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Italian composer
Philippus de Caserta, (fl. c. 1370; also Philipoctus, Filipotto, or Filipoctus) was a medieval music theorist and composer associated with the style known
Philippus_de_Caserta
Western music created during the Middle Ages
music in Ars subtilior style, see Anthonello de Caserta, Philippus de Caserta (aka Philipoctus de Caserta), Johannes Ciconia, Matteo da Perugia, Lorenzo
Medieval_music
Lamellophone instrument
De gedachtenverdrijver: de historie van de mondharp. Hadewijch wereldmuziek. Antwerpen: Hadewijch; ISBN 90-5240-163-2. Boone, Hubert, and René de Maeyer
Jew's_harp
Musical style of the High Middle Ages
ars antiqua, found in the Speculum Musice of Jacobus and also by Johannes de Muris (the only one to use the exact term ars antiqua), referred specifically
Ars_antiqua
Musical style of the Late Middle Ages
the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377. The term is sometimes used more
Ars_nova
Form of song
Hakkennes (1984). Graduale Lagal. The Hague: Stichting Centrum voor de Kerkzang. Peter Wagner [de] (1916). "Zur ursprünglichen Ausführung des Gregorianischen
Gregorian_chant
Musical style of the late middle ages
(Günther's coinage was based on references in Tractatus de diversis figuris, attributed to Philippus de Caserta, to composers moving to a style "post modum subtiliorem
Ars_subtilior
Church in St. Gallen, Switzerland
Encyclopædia Britannica. Vol. 24 (11th ed.). Cambridge University Press. p. 4. De Rijk, L.M. (1963). "On the Curri cul um of the Arts of the Trivium at St.
Abbey_of_Saint_Gall
Rhythmic speaking or singing of words or sounds
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Chant
Short chant in Christian ritual
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Antiphon
Medieval-inspired music genre
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Bardcore
Mechanical stringed musical instrument
twelfth-century Pórtico da Gloria (Portal of Glory) on the cathedral at Santiago de Compostela, Galicia, Spain: it has a carving of two musicians playing an organistrum
Hurdy-gurdy
Secular vocal music composition of the Renaissance and early Baroque eras
compositional characteristics of the later madrigal. The Madrigali de diversi musici: libro primo de la Serena (1530), by Philippe Verdelot (1480–1540), included
Madrigal
Lyric-driven French song
precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the ars nova composer Guillaume de Machaut did any composer write a
Chanson
Clerics who performed satirical poetry
suggestive of the monstrous nature of the goliard or, notes historian Christopher de Hamel, as "those people beyond the edge of society". Another source may be
Goliards
German nun and polymath (c.1098–1179)
Hautes Études - IVe Section et l'Institut Supérieur de Philosophie de l'Université Catholique de Louvain, Paris, 12–14 juin 1997. Turnhout: Brepols. pp
Hildegard_of_Bingen
Double reed musical instrument of the woodwind family
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Crumhorn
School of High Middle Age composers associated with Notre-Dame cathedral, Paris
Salisbury (1938) [1159]. Pike, Joseph B. (ed.). Policraticus, sive de nugis curialium et de vestigiis philosophorum [Frivolities of courtiers and footprints
Notre-Dame_school
Duke of Aquitaine and Gascony and Count of Poitou
William IX (Occitan: Guilhèm de Peitieus or Guilhem de Poitou, French: Guillaume de Poitiers; called the Troubadour; 22 October 1071 – 10 February 1126)
William_IX_of_Aquitaine
Celtic musical instrument
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Celtic_harp
Plucked string musical instrument
posthumously by his pupil, Guillaume de Morlaye (born c. 1510), who, however, did not pick up the complex polyphony of de Rippe. French lute music declined
Lute
French philosopher (c. 1079–1142)
are confused to be one person). In the great cathedral school of Notre-Dame de Paris (before the construction of the current cathedral there), he studied
Peter_Abelard
Late medieval English composer
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Leonel_Power
Italian composer
Antonello da Caserta, also Anthonello de Casetta, Antonellus Marot, was an Italian composer of the medieval era, active in the late 14th and early 15th
Antonello_da_Caserta
Middle High German love song tradition
von Hausen's "Ich denke underwilen" is regarded as a contrafactum of Guiot de Provins's "Ma joie premeraine". By around 1190, the German poets began to
Minnesang
String instrument
group, often includes the rebec in their performances. Sérgio Roberto Veloso de Oliveira (from Mestre Ambrósio and Siba e a Fuloresta), and Antônio Nóbrega
Rebec
Stringed instrument
A.D. Rotte. Cantigas de Santa Maria 1280 A.D. Cantigas de Santa Maria 1280 A.D. Cantigas de Santa Maria. 1280 A.D. Cantigas de Santa Maria. Circa 1408–1410
Psaltery
French troubadour (c. 1130–40 – c 1190–1200)
Bernart de Ventadorn (also Bernard de Ventadour or Bernat del Ventadorn; c. 1130–1140 – c. 1190–1200) was an Occitan poet-composer troubadour of the classical
Bernart_de_Ventadorn
Music genre
Ripaille, formed for a highly regarded eponymous album in 1977, and Saga de Ragnar Lodbrock in 1979. In the same period the most enduring French folk
Medieval_folk_rock
Medieval Flemish composer (1370–1412)
acquired knowledge of the ars subtilior style and the compositions of Philippus de Caserta quoted in his Sus un' fontayne ("Under a fountain") (see below).
Johannes_Ciconia
64th Bishop of Rome; head of the Roman Catholic Church from AD 590 to 604
Byzantine Rite, were so significant that he is generally recognized as its de facto author. Gregory is honored, along with Augustine, Jerome and Ambrose
Pope_Gregory_I
Medieval necked bowl lute
strung version as guitarra clássica and the traditional instrument as viola de Fado, reflecting the historical relationship with fado music. While the English
Gittern
Type of plainchant melody
French.[citation needed] The construction of Notre-Dame Cathedral on the Île de la Cité took place between 1163 and 1238 and this period coincides with the
Organum
English composer (c. 1390–1453)
manuscripts. Dunstaple also owned two manuscripts by Boethius: a copy of De musica and De arithmetica. Dunstaple died on Christmas Eve 1453, as recorded in his
John_Dunstaple
Subgenre of folk metal music
2009. ISBN 978-3-411-71092-8. "Mittelalter-Rock" (in German). rock-musiker.de. True, Chris. "Corvus Corax". AllMusic. Retrieved 31 March 2008. Beautevil
Medieval_metal
Italian music theorist and pedagogue (c. 991/2–1033)
the most widely distributed medieval treatise on music, after Boethius's De institutione musica. Biographical information on Guido is only available from
Guido_of_Arezzo
Italian musical form of the 14th century
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Madrigal_(Trecento)
Musical polyphonic style
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Contenance_angloise
Composer and performer of lyric poetry during the High Middle Ages
de Belenoi, Aimeric de Sarlat, Albertet Cailla, Arnaut de Mareuil, Elias de Barjols, Elias Fonsalada, Falquet de Romans, Guillem Magret, Guiraut de Calanso
Troubadour
Occitan troubadour
Bertran de Born (Occitan: [beɾˈtɾan de ˈbɔɾn]; 1140s – by 1215) was a baron from the Limousin in France, and one of the major Occitan troubadours of the
Bertran_de_Born
11th-century French monk (988/989–1034)
Adémar de Chabannes (988/989 – 1034; also Adhémar de Chabannes) was a French/Frankish monk, active as a composer, scribe, historian, poet, grammarian
Adémar_de_Chabannes
German minstrel singer (c. 1170 – c. 1230)
mais nus hons de chanta" by Blondel de Nesle "Wol mich der stunde, daz ich sie erkande" (L110,33; C 78): "Qan vei la flor" by Bernart de Ventadorn There
Walther_von_der_Vogelweide
French trouvère (1245–50 – 1285–88/after 1306)
Adam de la Halle (1245–50 – 1285–8/after 1306) was a French poet-composer trouvère. Among the few medieval composers to write both monophonic and polyphonic
Adam_de_la_Halle
Medieval French composer and poet (c. 1300–1377)
Guillaume de Machaut (French: [ɡijom də maʃo], Old French: [ɡiˈʎawmə də maˈtʃaw(θ)]; also Machau and Machault; c. 1300 – 1377) was a French composer and
Guillaume_de_Machaut
UK public library membership required) Reaney, Gilbert (2001). "Caserta, Philippus de". Grove Music Online. Oxford: Oxford University Press. doi:10
List_of_medieval_composers
English hermit (c. 1065–1170)
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Godric_of_Finchale
12th-century French composer
eds. (1993–2009). Le magnus liber organi de Notre-Dame de Paris. Musica Gallica. Vol. 1–7. Monaco: Édition de l'Oiseau-Lyre. Flotzinger, Rudolf (2007)
Léonin
Instrument
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Hornpipe_(instrument)
Occitan troubadour
follows: Arnautz Daniels si fo d’aquella encontrada don fo Arnautz de Maroill, de l’evescat de Peiregos, d’un chastel que a nom Ribairac, et fo gentils hom
Arnaut_Daniel
12th-century French composer
harmonies. Other than a brief mention by music theorist Johannes de Garlandia in his De Mensurabili Musica, virtually all information on Pérotin's life
Pérotin
Benedictine monk, second abbot of Cluny
Lutz. Archon Books, 1977. Wikimedia Commons has media related to Saint Odon de Cluny. The Life of Saint Gerald of Aurillac by Odo of Cluny, trans. Gerald
Odo_of_Cluny
Italian composer (c. 1325 – 1397)
Franciscus de Florentia, Magister Franciscus Coecus Horghanista de Florentia (in the Squarcialupi Codex), Francesco degli orghani and Cechus de Florentia
Francesco_Landini
Vocal composition in Western classical music
the late 16th century and beyond. The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence
Motet
Troubadour and Bishop of Toulouse
Folquet de Marselha (alternatively Folquet de Marseille, Foulques de Toulouse, Fulk of Toulouse; c. 1150 – 25 December 1231) came from a Genoese merchant
Folquet_de_Marselha
Aspect of Italian Culture
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Italian_classical_music
French composer, poet and music theorist (1291–1361)
Philippe de Vitry (31 October 1291 – 9 June 1361) was a French composer-poet, bishop and music theorist in the ars nova style of late medieval music. An
Philippe_de_Vitry
Medieval school of music composition
an important precursor to the Notre Dame School. Adémar de Chabannes and his uncle Roger de Chabannes, who introduced Adémar in the craftship of a notating
Saint_Martial_school
13th-century Italian composer
madrigal by Lemmo da Pistoia, and a mention of him in a sonnet by Niccolò de' Rossi. There is also a document denoting that Casella might have received
Casella_(Divine_Comedy)
French artist (fl. c. 1175 or c. 1212)
The Comtessa de Dia (Countess of Die), possibly named Beatritz or Isoarda (fl. c. 1175 or c. 1212), was a trobairitz (female troubadour). She is only known
Comtessa_de_Dia
era and the growing influence of the ars nova. Included in the list is J. de Alto Bosco, who has been identified with the composer and theorist John Hanboys
Early music of the British Isles
Early_music_of_the_British_Isles
12th-century Occitan troubadour
reliable. It says that he "was from Toulouse, the son of a furrier": si fo de Tolosa, fils d'un pelissier. The fur and leather industry was well established
Peire_Vidal
Period of Italian music in the 1300s
generations. Marchetto, building on (or in parallel with) the innovations of Petrus de Cruce, described a system of division of the breve into 2, 3, 4, 6,8, 9, or
Music_of_the_Trecento
French prince and troubadour (died c. 1147)
Jaufre Rudel (Jaufré in modern Occitan) was the prince of Blaye (Princes de Blaia) and a troubadour of the early- to mid-12th century, who probably died
Jaufre_Rudel
Term for a medieval French poet-composer
Pierre de Corbie Pierre de Craon Pierre de Molins Pierrekin de la Coupele Prieus de Bouloigne Prince de la Morée Quare Quens de Bretaigne Raoul de Beauvais
Trouvère
Medieval dance and musical form
lai, consisting of a succession of repeated notes. According to Johannes de Grocheio, there were both vocal and instrumental estampies (for which he used
Estampie
Music genre
various forms of medieval music. German scholar Martin Gerbert wrote a study De cantu et musica sacra on medieval ecclesiastical music in 1774, followed shortly
Neo-medieval_music
13th-c Italian troubadour
Sordello da Goito or Sordel de Goit (sometimes Sordell) was a 13th-century Italian troubadour. His life and work have inspired several authors including
Sordello
Children and young people walking from house to house with a star on a rod
(in Slavic countries) Liturgical drama Medieval theatre Mystery play Rosca de reyes cs:Tříkrálová sbírka (Czech Republic) Alv S. Hvidbergskaar: May the
Star_singers
Medieval French music theorist
"Guilelmus de Francia", he was probably a friar at the Monastery of Santo Spirito in Florence. Egidius de Murino is, with Philippus de Caserta, one possible
Egidius_de_Francia
Medieval genre of lament
been identified by Peter Dronke. The earliest known example, the Planctus de obitu Karoli, was composed around 814, on the death of Charlemagne. Other
Planctus
Composer, poet and scholar (c. 840–912)
Metzler [de] in 1613. For modern translations, see Farrier 1993, pp. 30–31 The Gesta Karoli Magni ("The Deeds of Charles the Great")—also known as De Carolo
Notker_the_Stammerer
Benedictine monk (950–1022)
Boethius, "De consolatione philosophiae"; (2) Martianus Capella, "De nuptiis Philologiae et Mercurii"; (3) Aristotle, "De categoriis"; (4) Aristotle, "De interpretatione";
Notker_Labeo
Medieval lute
December 2016. [See images:] Cítola de la Catedral de Burgos [2nd image with that caption], and Cítola de la Catedral de León{{cite web}}: CS1 maint: bot:
Citole
Musical instrument
the Cantigas de Santa Maria (codex MS T.I. 1). Two vielles (left) and a citole. Spain, c. 1280. Vielle or vihela de arco in the Cantigas de Santa Maria
Vielle
Italian composer and organist
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Giovanni_Mazzuoli
Lyric and poetic movement
1680 texts in the so-called secular lyric or lírica profana (see Cantigas de Santa Maria for the religious lyric). At the time Galician-Portuguese was
Galician-Portuguese_lyric
Occitan female troubadours of the 12th and 13th centuries
only existing song by a trobairitz which survives with music, by Comtessa de Diá. Problems playing this file? See media help. The trobairitz (Occitan pronunciation:
Trobairitz
Medieval troubadour
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Marcabru
14th-century medieval French composer and theorist
and music theorist. He is named immediately after Guillaume de Machaut by the Règles de la seconde rhétorique, which describes him as a "master … who
Jehan_Vaillant
English musicologist (1935–2020)
instruments portrayed in carvings and on the walls of churches along the Camino de Santiago in France, Spain and elsewhere in Europe. Remnant was elected a Fellow
Mary_Remnant
Italian monastic reformer, composer, and abbot
Saint William of Volpiano (Italian: Guglielmo da Volpiano; French: Guillaume de Volpiano, also of Dijon, of Saint-Benignus, or of Fécamp; June/July 962 –
William_of_Volpiano
era and the growing influence of the ars nova. Included in the list is J. de Alto Bosco, who has been identified with the composer and theorist John Hanboys
Music_in_Medieval_England
Troubadour, poet, composer and writer
Arnaut de Mareuil (fl. late 12th century) was a troubadour, composing lyric poetry in the Occitan language. Twenty-five, perhaps twenty-nine, of his songs
Arnaut_de_Mareuil
French troubadour
as the earliest troubadour mentioned by name in Dante's Divine Comedy and De vulgari eloquentia. According to his vida, Peire was a burgher's son from
Peire_d'Alvernhe
French Christian bishop, died 1028 CE
Fulbert of Chartres (French: Fulbert de Chartres; 952–970–10 April 1028) was the Bishop of Chartres from 1006 to 1028 and a teacher at the Cathedral school
Fulbert_of_Chartres
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Rosette_(music)
14th-century medieval French composer
style of late medieval music. His two surviving compositions – the ballade De ce que fol pensé and rondeau Amis, tout dous vis – were tremendously popular
P._des_Molins
French troubadour
Raimon de Miraval(h) (c. 1135/1160 – c. 1220) was a troubadour (fl. 1180–1220) and, according to his vida, "a poor knight from Carcassonne who owned less
Raimon_de_Miraval
Italian composer
Proposto also spelled as Nicolò. Latin, Magister Sere Nicholaus Prepositi de Perugia) (fl. second half of the 14th century) was an Italian composer of
Niccolò_da_Perugia
Type of lute
that characterization comes from a c. 1330 poem, Libro de buen amor by Juan Ruiz, arcipestre de Hita, which described the "Moorish gittern" as "corpulent"
Guitarra_morisca
14th-century medieval French composer
Jehan de Lescurel (fl. early 14th century; also Jehannot de l'Escurel) was a composer-poet of late medieval music. Jehan's extensive surviving oeuvre
Jehan_de_Lescurel
Topics referred to by the same term
composer Fabio Caserta (born 1978), Italian footballer Peggy Caserta (1940–2024), American businesswoman and memoirist Philippus de Caserta (late 14th century)
Caserta_(disambiguation)
British composer
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Roy_Henry
Medieval music genre
produced a chronicle of what he heard in the Chronicon Hugonis sacerdotis de Rutelinga (1349), and the content corresponded closely to the description
Geisslerlieder
12th-century Medieval French composer and poet
edition of the Latin text is: Grosfillier, Jean (2008). Les séquences d'Adam de Saint-Victor: Étude littéraire (poétique et rhétorique), textes et traductions
Adam_of_Saint_Victor
14th century musical composer
amoureux He, tres doulz roussignol joly – also attributed to Borlet Passerose de beaute Helas! pitie envers moy dort si fort Borlet Plumley 2001. Plumley,
Trebor_(composer)
Padova Antonello da Caserta Johannes Ciconia* Matteo da Perugia Giovanni Mazzuoli Grazioso da Padova Niccolò da Perugia Philippus de Caserta Sant Omer Zacara
Tydorel
psaltery played upright as a harp. 1022-1032, Monte Casino. Musicians from the "De rerum naturis" manuscript, Monte Cassino MS Casin 132; from left cymbals,
List of European medieval musical instruments
List_of_European_medieval_musical_instruments
Italian composer
Giovanni da Cascia, also Jovannes de Cascia, Johannes de Florentia, Maestro Giovanni da Firenze, was an Italian composer of the medieval era, active in
Giovanni_da_Cascia
Italian composer
Paolo da Firenze (Paolo Tenorista, "Magister Dominus Paulas Abbas de Florentia") (c. 1355 – after September 20, 1436) was an Italian composer and music
Paolo_da_Firenze
PHILIPPUS DE-CASERTA
PHILIPPUS DE-CASERTA
Surname or Lastname
English, Dutch, and North German
English, Dutch, and North German : variant spelling of Phillips.
Boy/Male
Australian, British, Dutch, English, French, German, Greek, Latin, Swedish
Horse Lover
Female
English
Feminine form of English Philip, PHILIPPA means "lover of horses."
Girl/Female
British, Dutch, English, French, German, Greek
Female Version of Philip; Lover of Horses
Male
French
French form of Latin Philippus, PHILIPPE means "lover of horses."
Female
Finnish
Finnish name SÄDE means "ray of light."
Surname or Lastname
English and Dutch
English and Dutch : variant spelling of Phillips.
Boy/Male
Shakespearean
Love's Labours Lost' Don Adriano De Armado, fantastical Spaniard.
Boy/Male
Chinese
Virtue.
Boy/Male
Shakespearean
King John' Hubert De Burgh.
Boy/Male
Australian, British, Danish, Dutch, English, French, German, Greek, Latin, Lebanese, Swiss
Lover of Horses
Girl/Female
Greek
Lover of horses.
Male
German
German form of Latin Philippus, PHILIPP means "lover of horses."
Surname or Lastname
English (De Lisle) and French
English (De Lisle) and French : topographic and habitational name (see Lyle).
Boy/Male
Biblical
Warlike; a lover of horses.
Female
French
French form of Old High German Adalhaid, ADÉLAÃDE means "noble sort."
Girl/Female
Hindu, Indian, Tamil
God; Nature; Enjoy
Boy/Male
French Greek
loves horses.
Male
Dutch
, fond of horses.
Female
Irish
Irish name derived from the word Ãtu, ÃDE means "thirst."
PHILIPPUS DE-CASERTA
PHILIPPUS DE-CASERTA
PHILIPPUS DE-CASERTA
PHILIPPUS DE-CASERTA
PHILIPPUS DE-CASERTA
PHILIPPUS DE-CASERTA
PHILIPPUS DE-CASERTA
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