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SATB

SATB

In music, SATB is a scoring of compositions for choirs or consorts of instruments consisting of four voice types: soprano, alto, tenor and bass. Four-part

Tenebrae Responsories (Victoria)

Matutinum 1. Amicus meus – SATB 2. Judas, mercador pessimus – SSAT (also TTBB) 3. Unus ex discipulis – SATB 4. Eram quasi agnus – SATB 5. Una hora – SSAT (also

List of Bach cantatas

abbreviations of performers are given for solo singers, choir (typically SATB), brass instruments (plus timpani), woodwinds, strings, keyboard and basso

List of compositions by John Rutter

Carol for SATB and piano or orchestra Flemish Carol from Carols for Choirs 3 for SATB and piano or orchestra "A Flower Remembered" for SATB or SAA, published

Nelson Mass

SATB) Osanna in excelsis, Allegro, D major, 3/4 Agnus Dei, Adagio, G major, 3/4 (soli SATB) Dona nobis pacem, Vivace, D major, common time (soli SATB)

List of compositions by Herbert Howells

double choir SATB.SATB unaccompanied (1913) Nunc Dimittis − motet for double choir SATB.SATB unaccompanied (c. 1914) Regina Caeli for SATB unaccompanied

Patrick Hawes

Youth for SATB & orchestra Ave Maria for SATB unaccompanied Behold The King for SATB & Organ Be Still for SATB unaccompanied Beatitudes for SATB & piano

Ubi caritas

to a SATB choir piece. Rene Clausen has set the Ubi Caritas text to an SATB choral piece. Patrick O'Shea has set the Ubi Caritas text as an SATB choral

Sydney Guillaume

(2016) Tchaka, SATB with percussion (2016) Ranpono, SATB a cappella (2016) Ansanm Ansanm, SATB with conga drum (2017) Alleluia Amen, SATB double choir a

Requiem (Mozart)

vocal forces consist of soprano, contralto, tenor, and bass soloists and an SATB mixed choir. Süssmayr's completion divides the Requiem into eight sections: