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SHALOTT
"The Lady of Shalott" (/ʃəˈlɒt/) is a lyrical ballad by the 19th-century English poet Alfred Tennyson and one of his best-known works. Inspired by the
The Lady of Shalott is a painting of 1888 by the English painter John William Waterhouse. It is a representation of the ending of Alfred, Lord Tennyson's
The Lady of Shalott (painting)
I Am Half-Sick of Shadows, Said the Lady of Shalott is a painting by John William Waterhouse completed in 1915. It is the third painting by Waterhouse
I Am Half-Sick of Shadows, Said the Lady of Shalott
The Lady of Shalott Looking at Lancelot is an oil-on-canvas painting by John William Waterhouse, completed in 1894. It measures 142.2 by 86.3 centimetres
The Lady of Shalott Looking at Lancelot
Academy Council. One of Waterhouse's best known subjects is The Lady of Shalott, a study of Elaine of Astolat as depicted in the 1832 poem by Alfred, Lord
Shalott most commonly refers to: Shalott, an island in the poem The Lady of Shalott (1833 and 1842) by Alfred, Lord Tennyson "Shalott", a song on Emilie
Rosa 'Lady of Shalott' (a.k.a. AUSnyson) is an apricot-orange shrub rose cultivar, bred by British rose breeder, David C. H. Austin and introduced into
mid-19th-century Idylls of the King, and Tennyson's poem "The Lady of Shalott". She should not be confused with Elaine of Corbenic, the mother of Sir
book of poetry, which notably included the first version of "The Lady of Shalott". The volume met heavy criticism, which so discouraged Tennyson that he
also seen in his The Lady of Shalott Looking at Lancelot (1894) and his I Am Half-Sick of Shadows, Said the Lady of Shalott (1916). Those are both based
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