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The partimen (Occitan: [paɾtiˈmen, paʀtiˈme]; Catalan: partiment [pəɾtiˈmen]; also known as partia or joc partit) is a cognate form of the French jeu-parti
Partimen
Forme fixe
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Triolet
French form of poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Rondelet
Morning love song or a song or poem about lovers separating at dawn
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Aubade
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Leise
Style of troubadour song
Cavalhon). Closely related, and sometimes overlapping, genres include: the partimen, in which more than two voices discuss a subject the cobla esparsa or cobla
Tenso
Fixed verse form of poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Sestina
French medieval and Renaissance poetic and musical genre
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Rondeau_(forme_fixe)
Short lyrical poem about love
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Madrigal_(poetry)
around Arras. Chardon wrote four chansons d'amour, two jeux partis, and one partimen. In two of his chansons Chardon represented Marguerite de Bourbon, the
Chardon_de_Croisilles
Music genre
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Ballata
Genre of the Galician–Portuguese lyric
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Cantiga_de_amigo
King of Aragon from 1164 to 1196
up by Azalais de Porcairagues and Raimbaut of Orange; there was also a partimen on the topic between Dalfi d'Alvernha and Perdigon. Alfonso and his love
Alfonso_II_of_Aragon
Style of poetry used by troubadours
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Trobar_leu
Eight lines of poetry forming a stanza
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Octave_(poetry)
two coblas, and eight tensos, several with his relatives and including a partimen with Maria de Ventadorn. Four of his cansos melodies remain. According
Gui_d'Ussel
Form of medieval French verse
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Virelai
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Tagelied
Single-stanza poem in troubadour poetry
exchange; this corresponds, in a shorter form, to the earlier tenso or partimen. Whether such exchanges should be regarded as a "genre" unto themselves
Cobla_esparsa
Troubadour style
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Trobar_ric
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Trobar_clus
Provençal troubadour
surviving songs, twenty-one (or twenty-three) are cansos, with one alba, one partimen, one pastorela, and one religious piece represented. Two of his melodies
Cadenet_(troubadour)
Welsh poetry tradition
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Cerdd_dafod
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Ensenhamen
Genre of Occitan poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Sirventes
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Reverdie
Welsh poetic form
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Awdl
Composer and performer of lyric poetry during the High Middle Ages
chants Maldit – a song complaining about a lady's behaviour and character Partimen – a poetical exchange between two or more poets in which one is presented
Troubadour
Verse form in 14th-century French poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Rondel_(poem)
Type of stanza in lyric poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Tornada (Occitan literary term)
Tornada_(Occitan_literary_term)
Genre of narrative Old French lyric poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Chanson_de_toile
Occitan poet and composer
believed to have worked under Henry II, Count of Rodez. He composed a partimen with the Jewish troubadour Bonfilh. He invented the genre of the serena
Guiraut_Riquier
troubadour boasting song. It is often considered related to the tenso and partimen, two types of debate poem. Sometimes the gab is not considered a separate
Gab_(song)
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Devinalh
Metrical forms in traditional Welsh poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Cywydd
Genre of medieval French poetry
poetry composed between two trouvères. It is a cognate of the Occitan partimen (also known as partia or joc partit). In the classic type, one poet poses
Jeu-parti
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Grand_chant
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Dansa
Lyric genre of Catalan and Occitan literature
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Viadera
Genre of Old Occitan lyric poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Alba_(poetry)
Song style
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Canso_(song)
Type of Occitan poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Salut_d'amor
Form of medieval and Renaissance French poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Ballade_(forme_fixe)
Genre of Occitan poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Enuig
French poetic forms
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Formes_fixes
comments in his poem A mon vers dirai chanso. Soon afterwards there follows a partimen on the topic between Dalfi d'Alvernha and Perdigon, and then a tensó between
Azalais_de_Porcairagues
Six songs are surviving: one canso, one alba, and four tensos (three partimens and one torneyamen). According to the vida, he was courtly, capable, and
Uc_de_la_Bacalaria
Poetic genre
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Pastourelle
Occitan female troubadours of the 12th and 13th centuries
expected to be able to sing, play instruments, and write jocs partis, or partimen (a debate or dialogue in the form of a poem). The cultivation of these
Trobairitz
Occitan preface to troubadour composition
manuscript from Bergamo, there is an explanatory rubric preceding the Occitan partimen Si paradis et enfernz son aital by Girard Cavalaz and Aycart del Fossat
Razo
Occitan traditional song
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Lo_Boièr
He left behind nine recorded lyric poems, including five cansos, two partimens, and two sirventes. He also wrote one longer work, the Romans de mondana
Folquet_de_Lunel
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Sicilian_octave
Genre of Occitan poetry shaped as a competition
century. Closely related to the tenso, a debate between two poets, and the partimen, a question posed by one poet and another's response, the torneyamen took
Torneyamen
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Kyrielle
work comprises four cansos, three dansas, and two partimens. In 1340 he composed a political partimen with Raimon de Cornet. He, and presumably Raimon
Peire_de_Ladils
French count in the 12th century
satirical and erotic verses with him, as did Richard Coeur de Lion. One partimen between Dauphin and Perdigon marks a stage in the poetical debate, begun
Dalfi_d'Alvernha
prepositions, without the use of conjunctions to form short and simple phrases. partimen pastourelle pathetic fallacy Pathya Vat parallelism parody pastoral A work
Glossary_of_literary_terms
French troubador
the end of his life. Sixteen poems—fourteen cansos, a sirventes, and a partimen with Eble d'Ussel—form his surviving corpus. His cansos are his most famous
Guilhem_Ademar
13th century. Nothing is known of him besides this and that he wrote a partimen with Raimon Gaucelm, Joan Miralhas, si Dieu vos gart de dol. In it Raimon
Joan_Miralhas
Albigeois jongleur and troubadour
says that he composed one good canso and several sirventes, but only one partimen survives. It was said he never left the Albigeois. There is a tenso on
Albertet_Cailla
French troubadour (c. 1138 – 1215)
by Azalais de Porcairagues and Raimbaut d'Aurenga, and continued in a partimen between Dalfi d'Alvernha and Perdigon. Reis glorios (glorious king), a
Giraut_de_Bornelh
chansonnier, three cansos under the full name Guilem Raimon de Gironela and one partimen with the jongleur Pouzet under the name Guilem Raimon. Towards the end
Guillem_Ramon_de_Gironella
her long stay in Genoa. Guillelma's only surviving piece of poetry is a partimen, "Na Guillelma, maint cavalier arratge", with Lanfranc, in which he posed
Guillelma_de_Rosers
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Arlabecca
12th-century French troubadour
Raimbaut of Orange, A mon vers dirai chanso. Soon afterwards there is a partimen on the topic between Dalfi d'Alvernha and Perdigon, and then a tensó between
Guilhem_de_Saint-Leidier
Italian composer
troubadour from Lombardy. His only surviving work is four coblas of a partimen he exchanged with Aycart del Fossat concerning the nature of Heaven and
Girard_Cavalaz
who has the same name as Raimon Gaucelm." Raimon composed one humorous partimen (a tenso with a proposed dilemma) with Joan Miralhas in which Raimon poses
Raimon_Gaucelm_de_Bezers
Riquier composed a torneyamen (a three-way partimen). Miquel also appears as the judge of another partimen, called Falco, dona avinen, in a poetic contest
Miquel_de_Castillon
Troubadour
Peire del Puoi or Puei (French: Pierre du Puy). Around 1238 he wrote a partimen beginning Peire del Puei, li trobador with Aimeric de Pegulhan. At Raymond's
Peire_Cardenal
Rainaut ("Seign'en Jaufre, respondetz mi, si·us platz"). The other is a partimen with Guiraut Riquier ("Guiraut Riquier, diatz me," composed probably 1270
Jaufre_de_Pons
in the chansonnier tradition (ms. C, Biblioteca Estense, Modena). The partimen “En Jorda, eu voil saber” is exchanged between Guiraut Riquier, Raimon
Jordan_IV_of_L'Isle-Jourdain
13th-century French troubadour
wrote a partimen with Elias de Barjols, which is where his nickname "Jaufrezet" is first recorded. He was also the judge of several other partimens: between
Jaufre_Reforzat_de_Trets
Genre of Catalan and Occitan literature
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Maldit-comiat
partimen with Girard Cavalaz. The sirventes is about the victory of Charles of Anjou over Conradin at the Battle of Tagliacozzo (1268). The partimen,
Aycart_del_Fossat
Composer in Old Occitan
Larghi tentatively identified Lisa with Salvatja de Londra, who judged a partimen between Lanfranc Cigala and Lantelm. Antoine Thomas suggested that Lisa
Lisa_de_Londres
Provençal nobleman
of letters. He was probably also the Guionet who composed tensos and partimens with Cadenet, Raimbaut de Vaqueiras, Mainart Ros, Pomairol, and a certain
Gui_de_Cavalhon
him how to compose songs. Only eight of his songs (seven cansos and one partimen) survive, the most famous being En greu pantais. Egan, Margarita, ed. and
Guiraudo_lo_Ros
distinguish completely today. The first has no surname and composed two partimens with Rofian (or Rofin) around 1240. He has been confounded with the inquisitor
Isarn_(troubadours)
Toulousain priest, friar, grammarian, poet and troubadour
"Ab tot mon sen d'amors si pusch faray" Tenço "Pres mes talens d'un pech partimen far" with Arnau Alaman, donzel d'Albi Unclassified "A Sent Marcel d'Albeges
Raimon_de_Cornet
Catalan nobleman and poet
called a friend from temps passat ("times passed"). Massanet debated in a partimen with the lawyer Gabriel Ferruç whether it was preferable to resolve conflicts
Guerau_de_Massanet
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Planh
Catalan poet
within the Consistori del Gay Saber. On 3 May 1386 Jacme participated in a partimen with Bernat de Palaol before the judges Ramon Galbarra and Germà de Gontaut
Jacme_Rovira
his pieces Ben voil que sapchon ii plusor he makes an allusion to the partimen. The origins of this poetry are uncertain. It bears no relation to Latin
Occitan_literature
practitioner of the trobar leu style. Among his works are a descort, a partimen, and nine cansos; a sirventes, two cansos and another descort have a questionable
Elias_de_Barjols
Laureate in Rome. 1340: Raimon de Cornet and Peire de Ladils compose a partimen 1343: Glorios Dieus, don totz bens ha creysensa, an anonymous planh for
1340s_in_poetry
Catalan politician, naval financier and man of letters
genres in the second: the vers, canso, sirventes, dansa, descort, tenso, partimen, pastorela, retroencha, planh, and escondig. He also differentiates the
Luys_d'Averçó
Italian composer
returned to him, he despaired and died. This bizarre legend is related to a partimen between Guilhem and Sordello, Un amics et un'amia, in which the former
Guilhem_de_la_Tor
Jaufre de Pons, one of his retainers according to the vida. One of their partimens survives in several manuscripts. The identity of the troubadour is not
Rainaut_de_Pons
Genre of Occitan poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Pastorela
Form and genre of Old Occitan lyric poetry
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Descort
esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen Pastorela Planh Salut d'amor Sestina Sirventes Tenso Torneyamen Tornada
Traethodl
Jewish troubadour
the troubadour style and language, Old Occitan. His only known work is a partimen (debate) with Guiraut Riquier, Auzit ay dir, Bofil, que saps trobar ("I
Bonfilh
French troubadour
Provence, where he died. A certain "Esteve", perhaps Joan, composed a partimen with a certain "Jutge" as a planh for his death. Joan's last work was a
Johan_Esteve_de_Bezers
legends of Pons de Montlaur. Pons wrote "Qal preiatz mais.a ops d'amor", a partimen with a poet called "Esperdut", probably Gui de Cavaillon. Jeanroy, Alfred
Pons_de_Monlaur
cansos and six sirventes. He also left behind one tenso (specifically, a partimen) with Sordello (perhaps suggesting a brief sojourn in Lombardy) and his
Guilhem_de_Montanhagol
has a modern English translation by Meg Bogin. Raimon also composed a partimen with an otherwise unknown Bertran, who proposed the dilemma: who are better
Raimon_de_las_Salas
Provençal troubadour
probably took the idea from a poem of Giraut de Bornelh. He also composed a partimen, "Del sonet", with the jongleur Pelestort sometime before 1237. Jeanroy
Isnart_d'Entrevenas
Provençal nobleman and troubadour from Avignon
manuscript H. According to Alfred Jeanroy, Raimon de las Salas composed a partimen with Bertran, who proposed the dilemma: who are better at making war, feasts
Bertran_Folcon_d'Avignon
vida, Elias composed "good tensos. He has left behind four tensos, one partimen, and two coblas. He composed one series of verses with Gaucelm Faidit.
Elias_d'Ussel
PARTIMEN
PARTIMEN
PARTIMEN
PARTIMEN
Girl/Female
Tamil
Neeharika | நீஹாரிகா
Dew drops, Bunches of star, Nebula
Girl/Female
American, British, English
From the Meadow of the Royal Fortress; Cyneburg's Field; Royal Fortress Meadow; Ruler
Boy/Male
Indian, Marathi
Raindrops
Girl/Female
Hindu
Boy/Male
Hindu, Indian, Muslim
Golden
Girl/Female
Christian, Hindu, Indian, Muslim, Sanskrit, Sikh, Traditional
Combination of Love; Union of Love
Female
English
Modern English name, possibly derived from the Greek word aidoios, HAIDEE means "modest."
Girl/Female
Tamil
Winner
Girl/Female
Hindu
A creeper
Boy/Male
British, English
From the Wether-sheep Corner
PARTIMEN
PARTIMEN
PARTIMEN
PARTIMEN
PARTIMEN