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Motion picture camera film format
Techniscope or 2-perf is a 35 mm motion picture camera film format introduced by Technicolor Italia in 1960. The Techniscope format uses a two film-perforation
Techniscope
Motion picture film format
Hollywood starting with Greystoke in 1984, under the format name Super Techniscope. It also received much early publicity for making the cockpit shots in
Super_35
1964 film by Sidney Salkow
The Quick Gun is a 1964 American Techniscope Western film directed by Sidney Salkow and starring Audie Murphy. It was the second of four films produced
The_Quick_Gun
notable films shot in the Techniscope format. As of May 2011, The Internet Movie Database lists over 1,200 films shot in the Techniscope format. Notable titles
List_of_Techniscope_films
1964 American science fiction film by Byron Haskin
was distributed by Paramount Pictures and filmed in Technicolor and Techniscope. Commander Christopher "Kit" Draper, USN, and Colonel Dan McReady, USAF
Robinson_Crusoe_on_Mars
Film by Dennis Hauck
film written and directed by Dennis Hauck. The film was shot in 35 mm Techniscope in five long takes, each filmed with a single 20-minute uncut shot. In
Too_Late_(2015_film)
1973 film by George Lucas
documentary-like feel, so he shot the film using Techniscope cameras. He believed that Techniscope, an inexpensive way of shooting on 35 mm film and
American_Graffiti
Technique for recording widescreen images onto a 4:3 frame
different negative pulldown method (most commonly 3-perf, but occasionally Techniscope 2-perf) usually in conjunction with the added negative space Super 35
Anamorphic_format
1967 film by Arnold Laven
Rough Night in Jericho is a 1967 American Western film in Techniscope, directed by Arnold Laven and starring Dean Martin, George Peppard and Jean Simmons
Rough_Night_in_Jericho_(film)
1966 British film by Terence Fisher
Francis Matthews, and Barbara Shelley. The film was photographed in Techniscope by Michael Reed, designed by Bernard Robinson and scored by James Bernard
Dracula:_Prince_of_Darkness
35mm motion picture camera
October 2008. It is the first camera in the world designed as a switchable Techniscope or 3-perf shooting solution (2 perf-native and 3 perf user-switchable)
Aaton_Penelope
1967 Italian comedy film
Brother, is a 1967 Italian Eurospy comedy film shot in Technicolor and Techniscope, and directed by Alberto De Martino. The spy-fi plot involves the brother
O.K._Connery
1966 film by Sidney J. Furie
Mexican bandit. The film was directed by Sidney J. Furie, and shot in Techniscope in California, Utah, and Arizona. Based on the 1963 book by Robert MacLeod
The_Appaloosa
1966 film directed by Sergio Leone
photography Tonino Delli Colli was responsible for the film's sweeping Techniscope cinematography, and Ennio Morricone composed the film's score. The film
The Good, the Bad and the Ugly
The_Good,_the_Bad_and_the_Ugly
1964 musical feature film starring Elvis Presley directed by John Rich
the best soundtrack of all of Presley's color films. It was filmed in Techniscope at Paramount Studios, with carnival and road rage sequences shot in Thousand
Roustabout_(film)
1965 film by James Landis
Deadwood '76 is a 1965 American Techniscope Western film directed by James Landis and starring Arch Hall Jr. and Jack Lester. A drifter, Billy May (Arch
Deadwood_'76
1965 western film by William Witney
Arizona Raiders is a 1965 American Techniscope Western film directed by William Witney and starring Audie Murphy. In 1865, following the end of the American
Arizona_Raiders
1964 British comedy film by Duncan Wood
The Bargee is a 1964 British comedy film shot in Techniscope directed by Duncan Wood, and starring Harry H. Corbett, Hugh Griffith, Eric Sykes and Ronnie
The_Bargee
1965 film by Peter Bezencenet
24 Hours to Kill is a 1965 British thriller film shot in Techniscope and Technicolor that was filmed in Lebanon. It was directed by Peter Bezencenet,
24_Hours_to_Kill
2006 James Bond film by Martin Campbell
Ipcress File and The Spy Who Came In from the Cold. Méheux recreated the Techniscope look with monochrome Super 35 reels and spherical lenses, and had to
Casino_Royale_(2006_film)
1966 film by Will Zens
the Shores of Hell is a 1966 Vietnam War film shot in Technicolor and Techniscope that was directed by Will Zens and starring Marshall Thompson, Richard
To_the_Shores_of_Hell
1966 film by Michael Gordon
Texas Across The River is a 1966 American Techniscope comedy Western film directed by Michael Gordon and starring Dean Martin, Alain Delon, Rosemary Forsyth
Texas_Across_the_River
1964 film
international co-production, it was filmed at Almería, Spain and shot in Techniscope. It stars Guy Madison as Wyatt Earp in his first leading spaghetti western
Gunmen_of_the_Rio_Grande
1968 British film by Peter Collinson
nineteen-inch screen but inevitably produces an effect of huge exaggeration in Techniscope and Technicolor. Perhaps the real trouble is that the basic material
Up_the_Junction_(film)
Standard theatrical motion picture film gauge
of a 2D "scope" print. The frame dimensions are based on those of the Techniscope 2-perf camera format used in the 1960s and 1970s. However, when used
35_mm_movie_film
1965 British spy film directed by Sidney J. Furie
shot on location around London in the widescreen screen ratio using Techniscope. In this format, the normal 35mm film frame is split in half horizontally
The_Ipcress_File_(film)
1966 American film by Douglas Heyes
novel by P. C. Wren filmed by Universal Pictures in Technicolor and Techniscope near Yuma, Arizona and directed by Douglas Heyes. This is the least faithful
Beau_Geste_(1966_film)
1971 Zapata Western film directed by Sergio Leone
filmmaker". Duck, You Sucker! was one of the last mainstream films shot in Techniscope. Antonio Margheriti claims to have done the miniature work on the film
Duck,_You_Sucker!
1965 film by Spencer Gordon Bennet
The Bounty Killer is a 1965 American Technicolor and Techniscope Western film directed by Spencer Gordon Bennet, written by Ruth Alexander and Leo Gordon
The_Bounty_Killer_(film)
of 1958, p. 96. University of Southern California Press, 2000. Hart, Techniscope Specs. Sherlock, p. 18. Nystrom "Film Gauges". Preservation Glossary
List of motion picture film formats
List_of_motion_picture_film_formats
Video of higher resolution than original television
small as 9 mm × 21 mm in Academy Sound Aperture cameras modified for the Techniscope 2 perforation format. Movies are also produced using other film gauges
High-definition_video
1964 film by Leslie H. Martinson
For Those Who Think Young is a 1964 American beach party film shot in Techniscope, directed by Leslie H. Martinson and featuring James Darren, Pamela Tiffin
For Those Who Think Young (film)
For_Those_Who_Think_Young_(film)
American actor (1929–1982)
written by Vic Morrow and Frank Kowalski, and directed by Morrow in Techniscope. However, Morrow remained mostly a television actor, appearing in Naked
Vic_Morrow
1970 film by Vic Morrow, Giorgio Gentili
written by Vic Morrow and Frank Kowalski, and directed by Morrow in Techniscope. Garner wrote in his memoirs that this movie was "one of the few times
A_Man_Called_Sledge
1969 South African film
directed by Jamie Uys under the name of Jamie Hayes. It was filmed in Techniscope and Technicolor. Uys himself plays Anton De Vries, a concert pianist
Lost_in_the_Desert
1964 film by James Landis
The Nasty Rabbit (also known as Spies a-Go-Go) is a 1964 American Techniscope spy comedy film directed by James Landis and starring Misha Terr and Arch
The_Nasty_Rabbit
List of three-strip Technicolor films List of Technirama films List of Techniscope films List of VistaVision films Maximalist films Minimalist films Modernist
Lists_of_films
Early widescreen filming system
Today's Super 35 is a variation of this process. Another process called Techniscope was developed by Technicolor Inc. in the early 1960s, using normal 35 mm
CinemaScope
1965 British film by Don Sharp
the first two were directed by Sharp. It was shot in Technicolor and Techniscope on location in County Dublin, Ireland. The film has been called Towers'
The_Face_of_Fu_Manchu
1964 film by Edward Dmytryk
Where Love Has Gone is a 1964 American Technicolor drama film in Techniscope made by Embassy Pictures, Joseph E. Levine Productions and Paramount Pictures
Where_Love_Has_Gone_(film)
Manner of exposing motion picture film that determines aspect ratio
which is usually used in conjunction with Super 35. 2-perf, used in Techniscope in the 1960s, is enjoying a slight resurgence due to the birth of digital
Negative_pulldown
1968 British film by Peter Collinson
The Long Day's Dying is a 1968 British Techniscope war film directed by Peter Collinson, and starring David Hemmings, Tony Beckley and Tom Bell. It is
The_Long_Day's_Dying
1968 British film by Val Guest
Department K) is a 1968 British spy thriller film directed by Val Guest in Techniscope and starring Stephen Boyd, Camilla Sparv, Michael Redgrave, Leo McKern
Assignment_K
1965 film by R. G. Springsteen
Apache Uprising is a 1965 American Technicolor Western Techniscope film directed by R. G. Springsteen and written by Max Lamb and Harry Sanford. The film
Apache_Uprising
1966 Italian mondo film
16mm at the time. Even more unique was the filmmakers' use of 2-perf Techniscope film. This gave the film a wide 2.35:1 aspect ratio despite using standard
Africa_Addio
1966 film produced and written by John C. Champion and directed by Lesley Selander
The Texican is a 1966 American Techniscope Western film produced and written by John C. Champion and directed by Lesley Selander. It is a paella western
The_Texican
1960 film by Victor Tourjansky
new overlords from Upper Egypt. It was the first feature film shot in Techniscope. Ramses, prince of Thebes and Pharaoh of Upper Egypt, is in dispute with
The_Pharaohs'_Woman
1969 British film by Robert Lynn
Harry Alan Towers, the film was shot in South Africa in Technicolor and Techniscope II with sequences shot on Seal Island, South Africa. The film was released
Sandy_the_Seal
1966 film by Sergio Corbucci
February 1966. Unlike most Spaghetti Westerns, which were filmed in 2.39:1 Techniscope and printed in Technicolor, Django was filmed in the standard European
Django_(1966_film)
1971 film by George Lucas
for 35–40 days, completing in November 1969. Lucas filmed THX 1138 in Techniscope. Most filming locations are in the San Francisco area, including the
THX_1138
VistaVision was non-anamorphic, and at the time of shooting, so was Techniscope. /i Scope (from Cooke Anamorphic/i Lenses) (England) AgaScope (Sweden
List of anamorphic format trade names
List_of_anamorphic_format_trade_names
1964 British crime film by Robert Lynn
producer Arthur "Skip" Steloff and was shot in Cape Town in Technicolor and Techniscope. The cinematographer was Nicolas Roeg. New York City private detective
Victim_Five
1966 film by Earl Bellamy
Incident at Phantom Hill is a 1966 American Techniscope Western film, directed by Earl Bellamy and starring: Robert Fuller, Jocelyn Lane, Dan Duryea and
Incident_at_Phantom_Hill
Shape and size of a digital camera's image sensor
PowerShot G1 X Mark II 23.36 18.70 14 4:3 262 −1.72 1.85 "35mm" 2 Perf Techniscope 23.85 21.95 9.35 7:3 205.23 −2.07 1.81 original Sigma Foveon X3 24.90
Image_sensor_format
2018 film by Damien Chazelle
chose to shoot the film in four different formats: Super 16mm, 35mm Techniscope & Super 35 3-perf, and IMAX 70mm film for the Moon sequence. The 16mm
First_Man_(film)
1965 film by Mario Costa
Gordon Scott Cinematography Massimo Dallamano as Jack Dalmas Technicolor, Techniscope Edited by Jolanda Benvenuti Music by Carlo Rustichelli Distributed by
Buffalo Bill, Hero of the Far West
Buffalo_Bill,_Hero_of_the_Far_West
1967 film
MacGregors) is a 1967 Italian spaghetti Western Technicolor film in Techniscope directed by Franco Giraldi (credited as Frank Garfield). It is the immediate
Up_the_MacGregors!
Film format historically common in amateur filmmaking
Standard 8 film in a modified Bolex (H16 or H8) camera. Similar to the Techniscope cameras of the 1960s, UltraPan 8 achieves wider aspect ratios generally
8_mm_film
1966 film
DVD, an anamorphic projection print was used rather than the original Techniscope negatives. As a result, the home video releases are indeed presented
Nashville_Rebel_(film)
1966 film
Lightning Bolt (Italian: Operazione Goldman) is a 1966 spy-fi film shot in Techniscope in 1965 that was directed by Anthony Dawson in his first entry into the
Lightning_Bolt_(film)
1964 film by William F. Claxton
Law of the Lawless is a 1964 American Techniscope Western film directed by William F. Claxton, produced by A.C. Lyles, and starring Dale Robertson, Yvonne
Law of the Lawless (1964 film)
Law_of_the_Lawless_(1964_film)
1968 British film by David Greene
debut of this police thriller, newly restored in 4k from its original Techniscope negative." The Monthly Film Bulletin wrote: "Greene gets strong performances
The_Strange_Affair
1967 film by Jeremy Summers
co-production action comedy film set in Hong Kong and photographed in Techniscope on location in September 1966 at the Tiger Balm Pagoda and Shaw Brothers
Five_Golden_Dragons
1970 film
Jack Betts (as Hunt Powers) Cinematography Joe D'Amato Technicolor, Techniscope Edited by Piera Bruni Music by Coriolano Gori (as Lallo Gori) Release
Dead_Men_Don't_Make_Shadows
1964 Filipino film
Guerillas in Pink Lace is a 1964 Philippine Techniscope comedy set during the invasion of the Philippines during World War II. The film starred George
Guerillas_in_Pink_Lace
1965 anthology horror film by Freddie Francis
budget of £105,000 and was completed on 3 July 1964. The film was shot in Techniscope. The Monthly Film Bulletin wrote: "Except perhaps in the fourth story
Dr._Terror's_House_of_Horrors
1984 film by Hugh Hudson
Park Greystoke was the first Hollywood film to be shot in the Super Techniscope format. Filming started in November 1982. The film was shot in Korup
Greystoke: The Legend of Tarzan, Lord of the Apes
Greystoke:_The_Legend_of_Tarzan,_Lord_of_the_Apes
1967 American war film directed by Arthur Hiller
with that size and bulk." It was photographed in Technicolor using the Techniscope format, and shot in Almería, Spain and the Glamis Sand Dunes in the Imperial
Tobruk_(1967_film)
1960s spy film series
and Spanish co-productions shot around the world in Technicolor and Techniscope: Agent 077: Mission Bloody Mary (1965) Agent 077: From the Orient with
Secret_Agent_077
1983 American film
leftover film stock from the film Lenny, as well as a leased Arriflex Techniscope camera and "probably a tripod", and intended to film in the city of Tangier
Taking_Tiger_Mountain_(film)
1966 British film directed by David Lane
and effects work would be completed. Thunderbirds Are Go was filmed in Techniscope with a 2.35:1 widescreen aspect ratio. The possibility of using anamorphic
Thunderbirds_Are_Go
1968 film directed by Sergio Corbucci
variance in the quality of the film stock. In comparison to the Technicolor/Techniscope presentation most Spaghetti Westerns were filmed in, The Great Silence
The_Great_Silence
1967 French film by Claude Chabrol
the French actors and later dubbed in English. The film was shot in Techniscope format. In a New York Times review, critic Vincent Canby wrote: "Mr.
The_Champagne_Murders
American filmmaker and actor (1929–1995)
owned his own equipment, including an 35mm Arriflex film camera and a Techniscope lens, which he carried around in a van. Zsigmond had an arrangement with
Al_Adamson
1970 American film
summary: The VHS release was taken from a 35mm print in 2.35:1 widescreen Techniscope. Jody McCrea .... Pike Maray Ayres .... Red Mick Mehas Casey Kasem .
The_Girls_from_Thunder_Strip
British musical by Sidney J. Furie
Harold Joseph Cuby as Miguel (credited as Joe Cuby) The film was made in Techniscope. Locations scenes were shot on Gran Canaria in the Canary Islands. These
Wonderful_Life_(1964_film)
1967 British film by Ralph Thomas
in Europe using international 'names'." Filming, in Technicolor and Techniscope, began in London on 23 May 1966. The movie was shot at Pinewood Studios
Deadlier_Than_the_Male
1965 British film
of affected teens, who are moved to no end. ... The Technicolor and Techniscope photography make excellent use of color in a limited setting, and pace
Pop_Gear
Physical width of film stock
Vertical 3 1.85:1 Efficient widescreen 2-Perf 35mm 35mm Vertical 2 2.39:1 Techniscope, budget VistaVision 35mm Horizontal 8 1.50:1 (cropped to 1.85:1) High-res
Film_gauge
1964 British film
on five films including this one and his contribution, in colour and Techniscope, enhances a rather dull movie." "East of Sudan". British Film Institute
East_of_Sudan
1983 Italian film
Like other 3-D systems in use in the early 1980s, 3-Depix "stacked" its Techniscope-sized left and right images one above the other on a single band of 35mm
Treasure_of_the_Four_Crowns
Canadian film director
while at the same time evoking the traditional days of black and white, Techniscope wide-screen. Since its premiere in 2003 the film has screened in over
Elza_Kephart
Italian filmmaker (1917–2008)
titled Tentazioni proibite (Forbidden Temptations). The film was shot in techniscope with a very small troupe including, again, Gino Landi and Giuseppe Giannini
Osvaldo_Civirani
1969 crime film by Giuliano Montaldo
documentary side of the fence" and that "apart from an over-use of the Techniscope zoom lens, there's no style to speak of." In a contemporary review of
Machine_Gun_McCain
1981 film
was filmed in the over-and-under, single-strip 35 mm 3-D format. Two Techniscope-format frames, one for the left-eye image and one for the right-eye image
Comin'_at_Ya!
1975 film
released late November 2024 with brand new 4K Remaster from the Original Techniscope Negative presented in 4K Ultra High Definition Blu-ray (2160p), Italian
Eyeball_(film)
1968 film by Enzo Castellari
veteran Spanish effects artist Emilio Ruiz. The film was shot using the Techniscope format. As with many Italian efforts of the era, the footage was captured
Kill Them All and Come Back Alone
Kill_Them_All_and_Come_Back_Alone
Spanish actor and filmmaker (1934–2009)
does not follow his story closely; filmed in Berlin in January 1972 in Techniscope; released only in Spain in July 1973 (never dubbed in English nor released
Paul_Naschy
2015 British film
photography for A Dark Reflection initially lasted 40 days. It was filmed in Techniscope format using Fuji 35mm film by Director of Photography Nicholas Eriksson
A_Dark_Reflection
1969 film directed by Sergio Corbucci
the film had undergone a 4K restoration of the original Technicolor-Techniscope camera negative and the French and Italian-language magnetic tapes, which
The_Specialists_(film)
1966 Italian film
script. Guerrini also appeared in a cameo role. The film was made in Techniscope and Technicolor; and made significant use of handheld cameras. The film
Date_for_a_Murder
1978 Canadian-Cameroonian film
vidéo productions inc. Countries of origin: Canada and Cameroon Format: Techniscope 2.33 Genre: Drama Duration: 95 minutes Daniel Ndo: Teter-a-Mum Suzanne
Ribo_ou_le_soleil_sauvage
1965 British film by Kenneth Hume
I've Gotta Horse was to be the first. The film was shot on location in Techniscope at Great Yarmouth where Fury had just finished his summer season at the
I've_Gotta_Horse
head – Tally light – Technical achievement – Technicolor – Technirama – Techniscope – Telecine – Teleconverter – Telerecording – Television movie – Tessar
Index of motion picture–related articles
Index_of_motion_picture–related_articles
1965 film
money I was asked to use a new film saving invention as the dreaded 'Techniscope' process. By only using two sprocket holes for each frame (instead of
Up_Jumped_a_Swagman
TECHNISCOPE
TECHNISCOPE
TECHNISCOPE
TECHNISCOPE
Boy/Male
Hindu, Indian
Lord Shiva
Girl/Female
Hindu, Indian
Very Beautifull Girl; Mirror
Boy/Male
Tamil
Ekadanthan | à®à®•à®¤à®‚தந
Lord ganapathy
Surname or Lastname
English
English : habitational name from a place called Billingham. There is one such place in Stockton on Tees (formerly in County Durham), which probably derives its name from Old English BillingahÄm ‘homestead (Old English hÄm) of the people of Bill(a)’. However, in the British Isles the surname is found chiefly in the Midlands (Staffordshire), and the distribution, together with evidence from other names, suggests that it may be derived from a lost place in Staffordshire or nearby.
Biblical
gate of the Lord; tempest of the Lord
Girl/Female
Arabic
Austere; Stern
Boy/Male
Hindu
Cheerful
Male
English
Anglicized form of Hebrew Nethanyah, NETHANIAH means "given of Jehovah" or "whom Jehovah gave." In the bible, this is the name of several characters, including the father of the murderer of Gedaliah.
Girl/Female
Indian
Gentleness, Softness, Tender
Boy/Male
Czech
Determined; stubborn.
TECHNISCOPE
TECHNISCOPE
TECHNISCOPE
TECHNISCOPE
TECHNISCOPE