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BASKALA

Rigveda

survived in its entirety. Another śākhā that may have survived is the Bāṣkala, although this is uncertain. The surviving padapāṭha version of the Rigveda

Shakala Shakha

śākhās for the Rigveda: the Śākala, Bāṣkala, Aśvalayana, Śaṅkhāyana, and Māṇḍukāyana, of which only the Śākala and Bāṣkala and few of the Aśvalayana are now

Shakha

shakhas for the Rig Veda, the Śākala, Bāṣkala, Aśvalāyana, Śaṅkhāyana, and Māṇḍukāyana of which only the Śākala and Bāṣkala and very few of Asvalayana are now

Sankhyayana Brahmana

It is also called the Kaushitaki Brahmana. The text is associated with Baskala Shakha of Rigaveda. The text is attributed to the Vedic sage Kaushitaki

Khilani

a collection of 98 "apocryphal" hymns of the Rigveda, recorded in the Bāṣkala, but not in the Śākala shakha. They are late additions to the text of the

Kurdish dance

Akmelî Lo Mîro Baso Lê Gulê Hicrokê Navçeliyê Çoxo Eyşokê Mîrkut Geliyê Başkala (Suka Hewlêrê) Zêrînê Reyhanî Sûrçiyanî Herkiyanî Hey Borî Welato Emer

Prahlada

Genealogy Parents Hiranyakashipu (father) Kayadhu (mother) Siblings Saṃhlāda, Anuhlāda, Śibi, and Bāṣkala (step brothers) Spouse Dhriti Children Virochana

Śrī Sūkta

the Rigveda. These were late additions to the Rigveda, found only in the Bāṣkala śākhā, and the hymn exists in several strata that differ both in content

Kalpa (Vedanga)

Śrautasūtra Sāṅkhāyana Śrautasūtra Âśvalāyana-Gṛhyasūtra Kausîtaki-Gṛhyasūtra (Bāṣkala śakha) Śāṅkhāyana-Gr̥hyasūtra [1] Vasishtha Dharmasūtra Sāmaveda Lātyāyana

Brahmana

Arts (IGNCA) states that the 'Kaushitaki Brahmana [is] associated with Baskala Shakha of [the] Rigveda and [is] also called Sankhyayana Brahmana. It is