AI & ChatGPT searches , social queriess for TECHNIRAMA
Search references for TECHNIRAMA. Phrases containing TECHNIRAMA
See searches and references containing TECHNIRAMA!
Search references for TECHNIRAMA. Phrases containing TECHNIRAMA
See searches and references containing TECHNIRAMA!TECHNIRAMA
Motion picture screen process
Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into
Technirama
70 mm version of the Technirama process
Super Technirama 70 was the marketing name for a special type of deluxe film exhibition that was most popular in the 1960s. It was the 70 mm version of
Super_Technirama_70
1958 film
Auntie Mame is a 1958 American Technirama Technicolor comedy film based on the 1955 novel of the same name by Edward Everett Tanner III (under the pseudonym
Auntie_Mame_(film)
1964 film by Jack Cardiff
The Long Ships is a 1964 Anglo-Yugoslav adventure film shot in Technirama directed by Jack Cardiff and starring Richard Widmark, Sidney Poitier, Russ Tamblyn
The_Long_Ships_(film)
1957 film
Italian-American adventure film produced and directed by Henry Hathaway, shot in Technirama and Technicolor by Jack Cardiff, and starring John Wayne, Sophia Loren
Legend_of_the_Lost
Films made using the Technirama or Super Technirama process are listed below. Note that the only difference between the two is the choice of gauge (35 mm
List_of_Technirama_films
Widescreen, curved screen projection process
systems used to produce the 70mm prints (Ultra Panavision 70 and Super Technirama 70) did employ anamorphic lenses, 35 millimetres (1.38 in) anamorphic
Cinerama
Wide high-resolution film gauge
CinemaScope which used a 2× compression, or 8-perf, horizontally filmed 35 mm Technirama which used a 1.5× compression). When projected on a 70 mm print, a 1.25×
70_mm_film
1958 film directed by William Wyler
cast features Burl Ives and Chuck Connors. Filmed in Technicolor and Technirama, the picture was based on the serialized magazine novel Ambush at Blanco
The_Big_Country
1964 film by Cy Endfield
of the 500 greatest films. Zulu was filmed in Technirama and intended for presentation in Super Technirama 70, as shown on the prints. In the UK, however
Zulu_(1964_film)
1959 animated Disney film
ballet. Sleeping Beauty was the first animated film to use the Super Technirama 70 widescreen process and was the second full-length animated feature
Sleeping_Beauty_(1959_film)
1960 film by Stanley Kubrick
American-accented speech patterns. Spartacus was filmed using the 35 mm Super Technirama 70 format and then blown up to 70 mm film. This was a change for Kubrick
Spartacus_(film)
1957 film by James Neilson
and Audie Murphy. The film was the first American production to use the Technirama process by Technicolor. This process helped make the blue skies crisper
Night_Passage_(film)
Motion picture camera film format
Vistavision film, One-Eyed Jacks in 1961. By the 1960s, they adopted Technirama as its primary widescreen projection system. Since the release of One-Eyed
VistaVision
Technique for recording widescreen images onto a 4:3 frame
in combination with the principle of total internal reflection (e.g. Technirama). Regardless of the method, the anamorphic lens projects a horizontally
Anamorphic_format
1958 film by Richard Fleischer
historical fiction swashbuckling film directed by Richard Fleischer, filmed in Technirama, and printed in Technicolor. It was produced by Jerry Bresler and Kirk
The_Vikings_(film)
American filmmaker and photographer (1928–1999)
time that Kubrick filmed using the anamorphic 35 mm horizontal Super Technirama process to achieve ultra-high definition, which allowed him to capture
Stanley_Kubrick
1961 film
his film debut as Ercole/Hercules. It was originally released in Super Technirama 70. The film is also known as Hercules Conquers Atlantis in the United
Hercules and the Conquest of Atlantis
Hercules_and_the_Conquest_of_Atlantis
1959 film
American Biblical epic historical drama film directed by King Vidor, shot in Technirama (color by Technicolor), and distributed by United Artists. The film dramatizes
Solomon_and_Sheba
originated on horizontal 35 mm negative such as Vistavision and Technirama (see List of Technirama films), nor films made in the Showscan process. For films
List_of_70_mm_films
American animator, producer and entrepreneur (1901–1966)
in CinemaScope) in 1955, Sleeping Beauty (the first animated film in Technirama 70 mm film) in 1959, One Hundred and One Dalmatians (the first animated
Walt_Disney
American animation studio
style devised by artist Eyvind Earle and presented in large-format Super Technirama 70 with six-track stereophonic sound. However, despite being the studio's
Walt_Disney_Animation_Studios
1961 Spanish film
Spanish-Italian-French film co-production, filmed in Eastmancolor and Technirama, and distributed in the United States by Embassy Pictures. The film was
Madame_(1961_film)
8 mm or Super 8 mm film List of three-strip Technicolor films List of Technirama films List of Techniscope films List of VistaVision films Maximalist films
Lists_of_films
Independent American film production company
had new sound stages approved by municipal authorities. Filmed in Super Technirama 70, King of Kings went into production in April 1960. By June of the same
Samuel_Bronston_Productions
1959 film by Irving Rapper
Reinhardt. The 1959 film version for Warner Bros. Pictures was shot in Technirama and Technicolor, with an original score by Elmer Bernstein. The film was
The_Miracle_(1959_film)
Color motion picture process
its three-color cameras for wide-screen photography, and introduced the Technirama process in 1957. Other formats the company ventured into included VistaVision
Technicolor
Ondreville-sur-Essonne, France, 2007, ISBN 2-9522521-3-0, --> page num 59 Hart, Technirama Specs. Sherlock, p. 58. Hart, Thrillarama Hart, Ultra Panavision Specs
List of motion picture film formats
List_of_motion_picture_film_formats
1985 animated Disney film by Ted Berman and Richard Rich
rating from the Motion Picture Association. It was also presented in Super Technirama 70, the first Disney animated feature released in that format since Sleeping
The_Black_Cauldron_(film)
Video of higher resolution than original television
greatly in size. Sizes range from as big as 24 mm × 36 mm for VistaVision/Technirama 8 perforation cameras (same as 35 mm still photo film) going down through
High-definition_video
1956 film by Samuel A. Taylor
Risi. Marcello Girosi produced the film, which was the first shot in the Technirama process. Jean Louis designed the costumes. Handsome middle-aged Count
The_Monte_Carlo_Story
1958 film by Gerd Oswald
rare appearance by writer/director Preston Sturges. The film was shot in Technirama and Technicolor in Paris and in the French village of Gambais. The film
Paris_Holiday_(1958_film)
Still image frame of moving picture
where the film moves vertically (with the exception of VistaVision and Technirama where the film moves horizontally). Using a 4-perf pulldown, there are
Film_frame
1959 film by John Farrow
biographical adventure film from Warner Bros. Pictures, filmed in the Technirama process, about the American Revolutionary War naval hero. The film, shot
John_Paul_Jones_(film)
1958 film by Roy Rowland
in Rome and at the Titanus studios. It was filmed in Technicolor and Technirama, distributed by Metro-Goldwyn-Mayer, was tenor Mario Lanza's penultimate
Seven_Hills_of_Rome_(film)
1961 film
is a 1961 French anthology film featuring four ballet segments shot in Technirama and directed by Terence Young. The dances in the film were abridged versions
Black_Tights
American film director (1911–1979)
Janni-Appia Films, Magic Film Anthony Quinn / Peter O'Toole Technicolor, Super-Technirama 70 1961 King of Kings Samuel Bronston Productions Jeffrey Hunter / Rip
Nicholas_Ray
American post-production company
projector developed as part of the Todd-AO system Super Panavision 70 Super Technirama 70 Ultra Panavision 70 "The Todd-AO Corporation". encyclopedia.com. Civil
Todd-AO
65 mm motion picture widescreen process
not shot using the Ultra Panavision format. Super Panavision 70 Super Technirama 70 "How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful
Ultra_Panavision_70
1963 historical drama film by Luchino Visconti
was finally released in the U.S. in 1983. The original 8-perforation Technirama camera negative for The Leopard survives and was used by The Criterion
The_Leopard_(1963_film)
Standard theatrical motion picture film gauge
other novel processes using 35 mm, such as VistaVision, SuperScope, and Technirama, most of which ultimately became obsolete. VistaVision, however, would
35_mm_movie_film
Space-Vision (3-D) Spectrascope SuperCinescope (Italy) SuperTotalscope (Italy) Technirama (1956) Technovision (France) Todd-AO 35 (US) Toeiscope (Japan) TohoScope
List of anamorphic format trade names
List_of_anamorphic_format_trade_names
1963 historical war film directed by Nicholas Ray
"For sheer color magnificence—photographed by Jack Hildeyard in Super Technirama 70—it is as breathtaking as El Cid. Only this time, instead of medieval
55_Days_at_Peking
English cinematographer (1913–2016)
Ealing. He found widescreen equipment sometimes restrictive, finding the Technirama camera system used on Davy (1958) "a block of flats" and difficult to
Douglas_Slocombe
1961 film by Anthony Mann
all photographed with the 70mm color camera and projected on the Super-Technirama screen, give a grandeur and eloquence to this production that are worth
El_Cid_(film)
Motion picture film format
scenes that were not shot on 65 mm IMAX film. 70 mm film Cinerama Super Technirama 70 Todd-AO Ultra Panavision 70 Everett, Todd (May 21, 1992). "Panavision
Super_Panavision_70
American motion picture equipment company
carried the notation "Process lenses by Panavision" next to the Super Technirama 70 logo. The first film to be presented in 70 mm anamorphic—Ben-Hur—was
Panavision
1961 film of the life of Jesus Christ
required lengthy preparation, in which there were 81 individual Super Technirama camera set-ups. The scene took three weeks to film. 7,000 extras were
King_of_Kings_(1961_film)
Optical distortion used in art
and Bilbo, without the use of digital effects. Cinemascope, Panavision, Technirama, and other widescreen formats use anamorphosis to project a wider image
Anamorphosis
1960 film by Ken Hughes
do something everybody says you can't." The production was filmed in Technirama. The movie was an anomaly among the output of Warwick Productions which
The_Trials_of_Oscar_Wilde
Disney Princess and the first animated film to be presented in the Super Technirama 70 widescreen process. Also inspired the live-action media franchise Maleficent
List of animated feature films released theatrically in the United States (1937–1999)
List_of_animated_feature_films_released_theatrically_in_the_United_States_(1937–1999)
Walt Disney Productions 1950–1967 success period
notable for its stylized design inspired by medieval art and its use of Technirama widescreen. The film, however, underperformed at the box office, failing
Disney_Silver_Age
Hong Kong Cantonese-language film production company (1959–1968)
Hong Kong's first Cantonese film shot in Eastmancolor and widescreen (Technirama) format. The mid-1960s James Bond craze spawned further co-productions
Lan_Kwong_Film_Company
Motion picture company established in 1967
the West Cinerama Productions Corp. presents, Security Pictures Super Technirama 70 May 1, 1968 A Minute to Pray, a Second to Die Selmur Pictures Panavision
Cinerama Releasing Corporation
Cinerama_Releasing_Corporation
1958 British film by Michael Relph
comedy to be made by Ealing Studios and was the first British film in Technirama. Davy was intended to launch the solo career of Harry Secombe, who was
Davy_(film)
Period of animation in which theatrical sound cartoons were common and popular
producing his most ambitious movie: Sleeping Beauty. This was filmed in Super Technirama 70 mm film and in stereophonic sound like Fantasia. Sleeping Beauty also
Golden age of American animation
Golden_age_of_American_animation
Early yet successful Wide Screen Film format used in the late 1920s/early 1930s
print. List of film formats List of 70 mm films Super Panavision 70 Super Technirama 70 Ultra Panavision 70 Widescreen [1], where Kreuger lays out an interesting
70_mm_Grandeur_film
1962 Japanese historical epic film about Qin Shi Huang
minutes for the Japanese roadshow release. JMDB also notes a later 35 mm Technirama version dated January 27, 1963. By contrast, the rights-holder catalog
The_Great_Wall_(1962_film)
Productions Traditional First animated feature to be presented in Super Technirama 70 widescreen, Last Disney feature to use traditional inking. January 29
List of animated feature films of the 1950s
List_of_animated_feature_films_of_the_1950s
Device for showing motion picture film
several brand names, including CinemaScope, Panavision and Superscope, with Technirama implementing a slightly different anamorphic technique using vertical
Movie_projector
bandiere Admiral Russell Filmed in Italy Spartacus Sempronius Gracchus Super Technirama 70 Technicolor 1962 Advise & Consent Sen. Seabright Cooley Final film
Charles Laughton on stage and screen
Charles_Laughton_on_stage_and_screen
sharply curtailed feature films using wide-screen formats in 1957, using Technirama for only the most expensive productions. The studio's declining interest
Scope_Gem
American film production company
Artists Henry Hathaway Henry Hathaway John Wayne and Sophia Loren Filmed in Technirama 1958 China Doll United Artists Frank Borzage and Robert E. Morrison Frank
Batjac_Productions
1964 film by Richard Thorpe, James Hill
title is Az aranyfej. It was shot on location in Hungary in the Super Technirama 70 process, and was loosely based on the novel Nepomuk of the River by
The_Golden_Head
1957 film by René Clément
due to a theatrical commitment. Clément shot the film in wide-screen Technirama and Technicolor. He was unable to film in Indochina, the setting of the
This_Angry_Age
Widescreen cinema format
Miracle in the Cinemiracle format. However, it was later produced in Technirama instead. The patents for Cinemiracle were bought by Cinerama and effectively
Cinemiracle
American film production company
picture deal with Bryna Productions. The Vikings began shooting using Technirama cameras and Technicolor film on June 20, 1957, on location near the Finnafjorden
Bryna_Productions
1961 British film by Michael Powell
the beginning of the film, The Queen's Guards was filmed in Technirama. 35mm Technirama release prints were compatible with CinemaScope release prints
The_Queen's_Guards_(film)
– Talking head – Tally light – Technical achievement – Technicolor – Technirama – Techniscope – Telecine – Teleconverter – Telerecording – Television
Index of motion picture–related articles
Index_of_motion_picture–related_articles
Former movie theater in Millcreek, Utah, United States
Lake City Theater to show new widescreen formats, including CinemaScope, Technirama-70, and Cinerama. In 1958, the theater became famous for showing a 10-month-long
Villa_Theatre
American film producer (1908–1994)
film marketed and screened in Cinerama. Circus World was shot in 35 mm Technirama, and was then blown up to 70 mm for a curved projection using anamorphic
Samuel_Bronston
American film production company
negotiating his fee for Some Like it Hot. The Vikings began shooting using Technirama cameras and Technicolor film on June 20, 1957, on location near the Finnafjorden
Curtleigh_Productions
TECHNIRAMA
TECHNIRAMA
TECHNIRAMA
TECHNIRAMA
Boy/Male
Indian, Tamil
Intelligent; Hardwork
Girl/Female
Hindu
One who is real
Boy/Male
Indian, Sanskrit
Ten Lakes
Female
English
English name based on the vocabulary word divine, DIVINA means "goddess-like" or "from heaven."
Boy/Male
Assamese, Indian, Kannada, Sindhi, Tamil
A Chera King
Girl/Female
Hindu, Indian
Female Friend
Girl/Female
American, Australian, British, Christian, Danish, Dutch, English, French, German, Indian, Irish, Norse, Scandinavian, Swedish, Teutonic
Little Raven; Fiery Hill; Burning; Sword-blade; Beacon on the Hill; Feminine of Brendan; Sword; Torch; Flame
Male
English
Anglicized form of Hebrew Palluw, PALLU means "distinguished." In the bible, this is the name of the second son of Reuben.
Boy/Male
Tamil
One of the God name
Girl/Female
Hindu
Digit of the Moon
TECHNIRAMA
TECHNIRAMA
TECHNIRAMA
TECHNIRAMA
TECHNIRAMA