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A prole do bebê—spelled A próle do bébé in the scores, which were published before the 1943 orthography reform—(The Baby's Family) is a collection of
A_prole_do_bebe
by Mutant-Thoughts, in the verses.[citation needed] A próle do bébé No. 2, by Heitor Villa-Lobos. A measure in the fourth movement, "O cachorrinho de borracha"
List of musical works in unusual time signatures
List_of_musical_works_in_unusual_time_signatures
Brazilian composer (1887–1959)
July 1922, Rubinstein gave the first performance of the piano suite A Prole do Bebê (The Baby's Family), composed in 1918. There had recently been an attempted
Heitor_Villa-Lobos
da Carochinha (1919) A Lenda do Caboclo (1920) Carnaval das crianças (1920) A Prole do Bebê, first series (1920) Branquinha (A Boneca de Louça) – Little
List of compositions by Heitor Villa-Lobos
List_of_compositions_by_Heitor_Villa-Lobos
American classical pianist
No. 23 in A major, K. 488 Helen Huang: For Children (1996) Villa-Lobos, A Prole do bebê (8), suite for piano, Book 1 ("A família do bebê"), A. 140 Debussy
Helen_Huang
Guitar piece by Heitor Villa-Lobos
Chôros No. 5, A lenda do caboclo, and "Polichinelo" from A prole do bebe (Villa-Lobos, piano; "Um canto que saiu das senzalas", "Guriata do coqueiro", "Nhapopê"
Prelude_No._1_(Villa-Lobos)
Series of nine suites by the Brazilian composer Heitor Villa-Lobos
Coral (Canto do Sertão) (song of the hinterlands), refers to a song from the arid backlands of the Brazilian northeast. The movement features a clear lyrical
Bachianas_Brasileiras
Composition by Heitor Villa-Lobos
"Major Discoveries: Hamelin’s Transcendent Villa-Lobos: As Trés Marias; A Prole do Bebê Suites Nos. 1 & 2; Rudepoêma. Marc-André Hamelin (piano). Hyperion
Rudepoêma
"Impressões Seresteiras"; A Prole do bebê No. 2: "O Boizinho de Chumbo (Luiz Henrique Senise, piano); A Prole do bebê No. 2: "A Baratinha de papel" and
Piano Concerto No. 2 (Villa-Lobos)
Piano_Concerto_No._2_(Villa-Lobos)
Russian and French pianist (born 1972)
Polichinelo from A prole do bebê No. 1 by Heitor Villa-Lobos (arr. Volodos) — circulated in multiple "as played by Volodos" versions Variations on a Theme from
Arcadi_Volodos
Arthur Rubinstein (January 28, 1887 – December 20, 1982) was a Polish-American pianist. His first recording was made in 1910, but his major recording
Arthur_Rubinstein_discography
Classical Pianist
malgache, 1946), Florent Schmitt (Hasards, 1943), and Villa-Lobos' (A prole do bebe n°2, Chôros No. 8, 1925). She also composed for piano under her birth
Aline_van_Barentzen
Italian piano
Albéniz, Isaac; Villa-Lobos, Heitor Prole do bebê; Mompou, Federico; Villa-Lobos, Heitor Próle do bébé (1955), A Recital of Spanish music on the Siena
Siena_Piano
Orchestral piece by Heitor Villa-Lobos
of which are imitated in the composition (Slonimsky 1945, 147). It does not follow a program, but rather suggests the train and its movement through the
The Little Train of the Caipira
The_Little_Train_of_the_Caipira
Musical
called the play "a bold and stunning departure in the musical theater ... a flaming, opulent, disturbing and imaginative work which does not fit into any
Magdalena: a Musical Adventure
Magdalena:_a_Musical_Adventure
This is a sortable discography of French Canadian pianist and composer Marc-André Hamelin. He records exclusively for the Hyperion label, although he
Marc-André Hamelin discography
Marc-André_Hamelin_discography
E minor and is marked Allegro non troppo. A strong presence of J. S. Bach's Well-Tempered Clavier suggests a miniature Bachiana Brasileira. Étude No. 1
Étude_No._1_(Villa-Lobos)
became president. Although Villa-Lobos tried to go back to Paris, he could not do so until 1948, when the political turmoil generated by World War II had dissipated
Suite_populaire_brésilienne
It is an "old modinha on a popular theme", to a text by Alberto Deodato. Then, it was the first piece in the set, Canção do Marinheiro, which was written
Modinhas_e_canções
Opera by Heitor Villa-Lobos based on the eponymous tragedy by Garcia Lorca
(October): 1260. Faro, A. J. (1984). "Rio de Janaeiro". Opera 35 (February): 188–189. Ferraz, Antonio Paulo (1988). "Yerma". Revista do Brasil 4, no. 1:81–90
Yerma_(opera)
(Donald Brinegar, chorus master); Santa Barbara Symphony Orchestra; Gisèle Ben-Dor, cond. Recorded at Oxnard Center for the Performing Arts, Oxnard, California
Symphony_No._10_(Villa-Lobos)
Miniaturas, W056 (from Portuguese: MIniatures), is a set of six songs for voice and piano by Brazilian composer Heitor Villa-Lobos. The exact dates of
Miniaturas_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Homenagem a Bach" (Homage to Bach), is in the key of A minor
Prelude_No._3_(Villa-Lobos)
conducted by Benito Juarez. Recorded 18–24 June 1984, in the Teatro Interno do Centro de Covivência Cultural da Campinas. LP recording, 4 discs: 12 inch
Piano Concerto No. 3 (Villa-Lobos)
Piano_Concerto_No._3_(Villa-Lobos)
Cuban pianist (1905–1969)
(1954) Mompou / Albéniz — Westminster WL 5382 (1954) Villa-Lobos – A Prole do Bebê (The Baby's Family) — Westminster XWN 18065 (Nov 1954) Turina – Danzas
José_Echániz
Villa-Lobos, it was first performed by the Quarteto Haydn in the Auditório do MEC, Rio de Janeiro, on 3 November 1951. According to another authority, the
String Quartet No. 12 (Villa-Lobos)
String_Quartet_No._12_(Villa-Lobos)
Piano concerto by Heitor Villa-Lobos
Melo, and Diana Santiago. 2004. "A politonalidade no concerto nº 1 para piano e orquestra de Villa-Lobos". In Anais do Simpósio de Pesquisa em Música 2004
Piano Concerto No. 1 (Villa-Lobos)
Piano_Concerto_No._1_(Villa-Lobos)
commissioned by the cellist Aldo Parisot, to whom the score is dedicated. A reduction for cello and piano was published in Paris by Max Eschig. The concerto
Cello Concerto No. 2 (Villa-Lobos)
Cello_Concerto_No._2_(Villa-Lobos)
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 16 (Villa-Lobos)
String_Quartet_No._16_(Villa-Lobos)
Lenda do caboclo. The finale restates motives from all of the preceding parts, especially the main subject of the first movement, to produce a cyclic
String Quartet No. 3 (Villa-Lobos)
String_Quartet_No._3_(Villa-Lobos)
Brazilian composed work
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 13 (Villa-Lobos)
String_Quartet_No._13_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
Prelude No. 4 is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Homenagem ao índio brasileiro" (Homage to the
Prelude_No._4_(Villa-Lobos)
Works by Heitor Villa-Lobos
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 9 (Villa-Lobos)
String_Quartet_No._9_(Villa-Lobos)
Symphony No. 5, subtitled A Paz (Peace), is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1920. The score has been lost. According
Symphony_No._5_(Villa-Lobos)
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 14 (Villa-Lobos)
String_Quartet_No._14_(Villa-Lobos)
Segovia. The piece is in C major and is marked Andantino. Étude No. 5 is a contrapuntal study. The deliberately monotonous accompaniment in broken thirds
Étude_No._5_(Villa-Lobos)
Massachusetts. The piece is in C-sharp minor and is marked Modéré. Étude No. 8 is a study in arpeggios and slurs. The main melody is introduced first in the bass
Étude_No._8_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
in B minor and is marked Très animé – un peu animé – vif. Étude No. 10 is a study in technique that presents great challenges to the player. It is in
Étude_No._10_(Villa-Lobos)
1953 guitar étude written by Heitor Villa-Lobos
and is marked Un peu modéré (Santos 1985, 23). Étude No. 4 is a chord study, but does not employ all of the harmonic and polyphonic resources of the
Étude_No._4_(Villa-Lobos)
Dorian DOR-90205. Troy, NY: Dorian Recordings, 1995. Reissued as part of Heitor Villa-Lobos: The Complete String Quartets. 6 CDs + 1 DVD with a performance
String Quartet No. 1 (Villa-Lobos)
String_Quartet_No._1_(Villa-Lobos)
minor and is marked Lent – Animé – Poco meno – Animé – Lent. Étude No. 11 is a study in arpeggios and chords, involving difficult left-hand stretches and
Étude_No._11_(Villa-Lobos)
Composition by Heitor Villa-Lobos
horn, a B♭ clarinet, an alto saxophone, a bassoon, a contrabassoon, three French horns, a C trumpet, a trombone, percussion (timpani, a bass drum, a side
Momoprecoce
A major and is marked Allegro. A strong presence of J. S. Bach's Well-Tempered Clavier suggests a miniature Bachianas Brasileiras. Étude No. 2 is a study
Étude_No._2_(Villa-Lobos)
minor and is marked Poco allegro Étude No. 6 is a chord study opening with heavily accented chords in a pattern suggesting the Argentine tango (Santos
Étude_No._6_(Villa-Lobos)
Musical composition by Heitor Villa-Lobos
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 10 (Villa-Lobos)
String_Quartet_No._10_(Villa-Lobos)
1950 composition by Heitor Villa-Lobos
Symphony No. 8 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1950. A typical performance lasts about 25 minutes. It was first
Symphony_No._8_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
Prelude No. 5 is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Homenagem à vida social" (Homage to Social Life)
Prelude_No._5_(Villa-Lobos)
Composition by Heitor Villa-Lobos
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 4 (Villa-Lobos)
String_Quartet_No._4_(Villa-Lobos)
Odisséia da paz (Odyssey of the Peace), is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1945. A typical performance lasts about 30 minutes
Symphony_No._7_(Villa-Lobos)
No. 7 is a study, first in rapid scales, then a section of arpeggios supporting a lyrical melody played entirely on the first string, and a return to
Étude_No._7_(Villa-Lobos)
Symphony No. 6, subtitled Sobre a linha das montanhas do Brasil (On the Outline of the Mountains of Brazil), is a composition by the Brazilian composer
Symphony_No._6_(Villa-Lobos)
10 No. 11 No. 12 No. 13 No. 14 No. 15 No. 16 No. 17) Piano works A prole do bebe Rudepoêma Works for guitar solo Chôros No. 1 Études (No. 1 No. 2 No
Étude_No._3_(Villa-Lobos)
nostalgic countryside atmosphere associated with the cavaquinho. Étude No. 9 is a study in arpeggios and slurred notes, developing musical ideas by Carcassi
Étude_No._9_(Villa-Lobos)
trained as a cellist, beginning at age 6 when his father, an amateur cellist, gave him first lessons on a viola converted to a small cello. He became a professional
Cello Concerto No. 1 (Villa-Lobos)
Cello_Concerto_No._1_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
Prelude No. 2 is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Melodia capadócia" (Capadocian Melody), is in
Prelude_No._2_(Villa-Lobos)
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 17 (Villa-Lobos)
String_Quartet_No._17_(Villa-Lobos)
1938 work by Heitor Villa-Lobos
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 6 (Villa-Lobos)
String_Quartet_No._6_(Villa-Lobos)
Symphony No. 12 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1957. A typical performance lasts about 25 minutes. Villa-Lobos
Symphony_No._12_(Villa-Lobos)
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 15 (Villa-Lobos)
String_Quartet_No._15_(Villa-Lobos)
First symphony of Heitor Villa-Lobos
Theatro Municipal, by the Orquestra da Sociedade de Concertos Sinfônicos do Rio de Janeiro, conducted by the composer. At some later date, Villa-Lobos
Symphony_No._1_(Villa-Lobos)
Song composed by Heitor Villa-Lobos
Third Symphony, in September 1920 by the Orchestra do Theatro Municipal conducted by the composer. A recording conducted by the composer lasts just over
Symphony_No._4_(Villa-Lobos)
1953. The piece is in A minor and is marked Animé. The autograph manuscript of Etude No. 12 is dated 1929, Paris. Étude No. 12 is a study in glissandos
Étude_No._12_(Villa-Lobos)
does not appear in the published score. The circumstances of the quartet's first performance are not recorded. The Quarteto popular is the first of a
String Quartet No. 5 (Villa-Lobos)
String_Quartet_No._5_(Villa-Lobos)
Symphony No. 2, subtitled Ascensão (Ascension), is a composition by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed (or began composing)
Symphony_No._2_(Villa-Lobos)
Composition for piano and orchestra by Heitor Villa-Lobos
conducted by Benito Juarez. Recorded 18–24 June 1984, in the Teatro Interno do Centro de Covivência Cultural da Campinas. LP recording, 4 discs: 12 inch
Piano Concerto No. 4 (Villa-Lobos)
Piano_Concerto_No._4_(Villa-Lobos)
the Auditório do MEC on 5 September 1946, Rio de Janeiro, is not certain. However, the score is dedicated to the Quarteto Iacovino. A typical performance
String Quartet No. 8 (Villa-Lobos)
String_Quartet_No._8_(Villa-Lobos)
Composition for string quartet by Heitor Villa-Lobos
Diálogo com a forma cíclica de Franck, Debussy e Ravel". Música hodie 12, no. 1:25–43. Villa-Lobos, Heitor. 1972. "Quartetos de cordas (do número 1 ao
String Quartet No. 2 (Villa-Lobos)
String_Quartet_No._2_(Villa-Lobos)
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 11 (Villa-Lobos)
String_Quartet_No._11_(Villa-Lobos)
a composition by the Brazilian composer Heitor Villa-Lobos, written in 1955. A performance lasts about 25 minutes. On 29 October 1954, along with a number
Symphony_No._11_(Villa-Lobos)
conducted by Benito Juarez. Recorded 18–24 June 1984, in the Teatro Interno do Centro de Covivência Cultural da Campinas. LP recording, 4 discs: 12 inch
Piano Concerto No. 5 (Villa-Lobos)
Piano_Concerto_No._5_(Villa-Lobos)
1942 work by Heitor Villa-Lobos
Macedo Ribeiro, Roberto. 2000. "A escrita contrapontística nos quartetos de cordas de Heitor Villa-Lobos". In Anais do I Colóquio de Pesquisa de Pós-Graduação
String Quartet No. 7 (Villa-Lobos)
String_Quartet_No._7_(Villa-Lobos)
Municipal, Rio de Janeiro, by the Orchestra do Theatro Municipal conducted by the composer, as part of a concert dedicated to the President of Brazil
Symphony_No._3_(Villa-Lobos)
Symphony No. 9 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1952. A performance lasts about twenty minutes. Villa-Lobos composed
Symphony_No._9_(Villa-Lobos)
Nonet, subtitled "Impressão rápida de todo o Brasil" (A rapid impression of the whole of Brazil) is a chamber-music work (with mixed choir) by the Brazilian
Nonet_(Villa-Lobos)
rukopisa". Radovi Zavoda za povijesne znanosti HAZU u Zadru (in Croatian). Prole, Milica; Jensch, Zrinka; Krupić, Lara; Jensch, Erna (2013). Glagoljica na
List of Glagolitic manuscripts (1600–1699)
List_of_Glagolitic_manuscripts_(1600–1699)
Monastery ruins in Derbyshire, England
Stanton. Thereafter the abbot is always named John Bebe. Colvin thought it likely John Bebe of Stanton was a single individual who held the abbacy from 1510
Dale_Abbey_(ruin)
A PROLE-DO-BEBE
A PROLE-DO-BEBE
Female
Swedish
Short form of Swedish Linnéa, NÉA means "twinflower."
Female
Thai/Siamese
Thai name A-GUN means "grape."
Male
Thai/Siamese
Thai name A-WUT means "weapon."
Boy/Male
English, Modern
A Miracle; Inimitably; Do Something which Others cannot do
Girl/Female
Tamil
Shelly | ஷேலà¯à®²à¯€  Â
A way to do work
Shelly | ஷேலà¯à®²à¯€  Â
Female
French
French form of Hebrew Leah, LÉA means "weary."
Boy/Male
Australian, Polish
A Pole
Boy/Male
Australian, French, Polish
A Pole
Female
Polish
Feminine form of Polish LudmiÅ‚, LUDMIÅA means "people's favor."
Girl/Female
Hindu
A way to do work
Female
Egyptian
, a royal lady of the IIIrd or IVth dynasty.
Surname or Lastname
English (Leicestershire)
English (Leicestershire) : variant of Paul or Pool.Americanized spelling of German Pohle or Pohl.
Female
Portuguese
Portuguese name GRAÇA means "graceful."
Female
Polish
Feminine form of Polish BogumiÅ‚, BOGUMIÅA means "God-favor."
Female
Spanish
Spanish form of Greek Sophia, SOFÃA means "wisdom."
Boy/Male
Australian, French, German, Polish
A Pole
Girl/Female
African, Australian, Ghana
First Child After Twins; From Ewe
Boy/Male
Muslim/Islamic
To do something which others cannot do; a miracle; inimitability
Female
Polish
Feminine form of Polish RadomiÅ‚, RADOMIÅA means "happy favor."
Female
Spanish
Feminine form of Spanish PÃo, PÃA means "pious."
A PROLE-DO-BEBE
A PROLE-DO-BEBE
Boy/Male
Tamil
Happy, Joyful
Girl/Female
Norse
Noblewoman.
Girl/Female
Gujarati, Hindu, Indian, Malayalam, Marathi
A New Flower
Surname or Lastname
English
English : topographic name for someone who lived by a fen or marsh (see Fenn).
Surname or Lastname
English
English : habitational name from any of the extremely numerous places (most notably one in Lancashire) so called from Old English prēost ‘priest’ + tūn ‘enclosure’, ‘settlement’; the meaning may have been either ‘village with a priest’ or ‘village held by the Church’.Scottish : habitational name from Presto(u)n, now Craigmillar, in Midlothian.
Boy/Male
Hindu
Peace, Calm
Girl/Female
Tamil
Vision, Knowledge, Intelligence
Boy/Male
Hindu
Bhishma pitamaha
Boy/Male
Indian, Telugu
Good Relation; Relationship with Friends and Neighberhood
Girl/Female
Irish
Aibreann is April in the Irish language.
A PROLE-DO-BEBE
A PROLE-DO-BEBE
A PROLE-DO-BEBE
A PROLE-DO-BEBE
A PROLE-DO-BEBE
a.
Pertaining to, or composed of, prose; not in verse; as, prose composition.
v. t.
To write in prose.
v. t.
To try or to ascertain by an experiment, or by a test or standard; to test; as, to prove the strength of gunpowder or of ordnance; to prove the contents of a vessel by a standard measure.
v. t.
To examine, as a wound, an ulcer, or some cavity of the body, with a probe.
v. i.
To write prose.
v. i.
To fare; to be, as regards health; as, they asked him how he did; how do you do to-day?
v. t.
To take a trial impression of; to take a proof of; as, to prove a page.
v. t.
To set at liberty on parole; as, to parole prisoners.
v. t.
To impel by a pole or poles, as a boat.
v. t.
To stir, as molten glass, with a pole.
v. t. / auxiliary
To put or bring into a form, state, or condition, especially in the phrases, to do death, to put to death; to slay; to do away (often do away with), to put away; to remove; to do on, to put on; to don; to do off, to take off, as dress; to doff; to do into, to put into the form of; to translate or transform into, as a text.
n.
Alt. of Do-nothingness
v. t.
To convey on poles; as, to pole hay into a barn.
v. t. / auxiliary
To see or inspect; to explore; as, to do all the points of interest.
v. t. / auxiliary
To perform, as an action; to execute; to transact to carry out in action; as, to do a good or a bad act; do our duty; to do what I can.
n.
Ado; bustle; stir; to do.
a.
Doing nothing; inactive; idle; lazy; as, a do-nothing policy.
a.
Possessing or exhibiting unpoetical characteristics; plain; dull; prosaic; as, the prose duties of life.
n.
A long, slender piece of wood; a tall, slender piece of timber; the stem of a small tree whose branches have been removed; as, specifically: (a) A carriage pole, a wooden bar extending from the front axle of a carriage between the wheel horses, by which the carriage is guided and held back. (b) A flag pole, a pole on which a flag is supported. (c) A Maypole. See Maypole. (d) A barber's pole, a pole painted in stripes, used as a sign by barbers and hairdressers. (e) A pole on which climbing beans, hops, or other vines, are trained.
v. t.
To ascertain or establish the genuineness or validity of; to verify; as, to prove a will.