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Plagal Gregorian mode
The Hypophrygian (deuterus plagalis) mode, literally meaning "below Phrygian (plagal second)", is a musical mode or diatonic scale in medieval chant theory
Hypophrygian_mode
Authentic Gregorian mode
together produces the Hypophrygian mode (below Phrygian): In modern western music (from the 18th century onward), the Phrygian mode is related to the modern
Phrygian_mode
Type of musical scale and characteristic behaviors
In music theory, the term mode or modus is used in a number of distinct senses, depending on context. Its most common use may be described as a type of
Mode_(music)
Seven-tone musical scale
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones
Lydian_mode
System of pitch organization in Gregorian chant
the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and Hypomixolydian. The earliest definition of plagal mode is found in Hucbald's treatise De
Gregorian_mode
Polyphonic music with separate melodies
Hypodorian, Aeolian, Hypoaeolian), but not in Phrygian or Hypophrygian mode. Thus, in the Dorian mode on D, a C♯ is necessary at the cadence. Permitted melodic
Counterpoint
Form of song
Phrygian and Hypophrygian. Modes 5 and 6 are the authentic and plagal modes ending on F, sometimes called Lydian and Hypolydian. Modes 7 and 8 are the
Gregorian_chant
Christian holiday
hymn as the name suggests is sung in the plagal of the second tone (Hypophrygian mode), the 6th tone according to the Octoechos system in Byzantine music
Sunday of the Holy Forefathers
Sunday_of_the_Holy_Forefathers
Fourth mode of the melodic minor scale
the Mixolydian ♯4 scale is a seven-note synthetic scale. It is the fourth mode of the ascending melodic minor scale. This differs from the major scale in
Acoustic_scale
Hydraulis of Dion Hymn Hyperrealism (music) Hypoaeolian mode Hypoionian mode Hypophrygian mode ii–V–I progression Illusory continuity of tones Illusory
Index_of_music_articles
Western music created during the Middle Ages
material for melodic writing. The eight church modes are: Dorian, Hypodorian, Phrygian, Hypophrygian, Lydian, Hypolydian, Mixolydian, and Hypomixolydian
Medieval_music
Byzantine musical system with eight modes
"sound, mode" called echos; Slavonic: Осмогласие, Osmoglasie from о́смь "eight" and гласъ, Glagolitic: ⰳⰾⰰⱄⱏ, "voice, sound") is the eight-mode system
Octoechos
antiphon Benedicta tu in mulieribus (traditionally designated as transposed Hypophrygian) and the gradual Haec dies—Justus ut palma (traditionally designated
Hypoaeolian_mode
1498 composition by Josquin des Prez
modulates the incipit of the Requiem chant from the Phrygian mode to the Hypophrygian mode, which symbolises acceptance and resignation. Hence, in this
Nymphes_des_bois
Music scale used in Middle Eastern compositions
of only two half-steps in all diatonic scales. This is also the Locrian mode with a major third and major seventh degree. In Hindustani Classical Music
Persian_scale
Overview of ancient Greek music theory
diezeugmenon (e′–e″) Hypolydian: parhypate meson–trite hyperbolaion (f′–f″) Hypophrygian: lichanos meson–paranete hyperbolaion (g′–g″) Common, Locrian, or Hypodorian:
Musical system of ancient Greece
Musical_system_of_ancient_Greece
Third mode of the melodic minor scale
In music, the Lydian augmented scale (Lydian ♯5 scale) is the third mode of the ascending melodic minor scale. Starting on C, the notes would be as follows:
Lydian_augmented_scale
Liturgical commemoration of an early Catholic woman martyr
sung in Mode VIII, celebrates her virginity. Responsories: "Ego sum ancilla Christi" ("I am the handmaid of Christ"), in Mode IV (Hypophrygian), echoes
Feast_of_Saint_Agatha
Medieval music term
of measurement", "quantity", "size", "length", or, rendered in English, mode) can be used in a variety of distinct senses. The most commonly used meaning
Modus_(medieval_music)
System of chanting in medieval Christian churches
"tonus primus" D—a—d, both tones of the protus used D as finalis, the hypophrygian octave species was B—E—b and was the ambitus of the tonus quartus, and
Hagiopolitan_Octoechos
Classification of musical key or scale in ancient Greek music theory
to tonoi and akin to musical scale and mode, and was invoked in Medieval and Renaissance theory of Gregorian mode and Byzantine Octoechos. Greek theorists
Octave_species
Greek scales: Phrygian scale Aeolian scale Dorian scale Mixolydian scale Hypophrygian scale Scales 6 and 7 have no analogues: 6. A, B flat, C, D, E, F
Music_of_Turkmenistan
were: išartu (Dorian), kitmu (Hypodorian), embūbu (Phrygian), pūtu (Hypophrygian), nīd qabli ( Lydian), nīš gabarî (Hypolydian), qablītu (Mixolydian)
Music_of_Mesopotamia
HYPOPHRYGIAN MODE
HYPOPHRYGIAN MODE
Female
English
English name derived from the vocabulary word, from Middle French modestie, from Latin modestus, MODESTY means "moderate, sober."
Boy/Male
Hindu, Indian, Modern
Modern Name of Lord Shiva; Brave; Divine; Honesty; Virtuous; Healthy; Goodness; Pure; Person Having All Qualities; A Part of Lord Shiva
Surname or Lastname
English and Scottish
English and Scottish : occupational name for a miller. The standard modern vocabulary word represents the northern Middle English term, an agent derivative of mille ‘mill’, reinforced by Old Norse mylnari (see Milner). In southern, western, and central England Millward (literally, ‘mill keeper’) was the usual term.Southwestern and Swiss German and Jewish (Ashkenazic) : variant of Müller (see Mueller).
Surname or Lastname
English
English : variant spelling of Myer.Spanish : habitational name from a village in Santander province, so named from mies ‘ripe grain’, ‘harvest time’ (Latin messis aestiva ‘summer harvest’).Dutch : nickname from mier ‘ant’; perhaps denoting an industrious person.Dutch and Belgian (van de Mier) : topographic name from a Brabantine form of moere ‘bog’, ‘marsh’ (modern moeras), or a habitational name from Moere in West Flanders.
Boy/Male
Latin
Modesty; moderate. The Spanish saint Modesto.
Girl/Female
French, German, Latin, Spanish
Modest
Girl/Female
Latin Spanish
Modest.
Boy/Male
Arabic, Indian, Modern, Muslim
Modern
Girl/Female
Latin
Without conceit; modest.
Girl/Female
Australian, Dutch, German, Latin, Spanish
Shy; Modesty; Moderate; Sober
Male
Italian
Italian, Portuguese and Spanish form of Roman Latin Modestus, MODESTO means "moderate, sober."
Boy/Male
Australian, French, German, Italian, Latin, Portuguese
Moderate; The Spanish Saint Modesto; Modern Coinage from the Name of Flower
Male
French
French form of Roman Latin Modestus, MODESTE means "moderate, sober."
Female
French
Feminine form of French Modeste, MODESTINE means "moderate, sober."
Girl/Female
Latin English
Without conceit; modest.
Male
Russian
(МодеÑÑ‚) Russian form of Roman Latin Modestus, MODEST means "moderate, sober."
Boy/Male
Latin
Modest.
Boy/Male
Indian, Modern, Tamil
Modern
Girl/Female
Latin Spanish
Modest.
Boy/Male
Hindu, Indian, Modern, Sanskrit
New; Modern; Fresh; Latest; Recent
HYPOPHRYGIAN MODE
HYPOPHRYGIAN MODE
Girl/Female
American, British, English
Follower of Christ; Christian
Surname or Lastname
English
English : habitational name from a place in Nottinghamshire. The early forms, from Domesday Book to the early 13th century, show the first element uniformly as Mam-, and it is therefore likely that this was a British hill-name meaning ‘breast’ (compare Manchester), with the later addition of Old English feld ‘pasture’, ‘open country’ (see Field) as the second element. The surname is now widespread throughout Midland and southern England and is also common in Ireland.Irish : when not an importation of 1, this is an altered form of the Norman name Manville (see Mandeville).Americanized form of German and Jewish (Ashkenazic) Mansfeld, a habitational name for someone from a place so called in Saxony.
Boy/Male
Arabic
Father of Ignorance
Boy/Male
Arabic, Muslim
Servant of the Responder
Surname or Lastname
English
English : variant spelling of Hansbury.Possibly an Americanized spelling of German Hansberg (see Hansberger) or Hansbruch (see Hansbrough).
Boy/Male
Muslim/Islamic
Singer
Male
Dutch
, spear bear.
Boy/Male
Tamil
Somashekhar | ஸோமாஷேகர
Lord Shiva
Girl/Female
German American
Renowned warrior.
Boy/Male
Indian, Sanskrit
Worthy of Worship
HYPOPHRYGIAN MODE
HYPOPHRYGIAN MODE
HYPOPHRYGIAN MODE
HYPOPHRYGIAN MODE
HYPOPHRYGIAN MODE
a.
Of or pertaining to the present time, or time not long past; late; not ancient or remote in past time; of recent period; as, modern days, ages, or time; modern authors; modern fashions; modern taste; modern practice.
a.
Restraining within due limits of propriety; not forward, bold, boastful, or presumptious; rather retiring than pushing one's self forward; not obstructive; as, a modest youth; a modest man.
n.
One who admires the moderns, or their ways and fashions.
a.
Evincing modestly in the actor, author, or speaker; not showing presumption; not excessive or extreme; moderate; as, a modest request; modest joy.
n.
The quality or state of being modest; that lowly temper which accompanies a moderate estimate of one's own worth and importance; absence of self-assertion, arrogance, and presumption; humility respecting one's own merit.
n.
The office of a moderator.
n.
Modern practice; a thing of recent date; esp., a modern usage or mode of expression.
n.
One who modernizes.
n.
Modernness; something modern.
n.
The act of rendering modern in style; the act or process of causing to conform to modern of thinking or acting.
n.
A female moderator.
imp. & p. p.
of Modernize
adv.
In a modest manner.
n.
A female moderator.
n.
In the University of Oxford, an examiner for moderations; at Cambridge, the superintendant of examinations for degrees; at Dublin, either the first (senior) or second (junior) in rank in an examination for the degree of Bachelor of Arts.
v. t.
To render modern; to adapt to modern person or things; to cause to conform to recent or present usage or taste.
n.
The quality or state of being modern; recentness; novelty.
adv.
In modern times.
n.
A person of modern times; -- opposed to ancient.
p. pr. & vb. n.
of Modernize