellow light, which reduced light spillage onto the bluescreen backdrop. The yellow overcast was removed by filtration in the optical
Star Trek VI: The Undiscovered Country
Star_Trek_VI:_The_Undiscovered_Country
Fictional spacecraft from Star Wars
given a blue color scheme, the models were grey to film better against a bluescreen. The effects team would have preferred to build larger TIE models for
TIE_fighter
2002 film by Peter Jackson
sitting in the puppet's hands during breaks. The puppet was shot against bluescreen. The musical score for The Two Towers was composed, orchestrated, and
The Lord of the Rings: The Two Towers
The_Lord_of_the_Rings:_The_Two_Towers
Season of television series
complicated to do, being nearly completely CGI. It was released on a 360-degree bluescreen backlot set which was 15 feet tall and 200 feet by 60 feet. The only real
The_Umbrella_Academy_season_2
In-camera visual effect
projection to produce computer screen effects. As front projection and bluescreen effects became more widespread and less costly, rear projection has been
Rear_projection
1979 American science fiction film
camera was in use and the effects had to be generated without the aid of a bluescreen. Even after the change in effects companies, Yuricich continued to provide
Star_Trek:_The_Motion_Picture
5th episode of the 5th series of Red Dwarf
camera. Doubles were employed for other scenes. Craig Charles performed bluescreen scenes to roll on the floor in front of himself; the video effects crew
Demons_&_Angels_(Red_Dwarf)
1992 film by David Fincher
portrayed by both Woodruff Jr. in a suit and a rod puppet filmed against bluescreen and optically composited into the live-action footage, with the rods removed
Alien_3
Dark ride attraction at Epcot
able to enter the second floor. Dreamfinder's School of Drama — using a bluescreen, guests put themselves into a movie under the direction of Dreamfinder
Journey into Imagination with Figment
Journey_into_Imagination_with_Figment
1986 American science fiction film directed by Leonard Nimoy
shot of a man's fall to Earth was created by filming a small puppet on bluescreen. Shots of liquid nitrogen composited behind the puppet gave the impression
Star_Trek_IV:_The_Voyage_Home
In-camera visual effects process
through a projection screen. The process also had several advantages over bluescreen matte photography, which could suffer from clipping, mismatched mattes
Front_projection_effect
American dark comedy-drama film by Sam Mendes
himself flying above the town. Mendes spent two days filming Spacey against bluescreen, but removed the sequence as he believed it to be too whimsical—"like
American_Beauty_(1999_film)
Illusions or tricks to change appearance
Color enabled the development of such travelling matte techniques as bluescreen and the sodium vapour process. Many films became landmarks in special-effects
Special_effect
approximately fifteen feet above stunt pads in front of a front-projected bluescreen. The composite incorporated Boss miniatures of the Gotham Cathedral and
Special effects of Batman Returns
Special_effects_of_Batman_Returns
1st episode of the 3rd series of Red Dwarf
fake glass featured a stunt double hurling through a window on the set. Bluescreen backgrounds were used for the actors to film against which was then merged
Backwards_(Red_Dwarf_episode)
portal is shown, giving a look at the process of animating in front of the bluescreen. Jonas Brothers: The 3D Concert Experience There Is Scene before the credits
List of films with post-credits scenes (2000s)
List_of_films_with_post-credits_scenes_(2000s)
1984 US science fiction film by Leonard Nimoy
Like Correll, Ralston used Eastman 94 for all shots that did not require bluescreen. ILM filmed starships using motion control for timed and computer-assisted
Star Trek III: The Search for Spock
Star_Trek_III:_The_Search_for_Spock
Bird's eye shot – Black-and-white – Blaxploitation – Bleach bypass – Bluescreen – B-movie – Body double – Bolex – Bollywood – Boom operator – Boom shot
Index of motion picture–related articles
Index_of_motion_picture–related_articles
2nd episode of the 4th series of Red Dwarf
30-metre) "super-human" man plus. Craig Charles was shot in front of a bluescreen to make him appear one foot tall, while this was added to the other crew's
DNA_(Red_Dwarf)
staging of actors in a way that facilitates the performance in a film. bluescreen boom shot boomerang bounce board breaking down the script breathing bridging
Glossary of motion picture terms
Glossary_of_motion_picture_terms
off-the-shelf 1/8 scale model car was filmed flying by the camera as a separate bluescreen element, while separate fire elements, primarily used in the foreground
Special effects of Terminator 2: Judgment Day
Special_effects_of_Terminator_2:_Judgment_Day
animators to reach the models and concealed with glued-on baking soda. Bluescreen was considered for the miniature backgrounds, but the Finse footage was
Special effects of The Empire Strikes Back
Special_effects_of_The_Empire_Strikes_Back
and generally hassles an office worker below. The hole is created using bluescreen technology. Jerry Butters (played by Brian McCann) is a talentless talk
List of Late Night with Conan O'Brien sketches
List_of_Late_Night_with_Conan_O'Brien_sketches
travel, tourism, insurance
REVERSE BLUESCREEN
REVERSE BLUESCREEN
REVERSE BLUESCREEN
REVERSE BLUESCREEN
REVERSE BLUESCREEN
REVERSE BLUESCREEN
REVERSE BLUESCREEN
REVERSE BLUESCREEN
REVERSE BLUESCREEN
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