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HARIPALA

Bhima I

hand, states that Bhima's three sons were Mularaja, Karna and Haripala. Of these, Haripala was born of a courtesan named Bakuladevi. Historian A. K. Majumdar

Gamaka (music)

gamakas, Narada in Sangeeta Makaranda describes nineteen gamakas, and Haripala in Sangeet Sudhakar describes seven gamakas. Tiripa Sphurita Kampita Leena

Girnar

author of this inscription is mentioned to be Ācārya Jayasiṃhasūri. Ṭhākura Haripāla is mentioned to be the engraver of the inscription. The North entrance

Indian classical music

Hinduism Music theory, appendix on Natyashastra bhasya Sangita Sudhakara Haripala c. 1175 CE Hinduism Abhilasitartha Cintamani Somesvara c. 12th century

Vadali, Gujarat

Parshvanatha temple of Vadali dated to mid-12th century. Sahanapala, son of Haripala (a Pratihara of the Paramara king Dharavarsha) built the mandapa of the

Gaudavaho

that Haripala's commentary on Gaudavaho is titled Haripala-Virachita-Gaudavadha-Sara-Tika ("Commentary on the epitome of Gaudavaho, written by Haripala")

Kumarapala (Chaulukya dynasty)

Merutugna, Kumarapala was a descendant of Bhima I through Haripala and Tribhuvanapala. Haripala was a son of Bhima and a concubine named Bakuladevi. Merutunga's

Karna I

Merutunga states that Bhima's three sons were Mularaja, Karna and Haripala. Of these, Haripala was born of a concubine named Bakuladevi. According to historian

Laghu-Prabandha-Saṅgraha

prove the king's siddhi (supernatural powers) to the raulanis, his subject Haripala gets a special sword prepared with a blade made of sugar and a handle made

Pinaka veena

mid-12th century it was considered to be a very important instrument by Haripala, a Gujarati king (son of Karna). The instrument was recorded in 1456 as