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NRITTA

Kathak

footwork in a nritta is perfectly timed to the musical beats (tala) and tempos, and the footwork sequences are called tatkars. Most of the Nritta performance

Kuchipudi

dance set to music (daravu). Next, the performance presents pure dance (nritta). This is followed with by the expressive part of the performance (nritya)

Odissi

musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha

Bharatanatyam

follows the three categories of performance in the Natya Shastra. These are Nritta (Nirutham), Nritya (Niruthiyam) and Natya (Natyam). The purpose Bharata

Harinie Jeevitha

"conversational vibrancy" to her work through her "skillful blending of nritta, natya, and abhinaya". At the age of 9, she performed her first solo and

Nritya

Nritya (Sanskrit: नृत्य, IAST: nṛtya), also referred to as nritta, natana or natya, is "dance, act on the stage, act, gesticulate, play" in the Indian

Indian classical dance

categories of performance in the Natya Shastra. These are Nritta, Nritya and Natya: The Nritta performance is an abstract, fast and rhythmic aspect of the

Mohiniyattam

includes nritta (pure dance, solo), nritya (expressive dance, solo) and modern productions sometimes include natya (play, group dance): The Nritta performance

Sattriya

performances are: The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the

Alarippu

talas by the four brothers, namely the Tanjore Quartet. It is a type of Nritta, which is a dance with no facial expressions (verbal percussionist) and