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1639-40 painting by Claude Lorrain
Landscape with Tobias and Raphael is a 1639-40 painting by Claude Lorrain, one of a series of paintings commissioned from the artist for the Palacio del
Landscape with Tobias and Raphael
Landscape_with_Tobias_and_Raphael
Artistic subject from the Book of Tobit
Depictions usually show Raphael and a much smaller Tobias walking through a landscape, accompanied by Tobias's dog. Tobias is usually carrying a fish
Tobias_and_the_Angel
Painting by Francisco Goya (c. 1820–1823)
adulthood, or with his live-in housekeeper and possible mistress, Leocadia Zorrilla; the sex of the body being consumed cannot be determined with certainty
Saturn_Devouring_His_Son
1656 painting by Diego Velázquez
of the Museo del Prado today—including works by Titian, Raphael and Rubens—was acquired and assembled under Velázquez's curatorship. The painting was
Las_Meninas
Triptych painting by Hieronymus Bosch
image depicts the expansive "garden" landscape, which gives the triptych its name. The panel shares a common horizon with the left wing, suggesting a spatial
The Garden of Earthly Delights
The_Garden_of_Earthly_Delights
Painting by Francisco de Goya
along with his other "questionable pictures". Godoy and the curator of his collection, Don Francisco de Garivay, were brought before a tribunal and forced
La_maja_desnuda
1639-1640 painting by Claude Lorrain
1639–1641 (Landscape with Tobias and Raphael, Landscape with Saint Paula of Rome Embarking at Ostia, Landscape with the Finding of Moses and Landscape with the
Landscape with St Paula of Rome Embarking at Ostia
Landscape_with_St_Paula_of_Rome_Embarking_at_Ostia
Painting by Francisco de Goya
Between 1819 and 1823, Goya produced a series of 14 works, which he painted with oils directly onto the walls of the house. At the age of 73, and having survived
The_Dog_(Goya)
Paintings by Hieronymus Bosch or a follower
clockwise) envy, greed, gluttony, sloth, extravagance (later replaced with lust), and pride, using scenes from life rather than allegorical representations
The Seven Deadly Sins and the Four Last Things
The_Seven_Deadly_Sins_and_the_Four_Last_Things
Copy of the Mona Lisa in Prado, Madrid
version, no landscape background was visible. That landscape was fully recovered through the restoration carried out by the Prado between 2011 and 2012, for
Mona_Lisa_(Prado)
Painting by Pieter Bruegel the Elder
wreaking havoc across a blackened, desolate landscape. Fires burn in the distance, and the sea is littered with shipwrecks. A few leafless trees stud hills
The_Triumph_of_Death
Triptych by Hieronymus Bosch
The latter is surrounded by an arch with flying angels. The two characters in color are a later addition, and are the painting's donors. The frame contains
Adoration of the Magi (Bosch, Madrid)
Adoration_of_the_Magi_(Bosch,_Madrid)
Painting by Joachim Patinir
in the Museo del Prado, in Madrid. Landscape with Charon Crossing Styx fits into common Northern Renaissance and early Mannerist trends of art. The 16th
Landscape with Charon Crossing the Styx
Landscape_with_Charon_Crossing_the_Styx
1814 painting by Francisco de Goya
unobtainable, so that Goya had to destroy the plate of an earlier landscape print to make this and another piece in the Disasters series. It shows a shako-wearing
The_Third_of_May_1808
Painting by Francisco de Goya
laws". Between 1874 and 1878, restorer Salvador Martinez Cubells removed more than 140 centimeters (55 inches) of landscape and sky to the right of the
Witches' Sabbath (The Great He-Goat)
Witches'_Sabbath_(The_Great_He-Goat)
Painting by Raphael, c. 1518
a c. 1518 oil on panel painting by Raphael. It depicts the Madonna and Child with John the Baptist, Saint Anne and in the background Saint Joseph. At
La_Perla_(Raphael)
Painting by Diego Vélazquez
equilibrium and harmonious lines and reminiscent (both in its colour and form) of a heart. The main figure is the Virgin Mary, with a modest, reverential, and emotional
Coronation of the Virgin (Velázquez)
Coronation_of_the_Virgin_(Velázquez)
Painting by Raphael
1517 painting of the Visitation of the Virgin Mary to Saint Elizabeth by Raphael, in the Prado Museum since 1837. Commissioned by the Apostolic Protonotary
Visitation_(Raphael)
National art museum in Madrid, Spain
Joachim Patinir, Landscape with Charon Crossing the Styx, c. 1515–1524 Tintoretto, Christ Washing the Disciples' Feet, c. 1518 Raphael, The Pearl, c. 1518–1520
Museo_del_Prado
1881 painting by Juan Luna
on a bed adorned with a golden headboard and covered with rich bedsheets, with the sheets themselves decorated with hieroglyphs and the footboard similarly
The Death of Cleopatra (Juan Luna)
The_Death_of_Cleopatra_(Juan_Luna)
1888 painting by Antonio Gisbert Pérez
orders from Ferdinand VII and without any sort of trial, José María Torrijos was executed on the beach of Málaga, together with other companions (such as
Execution of Torrijos and his Companions on the Beach at Málaga
Execution_of_Torrijos_and_his_Companions_on_the_Beach_at_Málaga
1620 painting by Diego Velázquez
father-in-law and mentor Francisco Pacheco. The painting is noted for its "tight brushstrokes" and "Caravaggiesque use of chiaroscuro with powerful characterizations
The_Nun_Jerónima_de_la_Fuente
Panel painting by Hieronymus Bosch
Project with the results published in book form. Bosch's palette was rather limited with pigments including azurite, lead-tin yellow, vermilion and ochres
The_Haywain_Triptych
Painting by Francisco de Zurbarán
catalog it is identified with the number 39. Dated and signed in 1632, the Agnus Dei Plandiura, also known as the Ram with its legs tied, is an oil painting
Agnus_Dei_(Zurbarán)
Painting by Francisco Goya
with superstition and ritual sacrifice. The bystanders can then be understood either as appalled but unable to do anything or willfully ignorant and unwilling
Witches'_Flight
Painting by Francisco de Goya
likely completed between 1820 and 1823 by the Spanish artist Francisco Goya. It shows two flying figures hovering over a landscape dominated by a large tabled
Asmodea
1498 painting by Albrecht Dürer
front of an open window before a flat landscape containing a lake and distant snow-capped mountains. The landscape may represent either the memory of his
Self-Portrait_(Dürer,_Madrid)
Painting by Giovanni Battista Tiepolo
in the church. They were replaced by an identically themed set by Anton Raphael Mengs, whose neo-classicism was more to Charles III's taste. Finally The
The Immaculate Conception (Tiepolo)
The_Immaculate_Conception_(Tiepolo)
Archangel found in Abrahamic religions
seen in depictions of Tobias and the Angel, from the Book of Tobit, showing him walking with Tobias and his dog through a landscape. The subject became
Raphael_(archangel)
Painting by Titian
himself and fleeing, all in one; and the Belides, for daring to work destruction on their cousin-husbands, with unremitting toil seek again and again the
Sisyphus_(Titian)
1548 painting by Titian
Charles took the painting with him on all his travels. The portrait follows a classic scheme already used by Raphael and Leonardo da Vinci, in which
Portrait of Isabella of Portugal (Titian)
Portrait_of_Isabella_of_Portugal_(Titian)
Painting by Francisco de Goya
and 1823, when he moved to Bordeaux, Goya produced a series of 14 works, which he painted with oils directly onto the walls of the house. Fight with Cudgels
Fight_with_Cudgels
Painting by Diego Velázquez
painter of Charles V and Philip II, by whom he had been rewarded with honors and presents.... Therefore, Titian provided an artistic and social paradigm for
Las_Hilanderas
1633 painting by Peter Paul Rubens
influenced the next generation of Flemish and Dutch genre painters. Brouwer painted atmospheric landscapes, painted with loose brushstrokes—the influence of
The_Garden_of_Love_(Rubens)
1626 painting by Rembrandt
Lastman: The Angel Raphael Takes Leave of Old Tobit and his Son Tobias, 1618 Abraham Bloemaert: Landscape with the Exodus of Tobias and the Angel, 1630 Rembrandt:
Tobit_and_Anna_with_the_Kid
Painting by Titian
horse as Charles and mount arrive into the open landscape. The sky also resonates with Charles' victory, but as with the landscape, it also contains
Equestrian Portrait of Charles V
Equestrian_Portrait_of_Charles_V
Painting series by Brueghel and Rubens
1617–1618 by Jan Brueghel the Elder and Peter Paul Rubens, with Brueghel being responsible for the settings and Rubens for the figures. They are now
The_Five_Senses_(series)
1814 painting by Francisco de Goya
Francisco Goya. It is a companion to the painting The Third of May 1808 and is set in the Calle de Alcalá near Puerta del Sol, Madrid, during the Dos
The_Second_of_May_1808
Painting by Diego Velázquez
the figure kneeling in front of the god is younger and better dressed than the others, with a sword and tall boots. The light which illuminates Bacchus is
The_Triumph_of_Bacchus
Painting by Francisco de Goya
1814 and 1818, which shows a giant seated in a dark and desolate landscape with a crescent moon in the top corner. However, the giant's posture and the
The_Colossus_(painting)
c. 1425 painting by Robert Campin
being constructed. The is a high degree of detail on the pillars with their sharp lines and pointed arches, compared to the rounded arches of the Romanesque
Marriage of the Virgin (Campin)
Marriage_of_the_Virgin_(Campin)
Altarpiece by Fra Angelico
contributed the main altarpiece, showing the Virgin and Child Enthroned with Dominican saints (c. 1425) and the Coronation of the Virgin, now in the Louvre
Annunciation (Fra Angelico, Madrid)
Annunciation_(Fra_Angelico,_Madrid)
Painting by Pieter Bruegel the Elder
relegated to the side of the painting is paralleled in, for example, Landscape with the Fall of Icarus, which also highlights ordinary events. The picture
The Wine of Saint Martin's Day
The_Wine_of_Saint_Martin's_Day
1438 altarpiece by Robert Campin
engrossed in her reading of a bound and gilded holy book, seated in front of a warm, open fire which lights the room with a golden glow. The left wing has
Werl_Triptych
Painting by Joos de Momper
Landscape with Sea and Mountain is an oil-on-canvas painting by Flemish painter Joos de Momper. It was painted in the early 1620s, and is now in the Museum
Landscape with Sea and Mountains
Landscape_with_Sea_and_Mountains
Oil painting by Francisco Goya
dressed in the height of contemporary fashionable clothing and lavishly adorned with jewellery and the sashes of the order of Charles III. The painting was
Charles IV of Spain and His Family
Charles_IV_of_Spain_and_His_Family
1599 painting by Andrés Sánchez Gallque
indigenous villages and lived as free people. Francisco de Arobe, leader of a Maroon colony on the coast of Ecuador, had traveled with his two sons to Quito
The_Mulattos_of_Esmeraldas
Painting by Jacob Jordaens
competition with Pan (Ovid, Metamorphoses XI) and Apollo and Pan, is a 1637 oil-on-canvas painting by Flemish Baroque painter, draughtsman and tapestry designer
Apollo_as_Victor_over_Pan
Painting by Nicolas Poussin
Parnassus or Apollo and the Muses is an oil painting by Nicolas Poussin, from c. 1631-1633. It was inspired by the famous Raphael's Parnassus in the Stanza
Parnassus_(Poussin)
Series of 80 prints by Francisco Goya
a new educational system. Closely associated with the Enlightenment, the criticisms are far-ranging and acidic. The images expose the predominance of
Los_caprichos
Painting by Louis Michel van Loo
Philip V of Spain and his family. The painting depicts the royal family in a fictional room and is in the style of French baroque and rococo art. The painting
The_Family_of_Philip_V_(1743)
Painting by Bartolomé Esteban Murillo
appears dressed in a white robe with a blue mantle, her hands crossed over her chest, with a crescent moon at her feet, and eyes upraised towards Heaven
The Immaculate Conception of Los Venerables
The_Immaculate_Conception_of_Los_Venerables
Painting by Paul Bril
Alpine Landscape is an oil-on-canvas painting by Flemish painter Tobias Verhaecht. The painting was completed between 1600 and 1615, and is now in the
Alpine_Landscape
Painting by Francisco de Goya
a group of prominent figures in the night, apparently intoxicated and singing with distorted faces. Figures from diverse social strata also figure in
A_Pilgrimage_to_San_Isidro
Painting by Peter Paul Rubens
re-working, with several details modified, strips added to the top and right hand edges (its original dimensions were 259 cm by 381 cm) and the style updated
Adoration of the Magi (Rubens, Madrid)
Adoration_of_the_Magi_(Rubens,_Madrid)
1504 engraving and 1507 paintings by Dürer
Joanne G. Bernstein (1992). "The Female Model and the Renaissance Nude: Dürer, Giorgione, and Raphael". Artibus et Historiae. 13 (26): 49–63. Retrieved
Adam_and_Eve_(Dürer)
Painting by Diego de Velázquez
important works from Velázquez's first trip to Italy and "one of his most successful compositions with regard to the unified, natural interaction of the
Apollo_in_the_Forge_of_Vulcan
Painting by Gaspar de Crayer
he had some contract with the workshop of Rubens from which de Crayer might have drawn inspiration for some of his subjects and models. The influence
Caritas_Romana_(de_Crayer)
1550 painting by Titian
story of Adam and Eve by the Venetian artist Titian, dating to c. 1550. It is held now in the Prado, in Madrid. It was influenced by Raphael's fresco of the
The_Fall_of_Man_(Titian)
Series of oil paintings by Juan Luna
Spaniard woman “Motherland" was drawn with “wide strong shoulders” while the Filipino woman was illustrated as “graceful” and brown-skinned. Both were wearing
España_y_Filipinas
Figure painting by Titian
(1518–1519) and Bacchus and Ariadne (1520–1523) and Titian's intervention on The Feast of the Gods by Bellini in 1524–1525 where he retouched the landscape to
The_Bacchanal_of_the_Andrians
Painting by Raphael
Madrid. Its attribution as by Raphael is uncertain, and the involvement of Giulio Romano cannot be excluded. The rose and the lower portion were added
Madonna_of_the_Rose_(Raphael)
17th-century building in Madrid
along with Jerónimo de Villanueva (who gave the lions and effected the payments) and with the intellectual advice of Francisco de Rioja and of the painters
Hall_of_Realms
Painting by Hieronymus Bosch or by a follower
in meditation, in a sunny landscape near the trunk of a dry tree. St. Anthony is a recurrent figure in Bosch's work, with up to 15 paintings of this
The Temptation of St Anthony (Bosch)
The_Temptation_of_St_Anthony_(Bosch)
Painting by Filippino Lippi
the centre, and Gabriel holding a lily, together with a young Tobias, son of Tobit. The scene is clearly inspired by a Voyage of Tobias by Francesco
Three_Angels_and_Young_Tobias
Painting by Francisco de Goya
subject and related to the treatment of the same topic by Velázquez (even borrowing its dark black background with no landscape) and Anton Raphael Mengs
Christ_Crucified_(Goya)
Painting by Annibale Carracci
painting has three main figures, arranged in a forest landscape: Venus holding Cupid who points at her and Venus looking at Adonis across from her as Adonis
Venus,_Adonis_and_Cupid
Motif by Jacopo Tintoretto in at least six versions from Venice
passage called for a complex image with many characters in a variety of poses and motions, and the diversity and challenge attracted Tintoretto. The
Christ Washing the Disciples' Feet (Tintoretto)
Christ_Washing_the_Disciples'_Feet_(Tintoretto)
Series of prints by Francisco Goya
in etching and aquatint, with retouching in drypoint and engraving, created by Spanish painter and printmaker Francisco Goya between 1815 and 1823. Goya
Los_disparates
Painting by Bartolomé Esteban Murillo
and a mirror, all references to her purity and martyrdom. The crescent moon refers to the description of the woman of the Apocalypse, clothed with the
The Immaculate Conception of El Escorial
The_Immaculate_Conception_of_El_Escorial
Several paintings by Peter Paul Rubens
and 1639 in Madrid are among the best known. These both show Rubens' version of idealised feminine beauty, with the goddesses Aphrodite, Athena and Hera
The Judgement of Paris (Rubens)
The_Judgement_of_Paris_(Rubens)
1636 painting by Diego Velázquez
the king) and had supported him in his early days as a painter in Madrid. The battle in the distance is treated with small spots. The landscape is very
Equestrian Portrait of the Count-Duke of Olivares
Equestrian_Portrait_of_the_Count-Duke_of_Olivares
Painting by Claude Lorrain
Landscape with the Finding of Moses is an oil painting on canvas of 1639–40 by Claude Lorrain, one of a series commissioned from the artist by Philip IV
Landscape with the Finding of Moses
Landscape_with_the_Finding_of_Moses
Painting by Peter Paul Rubens
the artist until his death, then was purchased by king Philip IV of Spain and in 1666 it went to the Royal Alcazar of Madrid, before hanging in the Museo
The Three Graces (Rubens, Madrid)
The_Three_Graces_(Rubens,_Madrid)
Several paintings by Titian
landscape in the right background, and is mostly by the workshop, though Penny singles out the "astonishing landscape with vibrant light effects and the
Danaë_(Titian_paintings)
Painting by Rogier van der Weyden
is shown as a small child, but with none of the softness characteristic of 15th-century depictions of the Virgin and Child. The painting has a sculptural
Durán_Madonna
Painting by Francisco de Goya
accepted to be of her, and which was left in her possession following his death. Leocadia and her daughter, Rosario, lived with and cared for Goya after
La_Leocadia
Painting by Francisco de Zurbarán
fighting the Nemean Lion. The Spanish art critic Soria suggests a comparison with a woodcut fashioned by Cornelis Cort after a work by Frans Floris, based
Hercules Fighting the Nemean Lion (Zurbarán)
Hercules_Fighting_the_Nemean_Lion_(Zurbarán)
Painting by Peter Paul Rubens
reflects Raphael's influence on Titian and Jan Brueghel the Elder's influence on Rubens, who adds a parrot and changes Adam's posture, musculature, age and expression
The_Fall_of_Man_(Rubens)
Painting by Tintoretto created between 1548 and 1549
church of San Marcuola in Venice, together with a Last Supper, which is still in the church, painted between 1548 and 1549. After remaining there for 70 years
The_Washing_of_the_Feet
1862 painting by Paul-Jacques-Aimé Baudry
sea shore, with her head turned to gaze backward over her shoulder towards the viewer. Waves are breaking in the background. The Pearl and the Wave was
The_Pearl_and_the_Wave
Painting by El Greco
The Nobleman with his Hand on his Chest (also known as The Gentleman with His Hand at His Breast or Gentleman with his Hand on his Chest) (Spanish: El
The Nobleman with his Hand on his Chest
The_Nobleman_with_his_Hand_on_his_Chest
Painting by Diego Velazquez, completed 1639–1640
Tercios de Flandes with the loss of the Battle of Rocroi against the French army, which could be interpreted through the moustache. And while interesting
Mars_Resting
1634 painting by Francisco de Zurbarán
Jerome by Pietro Torrigiano, and a work by Diego Velázquez, who supervised the decoration of the Retiro and communicated with Zaburán throughout the painting
The_Death_of_Hercules
Painting by Hieronymous Francken II or Adriaan van Stalbemt
paintings and other precious items are displayed in elegant surroundings. The earliest works in this genre depicted art objects together with other items
The_Sciences_and_the_Arts
Painting by Francisco de Goya
altered before Goya settled on what is now on the canvas. At some stage a landscape in the background showed a mounted rider. At one point, the central figure
Men_Reading
Painting by Francisco de Goya
He was then living in despair, and the works are oppressively dark in both mood and colour. It shows two women with maniacal smiles seemingly laughing
Man_Mocked_by_Two_Women
Painting by Goya
portrait of Arrieta and himself, inscribing it with a dedication: “Goya, in gratitude to his friend Arrieta: for the compassion and care with which he saved
Two_Old_Men
Painting by Hans Memling
the Magi, flanked by panels of the Nativity and the Presentation of Christ in the Temple. Its choice and treatment of themes links it to the c. 1455 Saint
Adoration of the Magi (Memling)
Adoration_of_the_Magi_(Memling)
Painting by Raphael
Renaissance artist Raphael, dated to c. 1510–1511. It is held by the Prado Museum in Madrid. Raphael had arrived in Rome in 1508, and quickly found great
Portrait of a Cardinal (Raphael)
Portrait_of_a_Cardinal_(Raphael)
C. 1516 painting by Titian
The Virgin and Child with Saints Dorothy and George is an oil on panel painting by Titian, from c. 1516. It is held now in the Museo del Prado, in Madrid
The Virgin and Child with Saint George and Saint Dorothy
The_Virgin_and_Child_with_Saint_George_and_Saint_Dorothy
1533 painting by Titian
The Portrait of Charles V with a Dog is a portrait by Titian of Charles V, Holy Roman Emperor with a hunting dog, created in 1533. It passed from Charles
Portrait of Charles V with a Dog
Portrait_of_Charles_V_with_a_Dog
Painting by Francisco de Goya
chromaticism of soft roses, gauze textures in the women's skirts, a luminous landscape background, the depiction of a flirtatious moment. Francisco Goya's tapestry
Blind_Man's_Bluff_(Goya)
Painting by Titian
years, being worked on sporadically, as the landscape, which is of high quality, "painted with speed and authority in Titian's freest style", seems to
Venus_and_Musician
Painting by Diego Velázquez
and is depicted sitting upright in the saddle on a brown pony, projecting an attitude of nobility and power. Velázquez painted the prince's face with
Equestrian Portrait of Prince Balthasar Charles
Equestrian_Portrait_of_Prince_Balthasar_Charles
Painting by Caravaggio
David and Goliath, also known as David with the Head of Goliath or David Victorious over Goliath, is an oil painting by the Italian Baroque master Caravaggio
David and Goliath (Caravaggio)
David_and_Goliath_(Caravaggio)
Painting by Francisco de Goya
blacks, ochres and red applied with very free, broad and energetic brushstrokes. The lighting is both focused and highly theatrical, and seems to imply
Judith_and_Holofernes_(Goya)
Painting by Orazio Gentileschi
Madrid. Pleased with the picture, Philip authorised the payment of 900 ducats to the artist. The Madrid version is slightly smaller and the nudity has
The Finding of Moses (Orazio Gentileschi)
The_Finding_of_Moses_(Orazio_Gentileschi)
Painting by Rogier van der Weyden
at which the Cross and the ladder meet the landscape, Rogier has greatly lengthened the Virgin's left leg, so that her left foot and mantle cover the base
The Descent from the Cross (van der Weyden)
The_Descent_from_the_Cross_(van_der_Weyden)
Painting by Francisco de Goya
on Goya because she wanted to decorate the dining room with cheerful scenes; The Parasol and the other tapestry paintings were Goya's response to this
The_Parasol
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LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
Boy/Male
Muslim
Born with a star
Boy/Male
Muslim/Islamic
Born with a Star
Boy/Male
Indian
Born with a star
Female
Italian
Italian and Spanish short form of Latin Antonia, possibly TONIA means "invaluable."
Male
Greek
(Τώβιας) Greek form of Hebrew Tobiah, TOBIAS means "God is good."
Male
English
Anglicized form of Hebrew Towbiyah, TOBIAH means "God is good." In the bible, this is the name of several characters, including a Babylonian exile returnee.Â
Boy/Male
American, Australian, British, English, French, Hebrew
The Lord is Good; Abbreviation of the Hebrew Name Tobiah
Male
Finnish
Finnish form of Greek Tobias, TOPIAS means "God is good."
Biblical
Tobijah, the Lord is good
Surname or Lastname
English, French, German, Dutch, Spanish (TobÃas), Hungarian (Tóbiás), and Jewish
English, French, German, Dutch, Spanish (TobÃas), Hungarian (Tóbiás), and Jewish : from a Greek form of the Hebrew male personal name TÅvyÄh ‘Jehovah is good’, which, together with various derivative forms, has been popular among Jews for generations.
Surname or Lastname
English
English : variant of Wythe.German spelling of the Slavic personal name Wit (see Witek).Danish and Norwegian : nickname for a broad man, from wiidh ‘broad’, or for a pale or fair-haired person, from German weiss ‘white’.
Boy/Male
American, Arabic, Australian, British, Chinese, Christian, Danish, Dutch, English, Finnish, French, German, Greek, Hawaiian, Hebrew, Latin, Muslim, Portuguese, Spanish, Swedish, Swiss
The Lord is Good; From the Hebrew Tobiah Jah is Good; Goodness of God; God is Good
Boy/Male
English American Hebrew
Abbreviation of the Hebrew name Tobiah meaning 'Jah is good.
Male
Greek
(Τωβίτ) Greek form of Hebrew Tobih, TOBIT means "good" or "my God." Compare with another form of Tobit.
Boy/Male
English
Abbreviation of the Hebrew name Tobiah meaning 'Jah is good.
Male
Polish
Polish form of Greek Tobias, TOBIASZ means "God is good."
Male
English
English surname transferred to forename use, derived from a pet form of Greek Tobias, TOBIN means "God is good."
Surname or Lastname
English and German
English and German : nickname for someone with a deformed hand or who had lost one hand, from Middle English hand, Middle High German hant, found in such appellations as Liebhard mit der Hand (Augsburg 1383).Jewish (Ashkenazic) : nickname from German Hand ‘hand’ (see 1).Irish : Anglicized form of Gaelic Ó Flaithimh (see Guthrie), resulting from an erroneous association of the Gaelic name with the Gaelic word lámh ‘hand’. It is used as an English equivalent for several other names of Gaelic origin too, e.g. Claffey, Glavin, and McClave.Dutch : from a variant of hont ‘dog’, ‘hound’, either a derogatory nickname, or a habitational name for someone living at a house distinguished by the sign of a dog.
Male
Norwegian
Lithuanian and Norwegian form of Greek ThÅmas, TOMAS means "twin."
Boy/Male
Arabic, Muslim
Asight; Landscape; Scene
LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
LANDSCAPE WITH-TOBIAS-AND-RAPHAEL
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