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EUPHRANOR

Euphranor

Euphranor of Corinth (Ancient Greek: Εὐφράνωρ) (middle of the 4th century BC) was a Greek artist. Pliny the Elder provides a list of his works including

Bonus Eventus

900–901, 903–904. Olga Palagia, Euphranor (Brill, 1980), p. 35. Pliny, Natural History 36.23. Palagia, Euphranor, p. 35. Palagia, Euphranor, p. 35.

Artemis

the back and the pose of the fingers which held a bow. A classicistic work, 4th century BCE attributed to Euphranor. Archaeological Museum of Piraeus.

Ancient Agora of Athens

associate Alkamenes, and the 4th-century sculptors Praxiteles, Bryaxis, and Euphranor. Phidias was the most well known marble-worker to have worked in the agora

Athena

original Piraeus Athena of the 4th century BC attributed to Cephisodotos or Euphranor. Abode Mount Olympus Animals Owl, serpent, horse Symbol Aegis, helmet

Temple of Apollo Patroos

sculptural decoration of this structure survive. The colossal cult statue, by Euphranor, has also been recovered. Next to the temple was a tiny shrine, built

Piraeus Athena

(1980). Euphranor. p. 22. Neer, Richard T. (2012). Greek Art and Archaeology: A new history, c.2500 - c.150 BCE. p. 331. Palagia, Olga (1980). Euphranor. p

Antenor

sculptor of the Harmodius and Aristogeiton is usually listed as the son of Euphranor. Harmodius and Aristogeiton Harmodius and Aristogeiton in sculpture Antenor

Gryllus, son of Xenophon

represented in the act of inflicting it in a picture of the battle by Euphranor in the Cerameicus. The Mantineians also, though they ascribed the death

Siege of Alexandria (47 BC)

eventually held their position, neither wanting to make the initial move. Euphranor, the commander of Caesar's Rhodian allies, convinced Caesar that he and