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Italian painter (1583–1618)
Antonio Marziale Carracci (1583 – 8 April 1618) was an Italian painter. He was the natural son of Agostino Carracci. Carracci was born in the parish of
Antonio_Carracci
Bolognese painter (1560–1609)
Annibale Carracci (/kəˈrɑːtʃi/ kə-RAH-chee, UK also /kəˈrætʃi/ kə-RATCH-ee, Italian: [anˈniːbale karˈrattʃi]; November 3, 1560 – July 15, 1609) was an
Annibale_Carracci
Bolognese painter of the Baroque (1557–1602)
Carracci. Agostino's son Antonio Carracci was also a painter, and attempted to compete with his father's Academy. An engraving by Agostino Carracci after
Agostino_Carracci
Bolognese family of artists
The Carracci (/kəˈrɑːtʃi/ kə-RAH-chee, UK also /kəˈrætʃi/ kə-RATCH-ee, Italian: [karˈrattʃi] ) were a Bolognese family of artists that played an instrumental
The_Carracci
Bolognese painter of the Baroque (1555–1619)
Ludovico (or Lodovico) Carracci (/kəˈrɑːtʃi/ kə-RAH-chee, UK also /kəˈrætʃi/ kə-RATCH-ee, Italian: [ludoˈviːko karˈrattʃi, lod-]; 21 April 1555 – 13 November
Ludovico_Carracci
Family of Italian artists
Carracci Ludovico Carracci (1555–1619), Italian painter, etcher, printmaker, and cousin of Agostino and Annibale Carracci Antonio Marziale Carracci (1583–1618)
Carracci
Church building in Rome, Italy
church contains a baroque fresco of the Flagellation attributed to Antonio Carracci; a 13th-century painted wooden crucifix attributed to Pietro Cavallini;
Santa Maria in Monticelli, Rome
Santa_Maria_in_Monticelli,_Rome
Painting by Annibale Carracci (Louvre, INV 204)
on by a c.1610 work on the subject possibly by the artist's nephew Antonio Carracci (National Gallery, London). "WGA entry". www.wga.hu. "Catalogue entry"
The Martyrdom of St Stephen (Annibale Carracci)
The_Martyrdom_of_St_Stephen_(Annibale_Carracci)
Name list
the apéritif Antonio Marziale Carracci, Italian painter Antonio Cassano, Italian footballer Antonio Cavallucci, Italian painter Antonio Cermeño, Venezuelan
Antonio
Painting by Annibale Carracci
canvas executed ca. 1598–1600 by the Italian Baroque painter Annibale Carracci, now at the Pinacoteca Nazionale di Bologna. It is usually identified with
Christ Crowned with Thorns (Annibale Carracci)
Christ_Crowned_with_Thorns_(Annibale_Carracci)
Italian painter (1595–1622)
Carracci was the son of Giovanni Antonio Carracci, in Bologna, 1595. His father was a brother of Agostino and Annibale Carracci. Francesco was a youth of great
Francesco_Carracci
Italian Baroque painter (1575–1642)
Ludovico's cousin, Annibale Carracci, to Rome. Reni completed commissions for his first altarpieces while in the Carracci academy. He left the academy
Guido_Reni
Destroyed painting by Annibale Carracci
her 2024 book suggests that the copy was made by Annibale's nephew Antonio Carracci. The composition was a major influence on later treatments of the subject
Danaë_(Annibale_Carracci)
Four-part series of novels by Elena Ferrante (2011–2014)
staircases) Antonio Cappuccio (their son, works in a garage) Ada Cappuccio (Antonio's sister, helps her mother clean staircases, later works at the Carracci grocery
Neapolitan_Novels
the opening titles of a single episode of the series. Antonio Pennarella as Don Achille Carracci (season 1), the local mobster Edu Rejón as Juan (season
List of My Brilliant Friend characters
List_of_My_Brilliant_Friend_characters
Italian painter
in a Baroque style. Luigi Lanzi identifies him as a pupil of Ludovico Carracci in Bologna. Fabrizi painted the counterfacade fresco of the Madonna and
Antonio_Maria_Fabrizi
Italian painter
1610. He was afterwards sent to Rome, and recommended to the care of Antonio Carracci. He became a follower of the style of Pietro da Cortona. He painted
Raffaello_Vanni
Palace in Bologna
Carracci, Agostino Carracci and Annibale Carracci, commissioned in 1584 by Filippo Fava - he was introduced to them by his tailor Antonio, Agostino and Annibale's
Palazzo_Fava,_Bologna
Italian painter (1645–1710)
painted a Virgin and Saints in San Benedetto. He was influenced by Ludovico Carracci and Alessandro Tiarini, and soon also became interested in the work of
Giovanni_Antonio_Fumiani
Art movement in early modern Italy
representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included
Bolognese_school
Painting by Annibale Carracci
by Carracci himself – seem to confirm its autograph status. Modern scholarship also holds the Berlin work to be by Annibale's nephew Antonio Carracci rather
Madonna and Child with Saints (Annibale Carracci, 1593)
Madonna_and_Child_with_Saints_(Annibale_Carracci,_1593)
European art movement from about 1590 to 1750
Caravaggio and the Carracci brothers, all of whom were working (and competing for commissions) in Rome around 1600, although unlike the Carracci, Caravaggio
Baroque_painting
Art school in Bologna, Italy
Desirous") and sometimes known as the Accademia dei Carracci after its founders, the three Carracci cousins: Agostino, Annibale and Ludovico. Annibale
Accademia_degli_Incamminati
Girolamo Muziano; p. 46 Scipione Gaetano; p. 50 Giacomo del Duca; p. 51 Antonio de' Monti; p. 53 Egnazio Danti (Ignazio Danti) Pellegrino Pellegrini; p
Artists in biographies by Giovanni Baglione
Artists_in_biographies_by_Giovanni_Baglione
Biancucci, Italian painter primarily of religious scenes (died 1653) Antonio Carracci, Italian painter (died 1618) Nicolaes de Giselaer, Dutch painter and
1583_in_art
Palazzo in Rome, Italy
the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th
Palazzo_Farnese
Painting by Annibale Carracci
Anthony the Great executed ca. 1598–1600 by the Italian painter Annibale Carracci. It was acquired in the 19th century by an English collector and is now
Christ Appearing to Saint Anthony Abbot
Christ_Appearing_to_Saint_Anthony_Abbot
2011 novel by Elena Ferrante
The novel ends with her marriage, at the age of 16, to Stefano Carracci. Stefano Carracci, the son of Don Achille and Maria Carraci, brother to Pinuccia
My_Brilliant_Friend
Chapel in the church of Santa Maria del Popolo, Rome
significant paintings by Michelangelo Merisi da Caravaggio and Annibale Carracci, two of the most important masters of Italian Baroque art, dating from
Cerasi_Chapel
Art museum in Italy
Angelico, Fra Angelico, Canaletto, Ludovico Carracci (The Funeral of the Virgin Mary), Agostino Carracci (Madonna and Child with Saints), Correggio, Leonardo
Galleria_nazionale_di_Parma
Italian painter
after Guido Reni; and Three Marys at the Tomb of Christ after Annibale Carracci. Slater, John Herbert (1891). Engravings and Their Value: A Guide for the
Antonio_Zabelli
Italian painter (1582–1647)
distinguished artist of the Bolognese school, deeply influenced by Annibale Carracci's’ classicism. Giovanni Gaspare Lanfranco was born in Parma, the third son
Giovanni_Lanfranco
2012 novel by Elena Ferrante
violence, to live with her childhood friend Enzo, and her son Rino. Stefano Carracci, Lila's violent husband and owner of a growing business. Giovanni Sarratore
The_Story_of_a_New_Name
Head of the Catholic Church in 1591
Italian: Innocenzo IX; 20 July 1519 – 30 December 1591), born Giovanni Antonio Facchinetti, was head of the Catholic Church and ruler of the Papal States
Pope_Innocent_IX
Mauro Gandolfi, and Antonio Ghedini; or works by or influenced by Cima da Conegliano, Francesco Francia, Dosso Dossi, Ludovico Carracci, Francesco Brizio
Pinacoteca Domenico Inzaghi, Budrio
Pinacoteca_Domenico_Inzaghi,_Budrio
Italian art movement
painting in Italy were Michelangelo Merisi da Caravaggio and Annibale Carracci. Caravaggio (1571–1610), born and trained in Milan, stands as one of the
Italian_Baroque_art
Church building in Mantua, Italy
and his sister (and nun at the convent) Lucrina, Lodovico Carracci, Carlo Bonomi, and Antonio Maria Viani. After suppression of the convent in the 1780s
Church of Sant'Orsola (Mantua)
Church_of_Sant'Orsola_(Mantua)
Palace in Rome, Italy
the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido
Palazzo_Colonna
Italian painter (c.1530/1535–1591)
1580 and 1585 include Bartolomeo Passarotti and his apprentice, Annibale Carracci who both made significant contributions to the development of northern
Vincenzo_Campi
Italian Baroque painter (1578–1660)
Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school
Francesco_Albani
Painting by Guido Reni
recalls the central fresco in The Loves of the Gods, painted by Annibale Carracci in the Farnese Palace, which depicts the Triumph of Bacchus and Ariadne;
Aurora_(Reni)
Italian painter and engraver (1720–1817)
he moved back to Piacenza and engraved some of the works of Ludovico Carracci. He moved to Parma, where he painted a canvas of San Macario for the church
Antonio_Bresciani_(artist)
artists: Antonio da Correggio (1489-1534), p 287 Agostino Carracci (1557-1602), p 290 Lodovico Carracci (1555-1619), p 290 Annibale Carracci (1560-1609)
Roger de Piles' artists from Lombardy
Roger_de_Piles'_artists_from_Lombardy
Sculpture by Gian Lorenzo Bernini
empowerment of Ludovico. Bernini drew inspiration from Giambologna and Annibale Carracci for the sculpture, which is the only work for which preparatory material
The_Rape_of_Proserpina
2018 Italian-American television series
the opening titles of a single episode of the series: Antonio Pennarella as Don Achille Carracci (season 1) Edu Rejón as Juan (season 3) Giulia Pica as
My Brilliant Friend (TV series)
My_Brilliant_Friend_(TV_series)
Topic in Christian art history
Virgin by Antonio da Correggio, 1526–1530 Assumption of the Virgin, by El Greco, c. 1577–1579 Assumption of the Virgin by Annibale Carracci, 1590, Museo
Assumption_of_Mary_in_art
Italian artist (1552–1614)
style resembled that of her father, Prospero. As a student of Ludovico Carracci, she gradually adopted the Carracciesque style, with strong quasi-Venetian
Lavinia_Fontana
Italian painter
one of the painters in the studio of Ludovico Carracci and is sometimes called il nipote dei Carracci. He was said to be one of the most successful imitators
Lorenzo_Garbieri
Parish church in Bologna, Italy
Annibale Carracci Transit of St Joseph by Carlo Antonio Rambaldi St George and the Dragon with Archangel Michael and the Devil by Ludovico Carracci St Lawrence
Santi_Gregorio_e_Siro
Church in Rome, Italy
The altarpiece depicting San Diego di Alcantara was painted by Annibale Carracci. At the right is the mausoleum of two popes from the Spanish Borgia family
Santa Maria in Monserrato degli Spagnoli
Santa_Maria_in_Monserrato_degli_Spagnoli
Twin brothers and central characters of Rome's foundation myth
Histories of the Foundation of Rome by the Brothers Carracci: Ludovico, Annibale, and Agostino Carracci. The Loggia di Romolo e Remo is an unfinished, 15th-century
Romulus_and_Remus
Italian painter (1648–1729)
John P. O'Neill (Editors in Chief) (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington: National
Marcantonio_Franceschini
Italian engraver
Sassoferrato; and Aurora and Cephalus after Annibale Carracci. He also made engravings of the Roman works of Antonio Canova and Bertel Thorwaldsen. He died in Rome
Giovanni_Balestra
Roman Catholic church in Bologna, Italy
has a San Carlo Borromeo at the cemetery of Varallo (1614) by Ludovico Carracci. The 4th altar on right has an Annunciation (of the Beautiful Angel) (1632)
Santi_Bartolomeo_e_Gaetano
Palace in Seville, Spain
including Jacopo Bassano (Los cacharreros), Sofonisba Anguissola, Annibale Carracci, Francesco Furini (La creación de Eva), Luca Giordano, Giovanni Paolo Panini
Palacio_de_las_Dueñas
Italian painter
first painting teacher of Antonio Dardani and of Giuseppe Maria Crespi. A painting attributed to him, a copy of Ludovico Carracci's Predica di Sant'Antonio
Angelo_Michele_Toni
Painting by Caravaggio
altar between the two is the Assumption of the Virgin Mary by Annibale Carracci. The two lateral paintings were commissioned in September 1600 by Monsignor
Crucifixion of Saint Peter (Caravaggio)
Crucifixion_of_Saint_Peter_(Caravaggio)
Art museum in Rome, Italy
Nicolas Poussin and Giacomo Eremiti. 1st Gallery: Mary Magdalene by Annibale Carracci; Christ in the House of the Pharisee by Ludovico Cigoli; Saint Roch with
Galleria_Doria_Pamphilj
Art gallery in Rome, Italy
statue of David by Bernini stands at its centre. It also features Annibale Carracci's Samson in Prison, as well as Greek sarcophagi from the 2nd century; Hall
Galleria_Borghese
Comune in Marche, Italy
houses an art gallery with works of Lorenzo Lotto, Vouet and Annibale Carracci as well as a collection of maiolica, and the Shrine of the Holy House (Santuario
Loreto,_Marche
Italian scholar and art historian (1616–1693)
These arts he studied under Giacomo Cavedone (1577–1660), a pupil of the Carracci, and while he practiced them for his diversion only, we know that he painted
Carlo_Cesare_Malvasia
1941) Giuseppe Carozzi (1864–1938) Agostino Carracci (1557–1602) Annibale Carracci (1560–1609) Ludovico Carracci (1555–1619) Caravaggio (1573–1610) Fernando
List_of_Italian_painters
Italian painter (1581–1641)
with Calvaert, he left to work in the Accademia degli Incamminati of the Carracci where, because of his small stature, he was nicknamed Domenichino, meaning
Domenichino
Italian painter (1569–1633)
Cesi. In 1592, he joined the Carracci studio or the Academy of the Incamminati, and remained attached to Ludovico Carracci for many years. In 1604, he
Lucio_Massari
Queen of France from 1547 to 1559
People Federico Barocci Gian Lorenzo Bernini Caravaggio Annibale Carracci Ludovico Carracci Anthony van Dyck Domenico Fontana Artemisia Gentileschi Luca Giordano
Catherine_de'_Medici
Any skilled painter who worked in Europe before 1800
influenced Rubens Antonio Tempesta (Italian, 1555–1630) Ludovico Carracci (Italian, 1555–1619) Bartolomeo Cesi (Italian, 1556–1629) Agostino Carracci (Italian
Old_Master
Head of the Catholic Church from 1566 to 1572
Pope Pius V, OP (Italian: Pio V; 17 January 1504 – 1 May 1572), born Antonio Ghislieri (and from 1518 called Michele Ghislieri), was head of the Catholic
Pope_Pius_V
Subject in art
Huys The Temptation of Saint Anthony, a 1598–1600 painting by Annibale Carracci The Temptation of St. Anthony, a 1645 print by Jacques Callot The Temptation
Temptation of Saint Anthony in visual arts
Temptation_of_Saint_Anthony_in_visual_arts
Italian painter
documented by the contemporary painter Paolo Antonio Paderna, and included engravings by Agostino Carracci; (a Passion after Tintoretto); Bartolomeo Coriolano
Matteo_Borboni
Church in Rome, Italy
painted for an altar is a copy by Giovanni Francesco Grimaldi of a work by Carracci. Grimaldi also fashioned the tomb monument of the Santacroce family. The
Santa_Maria_in_Publicolis
Classicist in nature and closer to the work of Agostino Carracci, Annibale Carracci and Lodovico Carracci and their followers. He must have seen their work
Antoon_van_den_Heuvel
Art museum in Modena, Italy
Velázquez, Holbein, Titian, Parmigianino, Correggio, Guercino, Guido Reni, Carracci, and many others embarked for Dresden. Such works may still be admired
Galleria_Estense
Italian painter and engraver born in Bologna (c. 1498–after 1574)
also observed in later works by Agostino Carracci, implying the influences from Cort to Bonasone to Carracci. In Bonasone's original design, the Incarnarion
Giulio_Bonasone
Italian nobleman and Catholic Cardinal
commissioning the Bolognese artist Annibale Carracci to fresco the Camerino in the Palazzo Farnese in Rome. Carracci undertook this from 1595 to 1597, just
Odoardo_Farnese_(cardinal)
Italian painter
Francis P. Smyth; John P. O'Neill, eds. (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. National Gallery of Art
Giovanni_Antonio_Burrini
Building in Italy, Bologna
baroque works. Among the painters in the collection are Crespi, Ludovico Carracci, Guercino, Marcantonio Franceschini, Donato Creti, Titian, Giovanni Battista
Palazzo Pepoli Campogrande, Bologna
Palazzo_Pepoli_Campogrande,_Bologna
Barocci Et Giovanni Jacopo Caraglio En Agostino Carracci En, Et Annibale Carracci Et, En Ludovico Carracci Et Giulio Campagnola En (invented stipple engraving)
List_of_printmakers
Building in Rome, Italy
museum's collection. The chariot procession, which recalls the Annibale Carracci paintings in the Farnese Gallery in the Farnese Palace, shows even more
Palazzo Pallavicini-Rospigliosi
Palazzo_Pallavicini-Rospigliosi
Italian churchman (1570–1632)
by G. A. Mosini, the pseudonym of Giovanni Antonio Massani, to a collection of prints after Annibale Carracci called Diverse figure al numero di ottanta
Giovanni_Battista_Agucchi
Italian painter (1562–1602)
but apprenticed in the Carracci academy with Ludovico and Annibale Carracci commencing around 1583. In 1594, he left the Carracci academy and set up his
Pietro_Faccini
Various Greek and Roman artworks acquired by the future Pope Paul III
Imperatori, the Sala dei Filosofi and the Galleria dei Carracci were valuable marbles. The Annibale Carracci ceiling frescoes depicting The Loves of the Gods
Farnese_Collection
Group of painters
National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Camillo Laderchi (1856)
School_of_Ferrara
Painting by Caravaggio
altar between the two is the Assumption of the Virgin Mary by Annibale Carracci. The two lateral paintings of the Cerasi Chapel were commissioned in September
Conversion on the Way to Damascus
Conversion_on_the_Way_to_Damascus
Commedia dell'arte character
of Acerra, who was portrayed in a famous picture attributed to Annibale Carracci, and was characterized by a long nose. It has also been suggested that
Pulcinella
Italian painter
canto engraved by Leonardis after Pietro Antonio Novelli. There is also a portrait of Tasso after Agostino Carracci, as well as an allegorical frontispiece
Giacomo_Leonardis
Italian painter
Galanino. Aloisi was born at Bologna, the relative and pupil of Ludovico Carracci. As his compositions were not meeting with sufficient encouragement, he
Baldassare_Aloisi
Crespi. In the second chapel is a canvas depicting Paradise by Lodovico Carracci. Nicolo Tornioli painted a Cain Killing Abel and Jacob wrestling with angel
San_Paolo_Maggiore,_Bologna
Roman jurist and Treasurer-General to Pope Clement VIII
Santa Maria del Popolo, Rome and commissioning Caravaggio and Annibale Carracci to create three famous paintings there. He was born in Rome in 1544 to
Tiberio_Cerasi
before the Virgin after Sebastiano Conca; The Holy Family: after Annibale Carracci; St Michael the Archangel after Pietro da Cortona (1689); and The Flight
Niccolò_Billy
Italian painter (1728–1781)
risen to prominence nearly two centuries earlier with the members of the Carracci family.The Bolognese school of painting focused on realistic depictions
Ubaldo_Gandolfi
Building in Bologna, Italy
Giovanni Romagnoli, Guercino, Giuseppe Maria Crespi, Annibale Carracci, Donato Creti, Antonio Basoli, Pietro Poppi and Pelagio Palagi. Welcome Bologna Archived
Palazzo di Residenza della Cassa di Risparmio in Bologna
Palazzo_di_Residenza_della_Cassa_di_Risparmio_in_Bologna
Spanish painter (1598–1664)
Artists Federico Barocci Gian Lorenzo Bernini Caravaggio Annibale Carracci Ludovico Carracci Anthony van Dyck Domenico Fontana Artemisia Gentileschi Luca Giordano
Francisco_de_Zurbarán
Italian painter (born 1593)
by Caravaggio without being indifferent to the classicism of Annibale Carracci and the Bolognese School of Baroque style. In 1611, Orazio was working
Artemisia_Gentileschi
Italian painter and engraver (1574–1623)
incomplete by Agostino Carracci. Christ and the Samaritan (1610) and A Blind Man led by a Dog after Annibale Carracci. Marchese Antonio Bolognini Amorini (1843)
Francesco_Brizio
Religious site in Bologna, Italy
year 1600, it was decorated by an impressive series of pupils of Ludovico Carracci, among them some of the titans of early Italian Baroque painting: Francesco
Oratory of San Colombano, Bologna
Oratory_of_San_Colombano,_Bologna
Italian painter
London: Henry G. Bohn. p. 139. Per Bjurstrom, Drawings from the Age of Carracci: Seventeenth Century Bolognese Drawings, Ashmolean Museum, 2002, p. 28
Giovanni_Battista_Caccioli
Head of the Catholic Church from 1513 to 1521
People Federico Barocci Gian Lorenzo Bernini Caravaggio Annibale Carracci Ludovico Carracci Anthony van Dyck Domenico Fontana Artemisia Gentileschi Luca Giordano
Pope_Leo_X
Artistic tradition
from the grand projects in Palazzo Farnese under the guidance of Annibale Carracci and his team, but the figural subjects were still enclosed within multiple
Illusionistic ceiling painting
Illusionistic_ceiling_painting
Italian painter (1571–1610)
Italy, it was not Caravaggio, but the influence of his rival Annibale Carracci, blending elements from the High Renaissance and Lombard realism, that
Caravaggio
engraving Agostino Carracci (1557–1602), painter and printmaker. He was the brother of the more famous Annibale and cousin of Lodovico Carracci Giovanni Francesco
List_of_people_from_Italy
ANTONIO CARRACCI
ANTONIO CARRACCI
Male
Greek
(Αντώνης) Contracted form of Greek Antonios, possibly ANTONIS means "invaluable."Â
Male
Italian
Italian form of Latin Antoninus, possibly ANTONINO means "invaluable."Â
Male
Greek
(Ανδώνης) Contracted form of Greek Andonios, possibly ANDONIS means "invaluable."Â
Male
Russian
(Ðнтон) Russian form of Greek Antonios, possibly ANTON means "invaluable." Compare with other forms of Anton.
Male
Serbian
Serbian form of Greek Antonios, possibly ANTONIJE means "invaluable."Â
Male
Romanian
 Romanian form of Greek Antonios, possibly ANTON means "invaluable." Compare with other forms of Anton.
Female
Russian
(ÐнтониÑ) Feminine form of Russian Antoniy, possibly ANTONIYA means "invaluable."Â
Female
English
 Feminine form of Roman Latin Antonius, possibly ANTONIA means "invaluable." In use by the English, Italians and Spanish. Compare with another form of Antonia.
Female
Italian
(Bulgarian ÐнтониÑ): Feminine form of Roman Latin Antonius, possibly ANTONIA means "invaluable." In use by the English, Italians and Spanish. Compare with another form of Antonia.
Male
Italian
Italian and Spanish form of Latin Antonius, possibly ANTONIO means "invaluable."Â
Male
Esperanto
Esperanto form of Latin Antonius, possibly ANTONO means "invaluable."Â
Male
Polish
 Catalan and Polish form of Latin Antonius, possibly ANTONI means "invaluable." Compare with another form of Antoni.
Male
French
French form of Latin Antoninus, possibly ANTONIN means "invaluable."
Male
Russian
(Ðнтоний) Russian form of Greek Antonios, possibly ANTONIY means "invaluable."Â
Male
Greek
(Αντώνιος) Greek name, possibly ANTONIOS means "invaluable."Â
Male
German
 German form of Greek Antonios, possibly ANTON means "invaluable." Compare with other forms of Anton.
Male
French
French form of Latin Antonius, possibly ANTOINE means "invaluable."
Male
Greek
(Ανδώνιος) Greek form of Latin Antonius, possibly ANDONIOS means "invaluable."Â
Female
Spanish
 Feminine form of Roman Latin Antonius, possibly ANTONIA means "invaluable." In use by the English, Italians and Spanish.
Male
Italian
Pet form of Italian/Spanish Antonio, possibly TONIO means "invaluable."Â
ANTONIO CARRACCI
ANTONIO CARRACCI
Girl/Female
American, Arabic, Australian, British, Chinese, Christian, Dutch, English, French, German, Greek, Hebrew, Irish, Polish, Swedish
Lady; Mistress of the House; Mistress; Dedicated to Mars
Female
Icelandic
 Feminine form of Icelandic SÃmon, SIMONE means "hearkening." Compare with other forms of Simone.
Girl/Female
Arabic, Australian, Bengali, Christian, Danish, Gujarati, Hindu, Indian, Latin, Swedish, Tamil, Telugu
Falling Star; Meadow; Plant; Health; Swooping
Girl/Female
Irish
Alert. vigorous. Modern.
Girl/Female
Hindu, Indian, Traditional
The Earth
Biblical
that makes to rot; that seeks those who despise me
Male
English
 English surname transferred to forename use, from a contracted form of Norman Germanic Engelram, INGRAM means "Ing's raven." Compare with another form of Ingram.
Boy/Male
German Teutonic
Victorious defender.
Girl/Female
Arthurian Legend Welsh Celtic
Fair one. Guinevere was King Arthur's mythological queen. Jennifer derives from this name.
Boy/Male
Indian, Sanskrit, Telugu
Karting Victory
ANTONIO CARRACCI
ANTONIO CARRACCI
ANTONIO CARRACCI
ANTONIO CARRACCI
ANTONIO CARRACCI
n.
A term or word which is the opposite of, or antithesis to, another; an antonym; -- the opposite of synonym; as, "foe" is the counterterm of "friend".
n.
A salt of santonic acid.
a.
Of or pertaining to santonin; -- used specifically to designate an acid not known in the free state, but obtained in its salts.
n.
An element of speech entirely destitute of vocality, or produced by the breath alone; a nonvocal or surd consonant; a breathing.
n.
A name given to a numerous family of brass wind instruments with valves, invented by Antoine Joseph Adolphe Sax (known as Adolphe Sax), of Belgium and Paris, and much used in military bands and in orchestras.
v. t.
To acquire ascendancy over by reason of some art or attraction; to fascinate; to charm; as, Cleopatra captivated Antony; the orator captivated all hearts.
a.
Uttered, as an element of speech, without tone, or proper vocal sound; voiceless; unintonated; nonvocal; atonic; whispered; aspirated; sharp; hard, as f, p, s, etc.; -- opposed to sonant. See Guide to Pronunciation, //169, 179, 180.
n.
A word that has no accent.
a.
Unaccented; as, an atonic syllable.
n.
A remedy capable of allaying organic excitement or irritation.
a.
Of, pertaining to, or designating, an acid (distinct from santoninic acid) obtained from santonin as a white crystalline substance.
n.
The cross, or church, of St. Antony. See Illust. (6), under Cross, n.
n.
A word of opposite meaning; a counterterm; -- used as a correlative of synonym.
a.
Characterized by atony, or want of vital energy; as, an atonic disease.
a.
Having great tension, or exaggerated action.
a.
Of or pertaining to Rene Antoine Ferchault de Reaumur; conformed to the scale adopted by Reaumur in graduating the thermometer he invented.
n.
A white crystalline substance having a bitter taste, extracted from the buds of levant wormseed and used as an anthelmintic. It occassions a peculiar temporary color blindness, causing objects to appear as if seen through a yellow glass.
a.
Destitute of tone vocality; surd.