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Dynamic microphone
The Shure SM57 is a low-impedance cardioid dynamic microphone made by Shure Incorporated and commonly used in live sound reinforcement and studio recording
Shure_SM57
American audio products corporation
Microphone, which was the predecessor to the SM57, which would be introduced, along with the SM58, six years later. Shure also produced portable equipment for
Shure
Professional cardioid dynamic microphone
other subtle details which can reveal most of these fakes. Shure SM57 Shure Beta 58A Shure MV7 Live Sound International, September/October 2002. Real
Shure_SM58
Microphone for podcasting
(high-pass filter) and mid-range boost Net weight 550 grams (19 oz) Shure SM57 Shure SM58 Shure Beta 58A Chan, Tim; Ranj, Brandt; Lonsdale, John; Anderson, Sage
Shure_MV7
Device that converts sound into an electrical signal
shotgun microphone in 1963. The Shure SM57 of 1965 revolutionized the recording of instruments and amplified live music. The SM57 used the Unidyne III capsule
Microphone
Professional broadcasting microphone
2021. "History of Shure Incorporated". Shure. Rochman, Davida (July 25, 2012). "SM57 on Steroids: The Shure SM7(B) Story". Shure. Retrieved July 20,
Shure_SM7
1992 single by Madonna
worked with live string arrangements. Madonna recorded the song on a Shure SM57 microphone, with instrumentation from piano, organ, strings and a basic
This_Used_to_Be_My_Playground
2007 studio album by The White Stripes
drum sets and do her own drum editing on tape. AKG D12, Neumann U 47, Shure SM57, Coles 4038, and Sennheiser MD 441 microphones were used on the drum sets
Icky_Thump
1976 single by Fleetwood Mac
He described the solo as "seamless" despite its fragmented nature. A Shure SM57 microphone was used to capture the guitar solo and some of the vocals
Go_Your_Own_Way
Dynamic microphone model
The Herd The Killers The Presets The Who Tricky Shure SM57 Shure MV7 White, Paul (July 1996). "Shure Beta Series: Dynamic & Back-electret Microphones"
Shure_Beta_58A
Lectern used by the President of the United States
script in case of errors, as well as space for a glass of water. Dual Shure SM57 microphones have been used for most of the lecterns' appearances, with
Presidential lecterns of the United States
Presidential_lecterns_of_the_United_States
American indie folk band
album: "I had a very light set-up, a basic small recording set-up: a Shure SM57 and an old Silvertone guitar. I had my brother drop off his old drums
Bon_Iver
1982 studio album by Bruce Springsteen
the bedroom of his Colts Neck home. They connected the machine to two Shure SM57 microphones on stands. Springsteen played a Gibson J-200 acoustic guitar
Nebraska_(album)
1978 studio album by Blondie
DI/amp method was used to record Harrison's bass and Destri's synthesizer. Shure SM57 and AKG 414 microphones were used to capture Infante's Les Paul guitar
Parallel_Lines
1994 studio album by Elliott Smith
and recording it on his four-track recorder. Additionally, he used a Shure SM57 and an inexpensive RadioShack dynamic microphone to capture the sound
Roman_Candle_(album)
Fourth solo album by Peter Gabriel
recording finished vocals, which he did in the control room at Ashcombe via a Shure SM57 dynamic microphone. As per Lord, they did up to 20 takes for each song
Peter_Gabriel_(1982_album)
1979 song by Trevor Horn, Geoff Downes and Bruce Woolley
he believed that the male vocal was recorded through either a dynamic Shure SM57, SM58, Sennheiser MD 421, or STC 4038 ribbon microphone, and that four
Video_Killed_the_Radio_Star
2008 studio album by Erykah Badu
to a thin raspiness, and she wants to hear all of that." Badu used a Shure SM57 dynamic microphone, finding it to have enough bottom for her voice type
New Amerykah Part One (4th World War)
New_Amerykah_Part_One_(4th_World_War)
1973 single by Joe Walsh
seven" guitars on the recording, playing through a small amp with one Shure SM57 microphone aimed at it. Szymczyk says the thick guitar sound is from Walsh
Rocky_Mountain_Way
2010 studio album by Taylor Swift
vocals with an Avantone CV12 microphone and his background vocals with a Shure SM57, produced the bass with an Avalon VT737 preamplifier, and used Endless
Speak_Now
2001 studio album by Fennesz
recorded the album on a limited equipment setup consisting of a laptop, one Shure SM57 microphone, a few guitars, and a few pedals. Speaking to RBMA in 2008
Endless Summer (Fennesz album)
Endless_Summer_(Fennesz_album)
1970 single by Alice Cooper
Cooper's raspy vocals with standard techniques; he settled on using a Shure SM57 microphone with high compression and judicious addition of treble and
I'm_Eighteen
Cable with three ends
Sound on Sound. I had a [Sennheiser] 421 [microphone] on the top and [a Shure] SM57 [microphone] on the bottom of each of the toms, going into the console
Y-cable
1999 studio album by the White Stripes
been donated by Interlochen Center for the Arts was used for mixing and Shure SM57 microphones were used on the Electro-Voice speaker. Jack insisted it sound
The_White_Stripes_(album)
2026 single by Phoebe Bridgers
while detailing that the other threw a tantrum and hurt himself with a Shure SM57 microphone. However, she eventually forgives them after sleeping with
Lost Boys (Phoebe Bridgers song)
Lost_Boys_(Phoebe_Bridgers_song)
American musician (born 1979)
Clear 22 in, Custom Tama Reso Head Microphones (Live) Shure SM57 (Snare) Sennheiser 604 (Toms) Shure 52 and 91 (Bass) Neumann KM184 (Overheads) Previous
Josh_Eppard
1991 song by Nirvana
guitar were recorded in the middle of the room, with Cobain singing into a Shure SM57 microphone that had been setup for conversation and not music. Vig recalled
Endless,_Nameless_(song)
1989 single by XTC
track were achieved by recording the release of the instrument with a Shure SM57 and loading the sound into an Akai sampler. The device's Warp feature
Mayor_of_Simpleton
2002 studio album by Black Dice
Radio, DOD Mixer R855, Shure SM57, Sony Tapecorder TC260, Signalflex A/B Box Hisham Bharoocha: Drums, Vocals, Percussion Shure WH20, Electro Harmonix
Beaches_&_Canyons
2005 studio album by Little Barrie
’69 Vibralux 2x10. The mics were mostly old Neumanns—although the odd [Shure] SM57 was used, as well.[citation needed] "Free Salute" – 3:51 "Burned Out"
We_Are_Little_Barrie
German dynamic microphone
Brian Tarquin referred to the ubiquitous American Shure SM57 when he described the MD 421 as "an SM57 on steroids... probably one of the most diverse mics
Sennheiser_MD_421
Guitar effects modelling software
preamplifiers, cabinets and microphones under pseudonyms (such as renaming the Shure SM57 as the "Dynamic 57"). The system allows customisation of module parameters
Guitar_Rig
1980 single by Fleetwood Mac
her electric piano; Buckingham was positioned a few yards away using a Shure SM57 microphone. In 1979, Ed Harrison of Billboard called the song "a more
Think_About_Me
2017 studio album by Lindsey Buckingham and Christine McVie
instrument for the album was a Hammond B3 organ, which was recorded with Shure SM57 and Neumann U 87 microphones. The final mixdowns were completed at The
Lindsey Buckingham Christine McVie
Lindsey_Buckingham_Christine_McVie
Musical artist
velocity-sensitive MIDI controller, Cad M177 condenser mic, Nady SCM900 condenser mic, Shure SM57, 3 CAD TSM411 dynamic drum mics, pair of Apex 170 condenser mics, and
Andrew_Wade
American indie pop band
own equipment (including a Boss digital multitrack recorder using only Shure SM57 and SM58 microphones), it was not professionally mastered to the same
Someone Still Loves You Boris Yeltsin
Someone_Still_Loves_You_Boris_Yeltsin
2003 studio album by Mike Oldfield
Microphones Brüel & Kjær 4011 Brüel & Kjær 4040 (Serial no. 001) AKG C12 Shure SM57 Neuman U67 Neuman M249 Beyer Dynamic M160 BSS DI Box Electric guitars
Tubular_Bells_2003
1971 single by Paul McCartney
of seven shots was recorded in the hallway outside Studio A-2 using a Shure SM57 microphone. "Oh Woman, Oh Why" was mixed at A&R on 5 February 1971. The
Oh_Woman,_Oh_Why
Scottish guitarist
a Fender Blues Junior guitar amplifier, which he used together with a Shure SM57 microphone to record the guitar tracks on his 2024 EP Kindness. Cassini
Sithu_Aye
2013–2014 concert tour by Lorde
such as the Shure SM52A, a Sennheiser e904, two overhead AKG C414 microphones, a Shure SM81 microphone for hi-hat drums as well as a Shure SM57 for snare
Pure_Heroine_Tour
1994 studio album by Jawbreaker
recorded for it by playing a cassette of performing, done by pointing a Shure SM57 microphone at a boom box speaker. Pfahler said the session with Anderson
24_Hour_Revenge_Therapy
1989 single by XTC
placed the instrument between his legs and recorded the sound with a Shure SM57 microphone. The waveform, which was loaded onto an Akai sampler, lacked
King_for_a_Day_(XTC_song)
2018 studio album by Unique
stacks. Among the first tracks as well was "Midnight Sky" which used a Shure SM57 and an AKG C414 XLS for mics. The song is one of the more minimalist in
Grandma_(album)
2017 live album by Various Artists
" The performances were recorded on analogue 16-track equipment, with Shure SM57 and SM58 microphones placed close to the instruments. For the album release
Zaire_74:_The_African_Artists
2012 studio album by Buffalocomotive
configurations with Paiste Cymbals. His drums were captured using Shure Beta 52A on the kick, Shure SM57 on the snare, Sennheiser E604 on the toms and a pair of
Tears of the Enchanted Mainframe
Tears_of_the_Enchanted_Mainframe
1985 studio album by Beat Happening
live performance of "Run Down the Stairs" for campus radio station KAOS. Shure SM57 microphones were used to record the guitar and drums as they were played
Beat_Happening_(album)
English folk band, formed 1978
Shepherd Producer: Recorded live on tour in Brazil by Charles Gray using Shure SM57 microphones and a Sony F1 Digital Audio Recorder A Richer Dust Released:
Blowzabella
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