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German musicologist (1896–1983)
Helmuth Osthoff (13 August 1896 – 9 February 1983) was a German musicologist and composer. Much of his career was spent at Frankfurt University, prior
Helmuth_Osthoff
German musicologist
University of Würzburg. Born in Halle as son of the musicologist Helmuth Osthoff, Osthoff received his musical education from Kurt Hessenberg (sound composition)
Wolfgang_Osthoff
Composer of the Renaissance (c. 1450–1521)
music revival, publications by August Wilhelm Ambros, Albert Smijers, Helmuth Osthoff, and Edward Lowinsky culminated in a successful academic conference
Josquin_des_Prez
City in North Rhine-Westphalia, Germany
film director Christian Friedrich Nasse (1778–1851), psychiatrist Helmuth Osthoff (1896–1983), musicologist and composer Rainer Stahel (1892–1955), military
Bielefeld
Church cantata by Johann Sebastian Bach
score of both the Weimar and the Leipzig version in 1982, edited by Helmuth Osthoff, with the critical commentary following in 1984. John Eliot Gardiner
Komm, du süße Todesstunde, BWV 161
Komm,_du_süße_Todesstunde,_BWV_161
Church cantata by J.S. Bach
volume containing Bach's Trinity XVI and XVII cantatas, edited by Helmuth Osthoff and Rufus Hallmark. In 2017, an updated version of Reinhold Kubik's
Liebster Gott, wenn werd ich sterben, BWV 8
Liebster_Gott,_wenn_werd_ich_sterben,_BWV_8
German musicologist
Georg Schünemann, Curt Sachs, Hans Joachim Moser, Friedrich Blume and Helmuth Osthoff. Already during his studies he was active in the National Socialist
Wolfgang_Boetticher
German composer (1690-1749)
Bach-Jahr 1935. Edition Peters, 1935 Gottfried Heinrich Stölzel, composer; Helmuth Osthoff, editor. Triosonate F moll: Für 2 Violinen oder Oboen, Violoncello
Gottfried_Heinrich_Stölzel
17th-century German Christian hymn
orchestrated, as part of the BWV 8.1 cantata, in Vol. I/23 (1982; editor: Helmuth Osthoff). In the same volume, the D major version, orchestrated, as part of
Liebster Gott, wann werd ich sterben
Liebster_Gott,_wann_werd_ich_sterben
German musicologist
the 20th century, for example Ernst Pepping. In 1937, together with Helmuth Osthoff and Walter Serauky he published the Festschrift for his teacher Arnold
Adam_Adrio
German music historian and musicologist
(1936), issue. 1, pp. 481–483. Ein Danziger Musikantenspiegel. In Helmuth Osthoff, Walter Serauky, Adam Adrio (ed.): Festschrift Arnold Schering. Berlin
Gotthold_Frotscher
1887/1888 symphony by Gustav Mahler
Manuscript Source." 19th-Century Music, vol. 20, no. 2, pp. 99–124. Osthoff, Helmuth (1971). "Zu Gustav Mahlers Erster Symphonie. 'Zum Gedenken an Hans
Symphony_No._1_(Mahler)
German organ builder (1578–1636)
Gurlitt: Der Kursächsische Hoforgelmacher Gottfried Fritzsche. In Helmuth Osthoff, Walter Serauky, Adam Adrio (ed.): Festschrift Arnold Schering zum
Gottfried_Fritzsche
Meyer-Baer, Kathi (1929). "Über Musikbibliographie". In Lott, Walter; Osthoff, Helmuth; Wolffheim, Werner (eds.). Musikwissenschaftliche Beiträge: Festschrift
Kathi_Meyer-Baer
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